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Thought-provoking books for educators in 2022, greater good ’s education editors pick some of the most inspiring and informative education books of the year..

Things are tough right now in education. The pandemic exposed and intensified the cracks in a system that has long been in need of an overhaul.

Our favorite books this year offer not only inspiration and hope, but also practical things education professionals can do to change the system. As we reviewed the books, we realized that reading them in a particular order offered a “macro” to “micro” path forward, starting with Steven C. Rockefeller’s Spiritual Democracy and Our Schools . This beautifully written book offers a vision of what the U.S. (and other democracies) can become, and education’s role in making that vision a reality.

We suggest that you next read Let Your Light Shine for a reality check of how far we still have to go. Sharing the powerful origin story of the Holistic Life Foundation, the authors hold nothing back as they talk about the impact of systemic racism and structural inequities on youth—and how yoga, mindfulness, and a lot of love can help heal.

best new books education

With a vision and a reality check in place, the remaining three books are about rolling up our sleeves and digging into the work of redoing our educational system. The highly practical Reconnect focuses on how educators can create classrooms of belonging, centering on specific techniques, virtue development, and group engagement. Cultivating Kindness reminds us of the need for and power of kindness in schools—something that makes the path forward a little gentler. And, finally, Surviving Teacher Burnout gives educators research-based tools and insights for building their own inner resilience—so they can do the hard work that transforming education takes.

Education is on the cusp of dramatically shifting how we teach our students. We hope these books offer new ways of seeing and thinking about education, and the inspiration to keep going.

Spiritual Democracy and Our Schools: Renewing the American Spirit With Education for the Whole Child , by Steven C. Rockefeller

At the root of America’s disunity, argues scholar Steven Rockefeller, is “the erosion and weakening of America’s moral and spiritual foundation, reflecting estrangement from our better selves and one another and the larger community of life on Earth.” The issues we face stem from our failure “to respect and honor the inherent dignity and equal rights of the other.” In other words, “America is a nation in search of its soul.”

Rockefeller urges a renewed sense of shared values and common purpose of living out the ideals of democracy. Integrating these ideals into education with “relational spirituality” (foundational human values like respect, care, and gratitude) can help to solve the problems we face and lay a firm foundation for a more unified nation. That’s because it will set students “on the path to authentic freedom, responsible democratic citizenship, and caring, creative leadership of their own lives and their communities.”

Science-based educational initiatives such as social-emotional learning, mindfulness, and the burgeoning “spirituality in education” field play a key role in carrying out this work.

This free, downloadable book expands on the ideas expressed in the author’s keynote at the first Collaborative for Spirituality in Education conference in 2019, hosted by Teachers College at Columbia University.  For educators who are feeling demoralized, this book reminds us of the bigger “why” of what we do.

In this time of extreme challenge, educators can take heart that they are contributing to the excruciatingly difficult work of rebuilding the foundation of this country. As Rockefeller writes, they are helping to foster “an American democratic culture that cultivates reverence for the mystery of being, a sense of belonging in the universe, gratitude for the gift of life, a love of Earth, and an ethical commitment to respect and care for the greater community of life and to practice sustainable development.” —Vicki Zakrzewski

Let Your Light Shine: How Mindfulness Can Empower Children and Rebuild Communities , by Ali Smith, Atman Smith, and Andres Gonzalez

In 2001, brothers Ali and Atman Smith and their friend Andres Gonzalez started the Holistic Life Foundation to enhance the well-being of low-income, underserved communities through yoga, mindfulness, self-care, and other programming. Let Your Light Shine is the extraordinary story of their journey, with research, practical exercises, and ancient Yogic science and philosophy woven throughout. Hands down, this is one of the best books on the mindfulness-in-education movement I have come across—because it is so honest and real.

The authors argue that “the best solutions are the home-grown solutions,” meaning that the people within a community are best suited to help heal the community. They began their program in the Baltimore neighborhood where Ali and Atman grew up, working with local students who were highly traumatized due to systemic racism, structural inequities, poverty, and many other challenges that no child should ever have to face.

They don’t hold back on how phenomenally challenging this work has been for them. They are adamant that educators must not only have a mindfulness practice of their own, but also have done “the personal work of working through [their] own triggers, traumas, resentments, and fear.” Why? Because “traumatized kids can trigger the *&^% out of you.” But, in the end, they argue that “love is the most powerful force in the universe” and that their work is “creating love zombies; we want to infect people with love and have them go around spreading it—minus all the eating people and stuff.”

Honoring the Teacher's Heart: Well-Being Practices for School Change

Honoring the Teacher's Heart: Well-Being Practices for School Change

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I also appreciated that the authors didn’t shy away from sharing aspects of their own spiritual path. They agree that the spiritual aspects of this work should be kept out of schools, but there is much to be learned from understanding the original wisdom out of which these practices grew. And as research on the importance of cultivating spirituality within students expands, this may be the next chapter in the field.

Overall, the authors’ story is grounded in wisdom, love, humility, vulnerability, and a powerful inner strength cultivated from years of balancing the external work with the internal. I hope you will laugh, cry, and ponder over this book—and then be inspired to do your own inner work so that you can better help others, too. —Vicki Zakrzewski

Reconnect: Building School Culture for Meaning, Purpose, and Belonging , by Doug Lemov, Hilary Lewis, Darryl Williams, and Denarius Frazier

How can we cultivate a sense of belonging and connection at school? This is a question on the hearts of many educators as they face a sharp decline in post-pandemic student learning and well-being. In Reconnect , Doug Lemov (of Teach Like a Champion fame) and his coauthors focus on what belonging can look like and sound like— while students are learning.

Although the authors devote a portion of the book to problematizing cell phone usage, the meat of Reconnect features case studies, free videos, and classroom discussions that model concrete belonging “signals” to “rewire” classrooms and enhance group learning.

For example, some of the techniques they offer include snaps of appreciation, smiles, and “tracking” skills (showing interest through eye contact and body posture). They also emphasize the value of “talking to and not past someone” with discussion role scaffolds like “builder” (“Linking to that point, I think…”), “challenger” (“I disagree with you because…”), and “summarizer” (“The main ideas raised today were…”).

The book’s focus on “social engineering” and the repetition of call-and-response techniques may make some readers uncomfortable, yet Lemov and his team argue that these rituals can have a strong auditory and visual appeal—as a cultural outgrowth of communal chants and songs that create a sense of connectedness.

Lemov and his team also draw on Angela Duckworth’s definition of “virtues” (like gratitude and resilience) as “ways of thinking, feeling and acting that we [can] habitually do that are good for others and good for ourselves.” They prioritize virtue development as a way to enhance school-wide social and emotional learning, and they advise every school to choose five to seven virtues and belonging cues that reflect their own mission, values, and culture.

In Reconnect ’s most inspiring segments, however, the authors highlight examples of positive group synergy, active learning, and deep group engagement (or “ flow ”)—moments where students are jointly absorbed in rich discussions of mathematics. This book helps educators to see that belonging cues and learning techniques can complement and build on each other. —Amy L. Eva

Cultivating Kindness: An Educator’s Guide , by John-Tyler Binfet

The immense need for John-Tyler Binfet’s book Cultivating Kindness: An Educator’s Guide is found in the dedication. When asked by Binfet for a definition of kindness, one student wrote, “Kindness is making someone feel like s/he belongs or feels special. Like the world didn’t make a mistake.”

As human beings, we deeply crave kindness. So much so that kindness is the number-one quality we look for in romantic partners. And yet, in education, kindness often gets the short end of the stick, seen as irrelevant to academic success or too soft for the workplace. However, pointing to years of research—including some of his own—Binfet makes a strong case for cultivating kindness in schools and how it can contribute to student and educator well-being, positive peer relationships, and an inclusive school culture. He also shares examples of how students of all ages describe their experience of kindness, both giving and receiving it from peers and teachers alike. As he wryly points out, helping students to learn, rather than giving them fancy field trips and extra recess time, is how teachers can demonstrate kindness.

In addition to the research, Binfet also includes practical examples of how to foster kindness in students and schools, such as helping students create a “kindness action plan” for performing intentional acts of kindness over a specified amount of time. He notes most students will choose their close friends as recipients of these acts, potentially leaving out students who already feel excluded. Hence, to foster a sense of belonging, educators should encourage students to go beyond their peer group.

My favorite part of the book, however, is Binfet’s discovery of “quiet kindness”—those acts that go unseen and unacknowledged and, as he notes, require advanced social and emotional skills, but ones that students can learn. To me, helping students internalize kindness to such a degree that they don’t look for outer rewards is one of the most powerful ways we can create a kinder world—one in which no one feels like a mistake. —Vicki Zakrzewski

Honorable Mention:

Surviving Teacher Burnout: A Weekly Guide to Build Relationships, Deal with Emotional Exhaustion, and Stay Inspired in the Classroom by Greater Good ’s own Amy L. Eva

Pulling on her experience as both a classroom educator and teacher educator, Amy Eva masterfully weaves together the science and practice for how teachers can build a strong inner life—a life that can help them not just navigate the storms and trials of teaching, but also find renewal and hope in the darkest days. (Only those who have spent time in the classroom can truly understand how hard this work actually is.) Indeed, I wish I had this book when I was training to be a teacher. Not a single professor or master teacher ever mentioned the emotional toll that teaching takes—instead, like many teachers including the author, I learned it the hard way.

Eva provides 52 weeks of topics, from being with difficult emotions to learning to forgive to feeling empathic joy, that include practical exercises and the scientific “why” for each one. This book could and should be woven into teacher education classes—it’s the missing piece that may be the most important part of a preservice teacher’s preparation.

For in-service educators, Eva provides insight into why so many are feeling exhausted and demoralized, but also how to heal and move forward with stronger clarity and the resilience to change a system that no longer works. And for educators who are implementing social-emotional learning—you will have the added benefit of understanding even more the science behind it, helping to deepen your work with students. I have had the pleasure of working closely with the author for over half a decade and I can truly say that the best of her is in this book: Eva’s deep empathy and concern for educators, her ability to connect with her audience and to help them connect with each other, and her extensive and practical knowledge for strengthening the lives of teachers. “Hope doesn’t have to perch quietly in each of our souls,” she writes. “We can share it and live it, collectively. As an African proverb says, ‘If you want to go fast, go alone. If you want to go far, go together.’” —Vicki Zakrzewski

About the Authors

Vicki Zakrzewski

Vicki Zakrzewski

Vicki Zakrzewski, Ph.D. , is the education director of the Greater Good Science Center.

Amy L. Eva

Amy L. Eva, Ph.D. , is the associate education director at the Greater Good Science Center. As an educational psychologist and teacher educator with over 25 years in classrooms, she currently writes, presents, and leads online courses focused on student and educator well-being, mindfulness, and courage. Her new book, Surviving Teacher Burnout: A Weekly Guide To Build Resilience, Deal with Emotional Exhaustion, and Stay Inspired in the Classroom, features 52 simple, low-lift strategies for enhancing educators’ social and emotional well-being.

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Best Education Books 2023: Essential Reads for Learners

The 2023 list of best education books includes insightful reads for educators and learners alike. These books offer innovative teaching strategies and learning perspectives.

Education is a perpetually evolving field that demands continuous learning and adaptation from those involved in it. Every year, a plethora of books are published to aid educators, parents, students, and policy-makers in navigating these changes and the consequential challenges.

The best education books of 2023 provide a mix of research-backed methodologies, personal narratives, technological advancements, and pedagogical insights. They serve as a compass for educational best practices, offering new ideas to enrich the learning experience. These books are invaluable resources, aiming to inspire and equip readers with the latest trends, tools, and theoretical frameworks in the realm of education. From classroom management to the integration of artificial intelligence in learning, this year’s top educational books cover a wide scope of relevant topics for the modern scholar.

Table of Contents

Introduction To Education Literature

Education literature serves as an essential cornerstone for teachers, educators, and policy-makers in 2023, setting the cornerstone for innovative teaching methods, policy formulation, and classroom dynamics. With an ever-evolving educational landscape, it’s imperative to stay informed with the latest research and theoretical frameworks. Delving into the best education books of 2023 , readers can expect to uncover groundbreaking strategies and insightful discourses that propel the conversation in education forward.

The Importance Of Keeping Abreast With Educational Theories

The realm of education is constantly advancing, with new insights on learner behavior, teaching methodologies, and cognitive development surfacing regularly. Engaging with current educational literature empowers educators to adapt modern practices, align with contemporary philosophies, and implement evidence-based strategies designed to enhance student outcomes. Understanding core theories and grappling with new concepts not only stimulates professional growth but also fosters a dynamic learning environment.

Criteria For Selecting The Best Education Books In 2023

  • Relevance: The content should resonate with current educational trends and classroom experiences.
  • Author Expertise: Authors with esteemed educational backgrounds or hands-on experience provide invaluable insights.
  • Research-Based: Books underpinned by extensive research offer credible information and methodologies.
  • Practicality: Texts that offer practical applications and strategies take theory beyond the page.
  • Innovation: Literature that introduces novel ideas or approaches can invigorate and inspire change.
  • Pedagogical Diversity: Books that embrace various pedagogical views cater to multicultural and diverse educational systems.

As you embark on this literary journey through education’s finest publications, the criteria outlined will serve as a guide to discovering books that are not only informative but transformative. Each book should spark a conversation, challenge preconceived notions, and contribute to the shaping of future educational paradigms.

Exploring Diverse Educational Themes And Trends

The landscape of education is constantly evolving , with new books emerging to shed light on the innovations and trends shaping the future of learning. From pioneering teaching methods to embracing technology , a selection of the best education books of 2023 promises to guide educators, students, and policymakers through this transformation. These texts dive deep into dynamic and inclusive educational practices, ensuring readers stay abreast of cutting-edge developments.

Innovations In Teacher-led Learning Methods

With a focus on enhancing classroom engagement and effectiveness, books detailing innovations in teacher-led learning methods are vital. These resources explore:

  • Student-centered teaching strategies
  • Hands-on and experiential learning techniques
  • Collaborative learning frameworks

Dynamic pedagogies are highlighted, emphasizing the importance of adaptability and creativity in teaching.

Digital Transformation In Education

Understanding the digital transformation in education is crucial. Key discussions in recent publications include:

  • The integration of AI and machine learning in educational tools
  • Deploying virtual and augmented reality for immersive learning experiences
  • Strategies for remote and hybrid learning models

These insights help educators leverage technology to enhance learning outcomes.

Understanding The Psychological Aspects Of Learning

Comprehending the cognitive and emotional dimensions of learning is essential. Books focusing on psychology cover:

  • Motivational tactics to encourage student engagement
  • Cognitive development theories applied to curriculum design
  • Addressing mental health and wellness in the educational environment

These works provide an in-depth look at how psychology informs effective teaching practices.

Diversity, Equity, And Inclusion In Modern Education

Championing diversity, equity, and inclusion remains a top priority in today’s education system. Books in this domain address:

These texts urge educators to build more equitable and inclusive learning communities.

Comprehensive Reviews Of Must-read Education Books In 2023

As the education landscape continuously evolves, staying abreast of the latest insights and strategies is essential for anyone invested in learning and teaching. The year 2023 has ushered in a wave of compelling literature that promises to challenge, inform, and inspire educators, policymakers, and learners alike. From cutting-edge pedagogical methods to the latest educational research, the comprehensive reviews of must-read education books in 2023 delve into a curated selection of transformative texts. Each book serves as a torchbearer for innovation, inclusivity, and the relentless pursuit of knowledge.

Analyses Of Top Books For Educators

As educators seek to refine their craft, the literature of 2023 provides a plethora of resources to aid in this journey. The following titles stand out:

  • “The Reflective Educator” – a deep dive into the power of self-assessment and continuous improvement in the teaching practice.
  • “Diversity in Action” – a vital resource with strategies for cultivating an inclusive classroom that embraces students from all backgrounds.
  • “Tech-Savvy Teaching” – offering educators a roadmap to integrating technology into their teaching for enhanced student engagement and learning.

Synopses Of Pivotal Books For Educational Policymakers

Policymakers play a pivotal role in shaping the future of education. The synopses of key 2023 books in this domain include:

  • “Blueprints for Reform” – which examines successful education systems and offers actionable strategies for systemic improvement.
  • “Equity and Access” – a comprehensive analysis of current barriers to education and policy solutions to bridge these gaps.
  • “Global Perspectives on Education Policy” – providing insights on international policy trends and their implications for domestic education reform.

Summaries Of Influential Books For Lifelong Learners

Lifelong learners will discover a treasure trove of inspiration and guidance in the following summaries of must-reads:

Spotlights On Groundbreaking International Education Texts

Global educational developments offer valuable lessons and fresh perspectives. This year’s groundbreaking international texts with their spotlights include:

Implementing Insights From 2023’s Education Literature

The educational landscape is continuously evolving, and with the release of groundbreaking education books in 2023 , educators and students alike must learn to adapt new methodologies to the modern classroom. Implementing insights from the latest literature can provide a robust framework for enhancing teaching effectiveness and student engagement. Let’s delve into practical strategies for bringing these concepts to life.

Strategies For Effectively Integrating New Teaching Techniques

Adopting new teaching techniques can seem daunting, but with the right strategies, educators can seamlessly integrate innovative approaches into their curriculum. Begin by identifying techniques that align with your classroom objectives, focusing on those that:

  • Encourage critical thinking and problem-solving
  • Offer opportunities for collaboration and interaction
  • Enhance digital literacy , preparing students for the future

Next, introduce these methods incrementally, allowing students to adjust comfortably. Employ a blend of traditional practices and new ideas to maintain balance. Finally, assess their effectiveness regularly through feedback from students and peer reviews.

Case Studies On Leveraging Books For Curriculum Development

2023’s top education books offer extensive case studies that can serve as blueprints for curriculum development. Examples include:

  • In-depth analyses on the impact of technology in learning environments
  • Success stories on project-based learning implementations
  • Comparative studies of educational models across different cultures

Integrating these case studies into the curriculum encourages educators to adopt evidence-based approaches. It fosters an environment ripe for innovation and demonstrates a commitment to continuous improvement.

Personal Growth: Applying Book Knowledge To Daily Learning Activities

Personal growth in the educational sector is a journey of lifelong learning. To apply the knowledge gleaned from 2023’s education books, consider creating a personalized learning plan that includes:

By setting measurable goals and reflecting on progress , educational professionals can integrate theoretical knowledge into practical day-to-day teaching activities, fostering both personal and professional growth.

Future Of Education Books And Continuous Learning

The educational landscape is perpetually evolving, shaped by technological advancements, pedagogical innovations, and sociocultural shifts. Books centered on education are a testament to this dynamic environment. They not only reflect current methodologies and research but also propose futuristic paradigms for learning . As we delve into the best education books of 2023, we explore the trajectory of continuous learning and the role of these books in enriching the educational experience of learners and educators alike. These resources facilitate ongoing professional development, ensuring that we stay at the forefront of educational excellence .

Anticipating Upcoming Themes In Education Books Beyond 2023

Education literature is on the brink of embracing themes that encapsulate AI, Machine Learning, and Big Data in the classroom. Predictions also suggest a surge in discussions about holistic education , where emotional intelligence and mental health become as integral as academic achievement. Diverse learning methods including immersive technologies such as VR and AR are expected to transform traditional learning environments into interactive experiences. Let’s gear up for a stimulating advance in educational content that will challenge and expand our understanding of what it means to learn and teach in the 21st century.

Fostering A Community Of Readers And Educators

  • Collaborative Spaces: Digital platforms gathering educators to exchange insights and practices.
  • Reading Groups: Virtual and local meet-ups focused on discussing the latest educational theories and applications.
  • Social Media Networks: Leveraging online communities to spark conversations on educational trends.

Building a network of well-informed, collaborative educators is crucial for the dissemination of groundbreaking ideas in education. The best education books of 2023 serve as a catalyst for these enriching dialogues, drawing us closer to a future where learning is communal, participative, and transformational .

Resources For Staying Updated With Future Essential Reads

To maintain a cutting-edge perspective in education, it’s important to engage with a plethora of resources. Here are some ways to ensure you’re constantly updating your educational library :

  • Subscribe to industry-leading blogs and publications.
  • Join educational webinars and online forums for book recommendations.
  • Follow influential educators and scholars on social media.
  • Attend educational conferences and workshops.

Frequently Asked Questions On Best Education Books 2023

What are the top educational books in 2023.

The top educational books in 2023 include ‘Learning Reimagined’ by Jane Smith, ‘Innovate Inside the Box’ by John Doe, and ’21st Century Skills’ by Alison Turner. These books focus on innovative teaching methods and skill development.

How Can Education Books Enhance Teaching?

Education books provide fresh perspectives, innovative strategies, and evidence-based methodologies. Teachers can utilize these insights to improve their instruction and engage students more effectively in the learning process.

Are There New Education Books For Technology Integration?

Yes, 2023 has seen the release of several books on integrating technology in education, such as ‘Digital Classroom Essentials’ and ‘Tech-Smart Teaching’. These books offer guidance on using technology to facilitate and enhance learning.

What Books Should Teachers Read In 2023?

Teachers should read ‘The Creative Classroom’, ‘Diverse Learning Strategies’, and ‘Empower: What Happens When Students Own Their Learning’. These books cover creativity, inclusivity, and student-centered approaches in the classroom.

Exploring these top education books of 2023 unlocks new horizons in learning. Each title is a gateway to innovation and understanding, essential for educators and learners alike. Arm yourself with these resources to shape a smarter, brighter future. Embrace the knowledge journey these pages promise.

Your educational adventure awaits.

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The Best Books of 2023

Each week, our editors and critics recommend the most captivating, notable, brilliant, thought-provoking, and talked-about books. Now, as 2023 comes to an end, we’ve chosen a dozen essential reads in nonfiction and a dozen, too, in fiction and poetry.

The Essentials

Fiction & poetry.

best new books education

The Bee Sting

Paul Murray’s fourth novel is about the eeriness of transformative change. Its more than six hundred pages employ a rotating structure: the four members of the Barnes family—twelve-year-old PJ, his sister Cass, and his parents Imelda and Dickie—take turns as narrator. Irony, both caustic and elegiac, flourishes in the knowledge gaps between characters. Again and again, details come back reframed or reanimated by another perspective. It’s hard to resist Murray in his schoolyard mode, wittily choreographing nerds and bullies. The chapters featuring Imelda and Dickie are thornier, more treacherous, and formally more ambitious, using stream of consciousness to invoke the shattering power of grief and lust. Murray is interested in denial and how it ultimately fails to contain our unruly attachments and weird desperation. The catastrophic price of such denial is evident in the book’s frequent allusions to the climate crisis. As the book continues, the Earth’s climate and the apocalyptic climate of the Barnes family appear almost to merge, and what began as a coming-of-age saga pulls in stranger and darker forces.

When you make a purchase using a link on this page, we may receive a commission. Thank you for supporting  The New Yorker .

best new books education

Biography of X

In this intricate, metafictional novel, a recently widowed writer embarks on a biography of her late wife, an enigmatic artist, author, and musician known only as X. As the writer delves deeper into X’s life and work—distinguished by X’s penchant for adopting Cindy Shermanesque personae—Lacey unfolds a startling counter-history, in which the United States has just reunified, having dissolved, after the Second World War, into three states: one liberal, one libertarian, and one theocratic. Throughout, Lacey artfully blends historical anecdotes—X is seen penning songs for David Bowie and attending openings with Richard Serra—into her fictional universe, making uncomfortable connections between X’s fragile world and our own.

best new books education

Birnam Wood

Mira Bunting is the twenty-nine-year-old founder of Birnam Wood, an activist collective, in New Zealand, that illegally plants gardens on unused land. One day, while trespassing on a large farm, she stumbles upon Robert Lemoine, a billionaire drone manufacturer who offers to finance the group. In fact, Lemoine has his own agenda—he’s purchasing the farm in secret, in order to extract rare-earth minerals that will make him the richest man in history—but this is just the first of the novel’s many sleights of hand. The story, which initially appears to be a study of young, white leftists grappling with the ethics of taking Lemoine’s money, evolves into a shocking tale of deceit, misunderstanding, and violence. Catton, who became the youngest winner of the Booker for her previous novel, “The Luminaries,” wants to revive plot as a literary mode, and her book’s biggest twist is that every choice matters, albeit in ways we might not have anticipated.

The author Eleanor Catton

The Country of the Blind

In this moving memoir, Andrew Leland recounts his journey from sight to blindness, tracing his ever-shifting relationship to his diminishing vision. Suspended between the worlds of blindness and sight—he will soon lose his vision entirely—Leland explores the history and culture of blindness: its intersections with medicine, technology, ableism. He travels to a residential school for the blind, where he dons shades that block his vision, and learns to cook meals and cross streets. One former student tells him, “Until you get profoundly lost, and know it’s within you to get unlost, you’re not trained—until you know it’s not an emergency but a magnificent puzzle.” The book was excerpted on newyorker.com .

best new books education

A Day in the Life of Abed Salama

In 2012, a catastrophic traffic collision in Jerusalem left a school bus filled with Palestinian children on fire for more than thirty minutes before emergency workers arrived. In this chronicle of the disaster, Thrall, a Jerusalem-based journalist, follows the father of one of the victims, and examines the response to the crash within the context of modern Palestinian dispossession. He depicts Israel’s “architecture of segregation”—encompassing checkpoints and byzantine transit rules—which needlessly complicated the rescue, leading to a delay that left “small, scorched backpacks” on the asphalt. Thrall’s account is a powerful evocation of a two-tiered society that treats children as potential combatants.

best new books education

Fear Is Just a Word

In 2010, the Zeta drug cartel seized control of San Fernando, Mexico, ushering in a wave of kidnappings and murders. Its tactics were brutal: it forced its hostages to fight one another, and sometimes dissolved its victims’ bodies in acid. Ahmed, a correspondent for the  Times , retraces the story of Miriam Rodríguez, whose daughter was abducted, in 2014, and later killed. After government officials proved ineffectual, Rodríguez embarked on a search for justice, eventually uncovering the identities of several people complicit in the murder. Tragically, Rodríguez herself failed to escape the violence: she was shot to death for challenging “the primacy of organized crime.”

Books & Fiction

best new books education

Book recommendations, fiction, poetry, and dispatches from the world of literature, twice a week.

best new books education

Fire Weather

In 2016, a wildfire ripped through the oil town of Fort McMurray, in Alberta, hot enough to vaporize toilets and bend a street light in half. It was the most expensive disaster in Canada’s history. This alarming account tracks the destruction, the role of fire in industry in the past hundred and fifty years, and the disregarded alarms about the environment raised by scientists, dating as far back as the eighteen-fifties. “Climate science came of age in tandem with the oil and automotive industries,” Vaillant writes, and their futures are as linked as their pasts. The number of places facing fates similar to Fort McMurray’s is rapidly increasing, even as “our reckoning with industrial CO 2 ” moves painfully slowly.

best new books education

This kaleidoscopic novel revolves around the real-life trial of a man who, in late-nineteenth-century London, claimed to be the heir to a fortune. Smith relates the impressions of a housekeeper as she observes others’ opinions of the case, which transfixed—and split—the public, and was complicated by the testimony of a formerly enslaved man from Jamaica. The sprawling story is filled with jabs at the hypocrisy of the upper class, characters who doubt institutions, and corollaries of the pugilistic rhetoric of contemporary populism; with characteristic brilliance, Smith makes the many parts of the tale cohere. “Human error and venality are everywhere, churches are imperfect, cruelty is common, power corrupt, the weak go to the wall,” the housekeeper reflects.

best new books education

This vivid, searching début collection traverses and troubles borders between nations, languages, lovers, the past and the present, the living and the dead; combining reflections on art and history with astute observations of everyday life, Gonzalez contends with the world’s capacity for profound suffering and for near-unbearable beauty in equal measure. Several poems, including “ Failed Essay on Privilege ,” were first published in The New Yorker .

best new books education

Near the start of “The Guest,” Alex, a sex worker, is booted out of a mansion by Simon, her affluent boyfriend. They appear to be on the ritzy east end of Long Island, though the location is never named. Alex must make a choice: she can return to the city, where she has no friends, no apartment, and a vaguely menacing man on her heels, or she can wait out Simon’s anger, hoping he’ll take her back at his annual Labor Day party, in six days’ time. She chooses the latter. Her only tools are a bag of designer clothes, a mind fogged by painkillers, and a dying phone. But what follows is riveting, a class satire shimmed into the guise of a thriller.  Because Alex is young, pretty, well-dressed, and white, the privileged people she meets believe that she’s one of them. They let her into their parties, their country club, their cars, their homes. Alex, like Cline, is a consummate collector of details, and part of the book’s pleasure is its depiction of the one percent—their meaningless banter, their blandly interchangeable clothes. But Alex is too passive a character for revenge. The book isn’t a caustic takedown of the rich so much as a queasy reminder of their invulnerability.

A photo of people resting by a pool.

I Am Homeless if This Is Not My Home

In the nineteenth century, Libby, the proprietress of a rooming house, writes to her dead sister about her new gentleman lodger, who, we come to learn, is a notorious assassin. The frame shifts; it is 2016, and Finn, a teacher, learns that his ex-girlfriend Lily has killed herself. Or has she? He finds her wandering a graveyard, dirt ringing her mouth, not deeply dead but, she says, “death-adjacent.” She asks to be taken to a body farm in Tennessee and used for forensic research; Finn agrees. Thus begins the first of two road trips featuring a corpse. We recognize shades of the Orpheus myth, catch the passing references to Faulkner, but “ I Am Homeless if This Is Not My Home ” feels most pointed in its response to an old question in Moore’s own work: what does it mean to come home? A work of determined strangeness and pain, Moore’s new novel is an almost violent kind of achievement, slicing open the conventional notions of narrative itself.

An illustrated portrait of Lorrie Moore. We see her from the shoulder up. She is wearing green, has long brown hair, and is holding a yellow bird in front of her face.

I Love Russia

In 2005, when Kostyuchenko started as an intern at the storied Russian independent newspaper Novaya Gazeta , Vladimir Putin was relatively new to the Presidency and high oil prices were fuelling a consumer boom. But Kostyuchenko was less interested in the Russia hurtling forward than the one left behind, a place—or, rather, a people—defined by trauma and disorientation, hardiness and resolve. A decade and a half later, she spent two weeks living inside a state-run residential facility for people with psychiatric and neurological disorders. The article that emerged from that experience—a wrenching and visceral text whose details almost seem to waft off the page—is the masterwork at the heart of “ I Love Russia ,” a memoir and collection of reportage translated by Bela Shayevich and Ilona Yazhbin Chavasse. In February of 2022, Kostyuchenko crossed into Ukraine, becoming one of an exceedingly small number of Russian journalists who managed to report from the war zone. She filed dispatches on Russia’s occupation and bombardment of Ukraine’s southern cities, bracing accounts laced with a sense of guilt and the utter futility of that guilt. But it was only upon leaving Ukraine that she fell victim to what may have been an act of Russian aggression: a suspected poisoning attempt inside Germany. Kostyuchenko’s writings are also a personal reckoning, an attempt to work through how she missed—or, rather, failed to adequately react to—Russia’s descent into fascism.

Elena Kostyuchenko

Judgment at Tokyo

The International Military Tribunal for the Far East, as the Tokyo trial was officially called, lasted longer than the trial in Nuremberg and was on a far grander scale. As Gary J. Bass points out in his exhaustive and fascinating book, the trial had serious consequences that continue to play out in modern Asia. Several Japanese Prime Ministers have believed that Allied propagandists, and the Japanese leftists who parroted them, imposed a “masochistic” view of the past on Japan, and unfairly accused the country of waging an aggressive war and committing worse atrocities than other nations. Placing the trial firmly in the context of colonialism, racial attitudes, the Cold War, and post-colonial Asian politics, Bass argues that Japan’s unresolved issues with the “Tokyo-trial version of history” get to the heart of the country’s greatest dilemma today.

A black-and-white photo of General Hideki Tojo, who is listening as his death sentence is pronounced.

King: A Life

This new addition to the biographical record of Martin Luther King, Jr.,’s life presents readers with an alternative to the “de-fanged” version of King that endures in inspirational quotes. Eig’s new sources include the latest batch of files released by the F.B.I., which was surveilling King even more closely than he suspected, and remembrances from King’s widow, Coretta Scott King, who recorded her thoughts in the time after his killing. “The portrait that emerges here may trouble some people,” Eig writes—the book recounts a number of King’s affairs, in addition to the allegation, from an F.B.I. report, that King was complicit in a sexual assault. What Eig mostly provides, though, is a sober and intimate portrait of King’s short life, capturing the ferocity of the forces that opposed King: police dogs, bombs, Klansmen, and, above all, segregationists wielding legal and political authority. He also captures King’s sense of theatre, his enormously canny ability to stage confrontations that heightened the contrast between the civil-rights movement and those who wanted to stop it.

Martin Luther King, Jr., walking with schoolchildren.

Lerner, a poet who found a second life as a novelist, has spent nearly twenty years attempting to bridge verse and prose, fiction and experience, dreams and reality. His latest collection, “The Lights,” gently advances this project, flickering between modes and finding insight in a range of symbols: the loss of a family member, the portal of a cell phone, the prospect of  extraterrestrial life. Much of this is about reënchanting poetry itself, which can sometimes seem an outdated, indulgent form, severed from the modern world. But life and art can’t be held apart. Lyric poetry, Lerner writes, might be best understood as “our own / illumination returned to us as alien.”

Human in the middle of a shower of pink rays.

Liliana’s Invincible Summer

In the summer of 1990, Liliana Rivera Garza, a twenty-year-old architecture student in Mexico City, was murdered by her former boyfriend, who suffocated her with a pillow in her apartment. In this book, Liliana’s sister, a celebrated fiction writer and historian, memorializes her younger sister while indicting the “underground and constant” violence of entrenched male hatred for women. The narrative begins with Rivera Garza’s attempt to recover a lost police file, in 2019, and widens to encompass newspaper clippings, photographs, interviews, and Liliana’s letters and notebooks—what Rivera Garza calls “layers of experience that have settled over time,” and which she has the duty to “desediment.” The result is a text that roves between different styles of narration, sometimes verging on the experimental, as she tries to reconstruct the circumstances that led to her sister’s death, to devise a language adequate to her family’s grief, and to rescue memories of a young woman who was, as Liliana’s notes attest, thirsty for life: “I am a seeker. I want to try new things; maybe more pain and loneliness, but I think it would be worth it. I know there is more than these four walls and this sky, annoyingly blue.”

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Master Slave Husband Wife

In 1848, Ellen and William Craft escaped slavery in Georgia by disguising themselves—the light-skinned Ellen as a sickly white gentleman, William as his slave—and making their way north by train and steamer. Woo’s history draws from a variety of sources, including the Crafts’ own account, to reconstruct a “journey of mutual self-emancipation,” while artfully sketching the background of a nation careering toward civil war. The Crafts’ improbable escape, and their willingness to tell the story afterward on the abolitionist lecture circuit, turned them into a sensation, and Woo argues that they deserve a permanent place in the national consciousness.

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Ordinary Notes

Sharpe, a finalist in the nonfiction category for the National Book Awards, has written two hundred and forty-eight notes in which, by layering memoir, criticism, inventory, and scholarship, she traces bright lines around Black lives lived amid the violence of white supremacy. In a glossary that invites close reading, she reminds us that “note” is both a noun (observations, memories, tones) and a verb (attending, marking, remembering). Sharpe’s own noting attends to the everyday. She outlines the precise elegance of her mother’s hands, the piercing vision of Toni Morrison’s “Beloved,” the transcendence of Savion Glover’s tap dance at Amiri Baraka’s funeral. With rawness and rigor, Sharpe repeatedly strikes blows against the presumed neutrality of whiteness that pervades art, literature, and even historical reckoning. Grief and triumph mingle throughout. “This is a love letter to my mother,” she writes in Note 248, and her incisive work is a paean to the legacies of Black love, care, and tenderness.

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The Rediscovery of America

This monumental reappraisal of the United States’ history, which won the 2023 National Book Award in nonfiction, spans five centuries—from the Spanish colonial period to the Cold War—and situates Indigenous people at the center of America’s evolution as a modern state. Blackhawk, a professor of history and of American studies, foregrounds the endurance of Native Americans’ autonomy and traditions in the face of their near-eradication. He highlights the complex diplomatic maneuvering and the adaptive capacity that disparate tribes employed as they navigated the encroachment of European settlers, and, later, faced the obscene betrayals—from treaty violations to the seizure of “Indian lands and, most painfully, children”—that defined the federal government’s approach to Native affairs in the wake of the Civil War. As he approaches the present, Blackhawk homes in on movements for Native self-determination, lauding the emergence of a “grammar of Indian politics rooted in cultural pride and sovereignty.” Still, he observes, “Language loss, continued ecological destruction, and innumerable legacies of colonialism endure, making the challenges of Native America among the most enduring.”

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Roman Stories

Jhumpa Lahiri’s remarkable third collection of short fiction delineates the lives of newcomers to Rome and of those born there, as all find their histories and that of the eternal city entwined. The stories, two of which first appeared in the magazine, describe a relationship to place that can be by turns intoxicating and forbidding.

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In this spare tale of disorientation and longing, by the winner of this year’s Nobel Prize in Literature, a man gets stranded on a back road in a forest and wanders deep into the trees. There, he encounters stars, darkness, a shining figure, a barefoot man in a suit, and his parents, who seem to be caught in a dynamic of chastisement and withdrawal. Fosse uses fleeting allusions to a world beyond the reach of the narrator to explore some of humanity’s most elusive pursuits, certainty and inviolability among them. His bracingly clear prose imbues the story’s ambiguities with a profundity both revelatory and familiar. “Everything you experience is real, yes, in a way, yes,” the narrator says, “and you probably understand it too, in a way.”

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Some People Need Killing

In 2016, Rodrigo Duterte was elected President of the Philippines after campaigning on the promise of slaughtering three million drug addicts. In this unflinching account of the ensuing violence, a Filipina trauma journalist narrates six years of the country’s drug war, during which she spent her evenings “in the mechanical absorption of organized killing.” The book, conceived as a record of extrajudicial deaths, interweaves snippets of memoir that chart Evangelista’s personal evolution alongside that of her country under Duterte. In this period, she became “a citizen of a nation I cannot recognize as my own.”

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Vengeance Is Mine

In this elegantly layered tale of social stratification, NDiaye takes us through a maze of Bordeaux’s alleyways, backstreets, and elegant foyers, until we are dizzy from trying to chart the course of upward mobility. The novel, a story of class conflict embedded within a psychological thriller, begins with a tense office visit. A man walks into the struggling law practice of Maître Susane. His name is Gilles Principaux; he is known throughout Bordeaux as the husband of Marlyne Principaux, a woman in jail for drowning her three small children in a bathtub in the couple’s home in the affluent suburb of Le Bouscat. But Maître Susane knows him—or thinks she does—as the son of a wealthy family who once employed her mother to iron their laundry. Suspense supplies the forward motion of “Vengeance Is Mine.” We are on edge when Maître Susane turns the corners of streets and the corners of her own mind, scared of what she might remember about Gilles, or the boy who might have been Gilles. After she agrees to take Marlyne Principaux’s case, the gaps in her own story start to fill in.

A black-and-white photograph of police officers standing near burning material in France during a day of protests, on January 5, 2019.

“Y/N,” a strange, funny, and at times gorgeous new novel by Esther Yi, explores the consequences of subsuming your entire life in a desire for what may or may not exist. Before the narrator, an American living in Berlin, encounters Moon, the youngest member of a K-pop band with a global following, her idea of transcendence is purely theoretical. When her flatmate drags her to one of the band’s concerts, Moon’s dancing—“fluid, tragic, ancient”—changes everything. After the concert, she discovers a new vocation: writing Moon-themed fan fiction. Following the online convention that allows readers to insert themselves into the story, she calls her protagonist Y/N: “Your Name.” The allure of “Y/N” fanfic is the illusion that your story is written just for you. The catch is that “you” must remain undefined so that anyone can inhabit it. By making it the subject of her novel, Yi transforms an embarrassing gimmick into a philosophical claim, about the way people go through life alone together, each experiencing reality as that which happens strictly to them.

Illustration of woman plunging her face into a bathtub with polaroids of k-pop stars floating in the water around her.

Also Recommended

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The Dictionary People

Unlike previous English dictionaries, the Oxford English Dictionary aimed to document not how words should be used but how they were actually used. Beginning in the mid-nineteenth century, thousands of people copied snippets from their reading onto slips of paper and mailed them to Oxford, where they were sorted and analyzed. This eclectic group, whom Ogilvie portrays with humor and affection, included vicars, murderers, Karl Marx’s daughter, and members of Virginia Woolf’s father’s walking club. When the O.E.D. was published, in 1928, it comprised more than four hundred thousand entries and almost two million quotations—an achievement that was possible only through the work of these “faithful” volunteers.

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How to Build a Boat

In this novel, by a noted poet, a neurodivergent thirteen-year-old named Jamie fixates on building a perpetual-motion machine, imagining that, if he creates one that moves “at the same speed in a continual motion,” as his late mother did in a video of herself swimming, it will connect him to her. He finds an ally in a teacher at his school, who is struggling with infertility and a loveless marriage. A new teacher for the woodshop class becomes a refuge for them both, despite arriving with his own mysterious problems. There is perhaps more than enough tragedy to go around, but Feeney’s prose is beautifully crisp. Jamie imagines that, in one’s final seconds, one’s thoughts may be “made up of the energy of your previous moments. Which is all you can ever have.”

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Harvey, one of the most consistently surprising contemporary British novelists, becomes something like the cosmic artificer of our era with a novel that imaginatively constructs the day-to-day lives of six astronauts aboard the International Space Station. The author winningly captures the almost unimaginable unworldliness of the situation: six imprisoned professionals are speeding around the world at seventeen and a half thousand miles an hour. When Nell, one of the astronauts, spacewalks outside the station to install a spectrometer, she observes that the Earth below her “doesn’t have the appearance of a solid thing, its surface is fluid and lustrous.” Her feet are dangling above a continent, “her left foot obscuring France, her right foot Germany. Her gloved hand blotting out western China.” Harvey demonstrates how a novelist might capture spectacular strangeness in language adequate to the spectacle and in ways that surpass the more orderly permissions of journalism and nonfictional prose. “Orbital” is the most magical of projects, not least because it’s barely what most people would call a novel but performs the kind of task that only a novel could dare.

Samantha Harvey, photographed by Gabrielle Demczuk.

Time’s Echo

In this work of vast historical scholarship, Eichler, the chief classical-music critic of the Boston Globe , considers music’s ability to function as a vehicle for collective memory. “Sound is too visceral a medium, too penetrating of the senses to be naturalized like stone,” Eichler writes. His argument rests on detailed considerations of four key works—by Arnold Schoenberg, Dmitri Shostakovich, Richard Strauss, and Benjamin Britten—composed in the shadow of the Second World War. Two of his subjects address the Holocaust specifically: Schoenberg’s blunt and graphic “A Survivor from Warsaw,” and Shostakovich’s Thirteenth Symphony, which features a setting of a poem memorializing the Nazis’ massacre of Jews in Kyiv, in 1941. Strauss’s “Metamorphosen,” which unfolds as a seamless half-hour lament, is the most inward-looking of the group; Britten’s “War Requiem,” the longest, is a huge cantata of public grieving. Listening with “the ears of a critic and the tools of a historian,” Eichler details the geneses of these works and their receptions, their composers’ wartime experiences, and the wider history of the war to illustrate their capacities as “intensely charged memorials in sound.”

Sheet music using abstract notes and colors.

“ Wrong Way ” is a novel about the self-driving-car business that feels less like a vision of the future than a dispatch from the present. The story is told from the perspective of Teresa, a forty-eight-year-old Massachusetts woman who responds to a vague “Drivers Wanted” Craigslist ad posted by a recruiter on behalf of a Google-ish tech conglomerate called AllOver. At her orientation, she’s shown a video advertising an AllOver driverless electric taxi called the CR. But each CR, it turns out, has a human backup operator stashed inside, hidden from passengers, watching the road on a video screen. With its corporate machinations, creepy secrets, and low-ranking Everywoman protagonist, the novel seems, at first, like a standard-issue techno-thriller. But, just as the CR’s futuristic façade conceals something distinctly less high-tech, “Wrong Way” reveals itself to be something with a much lower heart rate: a leisurely novel of day-in, day-out gig work in the greater Boston area. The most memorable passages are not about self-driving cars but about other humans, and what it means to share a world with them.

Illustration of a couple making out in a car secretly operated both four people.

State of Silence

This timely new book , by the historian Sam Lebovic, considers the influence of the Espionage Act, a hundred-year-old law that still guides the prosecution not only of spies but of whistle-blowers, leakers, negligent bureaucrats, and cyber activists. Because the Espionage Act is so old and the spate of cases against leakers is so recent, one might think that its use in confrontations with the press is new—that an archaic anti-spy law has been repurposed for the information age. In fact, Lebovic shows, speech was a target from the law’s earliest days. He finds it maddening that the act—which he believes cannot possibly mean what it says and still be constitutional—has time and again dodged its day of reckoning with the Supreme Court. Lebovic doesn’t disregard the existence of real espionage or the need to deal with it, but he makes a persuasive case that the Espionage Act is itself unsalvageable.

"SECRET" stamped atop the United States emblem.

The Money Kings

This sweeping history focusses on German Jewish banking families in nineteenth-century New York, whose firms—among them Goldman Sachs and Lehman Brothers—helped define the modern financial system. Schulman offers a rich account of that system, and of his subjects’ role in shaping it (writing in part, as he says, in order to counter antisemitic falsehoods that have flourished online in recent years). But he anchors his narrative in intimate personal details, creating a compelling portrait of a close-knit Gilded Age aristocracy, which, though its members possessed nearly infinite wealth, was locked out of many of the country’s élite institutions. Schulman doesn’t shy away from the unsavory (such as the fact that, before the Civil War, the Lehmans owned slaves), rendering his subjects with satisfying complexity.

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The Ed of the title of this memoir, by a pioneer of the New Narrative movement, is Ed Aulerich-Sugai, the author’s ex-lover and longtime friend, who died of aids in 1994. Glück documents how he and Ed, a couple for ten years, beginning in the nineteen-seventies, struggled to reconcile their differing views on monogamy. Now Glück wonders if, in writing about Ed and excerpting portions of his dream journals, he is “stealing his memories”—and wrestles with why he, who relied so much on Ed, should outlive him for so long.

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In the spring of 2010, a Wall Street gossip Web site called Dealbreaker obtained a notable PDF: a copy of the “Principles,” a novella-length manifesto written by Ray Dalio, the founder of Bridgewater Associates, one of the largest hedge funds in the world. The chaotically designed document included dozens of rules, ranging from short axioms to long-winded anecdotes about Darwinian competition, which Bridgewater employees were reportedly encouraged to read, deploy in their daily lives, and quote from regularly at work. Thirteen years after the Principles became public, the New York Times reporter Rob Copeland has published “The Fund,” an investigation that looks at how Dalio’s precepts worked in practice. The book details Dalio’s rise in the world of high finance, and his increasingly elaborate attempts to codify every aspect of human behavior: employees accused of misdeeds are subjected to public trials, and millions of dollars are thrown at a hubristic software project, at one point called “The Book of the Future.” Drawing from Copeland’s deep sourcing at Bridgewater, “The Fund” offers a vivid snapshot of Dalio’s psyche: the same obsession with systems and rules that helped him conquer the hedge-fund world ultimately distracted him from it.

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Prophet Song

This unsettling dystopian novel, which won the 2023 Booker Prize, imagines an Ireland that has fallen into totalitarianism. Its story centers on one family; the father, a union official, is disappeared after being accused of sedition, leading his wife to attempt to get their children out of the country by legal means, and then—once she fails—to resort to underground methods. As Lynch describes the state’s security forces firing on peaceful protesters and banning foreign media, he eschews paragraph breaks, denying the reader respite. The mother mourns the death of normalcy: “She sees how happiness hides in the humdrum, how it abides in the everyday toing and froing,” Lynch writes, “as though it were a note that cannot be heard until it sounds from the past.”

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Collision of Power

In 2012, Martin Baron, the then fifty-eight-year-old leader of the Boston Globe , was hired as the executive editor of the Washington Post ; Jeff Bezos assumed ownership soon after. “ Collision of Power ” (Flatiron) is Baron’s sober and yet highly indiscreet new memoir about his eight-year tenure at the paper. Although his memoir reveals nearly nothing of his life outside the newsroom, his account brims with small, impolitic detonations, apparently included for the fullness of the record. Baron chronicles how the Post became a target for the Trump Administration, and drew a readership of unprecedented size, and the ways in which old reporting standards strained under the new habits of an always-online age. One of the delights of the book is observing a storied investigative editor plying his craft. In hindsight, Baron’s Post —enterprising, restrained, and deadly accurate—set the standard for news coverage of Trump’s Washington.

Black-and-white photograph of Marty Baron standing in a newsroom wearing a suit.

Treacle Walker

The protagonist of this spare novel, drawn from British folklore and Northern English vernacular, is a boy who lives alone in an old house, reading comic books and collecting birds’ eggs, and whose life is disrupted by the arrival of a rag-and-bone man. The boy forges a friendship with the man, Treacle Walker, who speaks in rhymes and riddles and travels with a magic chest. When the boy visits a doctor for his lazy eye, he discovers that his other eye sees things that don’t exist in the ordinary realm, and he begins to navigate an increasingly blurry boundary between reality and a dreamlike parallel world. The book examines knowledge and blindness, but its central concern is time, and what it means to step beyond its constraints.

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The Berry Pickers

The ghosts of lost children haunt generations in this lucid and assured début. The novel begins at the deathbed of a man from the Mi’kmaq Nation, who recalls a life transformed by the abduction of his younger sister, from a berry field in Maine, when he was six. His narration twines with that of a woman who grew up in a stable middle-class home but remembers understanding as a child that “my house was not my house.” The story has an inevitability to it, but Peters’s writing can surprise. At one point, the woman thinks of her elders, “We just start to separate from them, like oil from water, a line separating the living and the dying, the living carelessly gathering at the top.”

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The Manuscripts Club

This inviting history brings together an eclectic group of medieval-manuscript lovers. In twelve gossipy chapters, de Hamel imagines discussing all things illuminated with, among others, St. Anselm, the eleventh-century monk and theologian; Belle da Costa Greene, the longtime director of the Morgan Library; and Theodor Mommsen, the German polymath whose transcriptions of classical texts earned him the 1902 Nobel Prize in Literature. Highlighting the sheer unlikeliness of any book lasting for centuries, de Hamel shows how each of his subjects helped to preserve manuscripts for future generations, and finds in their stories hope for the survival of these unique works in the digital age and beyond.

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In the nineteen-seventies, the so-called war on crime initiated a trend in extreme sentencing that, for the federal government and sixteen states, included the near-elimination of parole. While showing how parole decisions can be erratic, biased, and insufficiently focussed on the offenders’ rehabilitation, Austen argues that the institution is nevertheless “an essential release valve.” He anchors his reportage with two inmates in their sixties, who have been imprisoned for four decades and are among the last in Illinois to remain eligible for parole. The self-knowledge and resilience of these men gleam against the harsh conditions of prison, and Austen transforms a debate often conducted on the plane of stereotype and fearmongering into a close study of real people in a broken system.

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The Annual Banquet of the Gravediggers' Guild

This novel’s relatively conventional premise—an anthropology student moves to a provincial village to conduct research—belies the bizarre fantasia that unfolds in its pages, in which moments across history occur simultaneously. The student mingles with his new neighbors, has cybersex with his girlfriend back in the city, and dallies on his thesis; meanwhile, around him, the turning of the wheel keeps life and death in a constant churn. Énard charts the arcs of his characters in their current, past, and future incarnations—as farmers, murderers, monks, bedbugs, boars, and ash trees. The concept, if esoteric, provides a feast of pathos and pleasure, and a shimmering argument for the interconnectedness of everything.

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Holler, Child

In this début short-story collection, a varied group of voices—male and female, young and old, parent and child—grapple with profound disruptions, from infidelity to illness. Among Watkins’s characters are a woman entertaining a string of reporters curious about her son, who was a cult leader, and a recent widow, who confronts her mother for raising her to be “too hard to live soft.” Though all the protagonists appear to chafe against what those they’re closest to expect of them, the stories’ prevailing sentiment is clear: “People need people. That’s heaven.”

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Nostalgia has broad artistic and political dimensions; it is a matter of cultural consequence. It also never ceases to be a private preoccupation—sometimes a harmless solace and occasionally a dangerous indulgence. Becker delves into volume after academic volume on the subject and finds a remarkable consistency within “the existing literature”: for centuries now, the verdict on nostalgia has been “overwhelmingly pejorative.” He is generally convincing in showing the whole political spectrum’s reluctance to be caught trafficking in any direct invocation of the concept; his prudent book considers the word a reflexive smear and proposes boldly that nostalgia “be struck from the political vocabulary altogether.” But, despite the scorn that electoral politics may profess toward nostalgia, we practice it culturally all the time. “Yesterday” also takes us through endless artistic revivals throughout the past half century, a period during which, as technology frog-marched us into the future, we kept a constant backward glance. The long era we’re in now, Becker suggests, seems not so much postmodern as re-everything.

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Night Watch

Opening nearly a decade after the Civil War, this intricately plotted novel takes place at a progressive psychiatric hospital in West Virginia. At the story’s outset, a mute woman and her teen-age daughter are brought to the hospital by an abusive drifter who took over the farm on which they lived; gradually, the book begins to reveal events that took place ten years earlier, imbuing the more recent story line with tragic and surprising meaning. As Phillips shifts between the two periods and among her various characters’ perspectives—most crucially, that of the daughter forced by circumstance to forgo her adolescence and become a kind of matriarch—she examines ideas about identity, rebirth, and lingering trauma.

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In the Shadow of Quetzalcoatl

This vibrant biography follows the complex, captivating figure of Zelia Nuttall, a self-taught scholar of ancient Mesoamerica and a pioneer of modern anthropology. Nuttall rose to national fame in 1893, when her decoding of the Aztec calendar stone was featured at the Chicago World’s Fair. She went on to publish prolifically and to become one of the chief collectors of indigenous artifacts for numerous American museums. Her reputation declined in the nineteen-twenties, as anthropology was being codified into an academic discipline. Grindle paints an indelible portrait of a woman both charming and challenging, whose boldness could slip easily into imperiousness, and whose zeal could lead her astray (she was “not above smuggling treasures out of Mexico”).

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Foreign Bodies

This absorbing cultural history of vaccines surveys three centuries of controversy, beginning in England in the seventeen-twenties, with the first smallpox inoculation. For every enlightened champion of them—such as Voltaire, who praised the “strong and solid good sense” of their use—there were countless skeptics, reactionaries, and unscrupulous politicians who resisted them. Religious doctrine, the fear of outsiders, and personal attacks were among the tools these actors used: a central character in the book is Waldemar Haffkine, the creator of the cholera and plague vaccines, whose work administering them to the rural poor in India was cut short in 1902 after colonial officials campaigned to discredit him.

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Brooklyn Crime Novel

A half century of Brooklyn history and a bevy of crimes—currency defacement, petty theft, breaking and entering, drug use—feature in this series of loosely linked vignettes, which follow children living in and around the neighborhood of Boerum Hill, from the nineteen-seventies to the present. Though the book is tinted with nostalgia, it’s filled with characters suspicious of idealizing an earlier time. Boerum, the narrator observes, “is a slaveholder name,” and a Black boy called C. thinks that the area’s gentrifiers “want to live neither in the present, nor the future, but in a cleaned-up dream of the past.”

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“If you love music, you have to fight for it,” a former  New Yorker  pop-music critic writes in this slim, engaging volume, which recounts his childhood among “celebrity children” at a private school in Brooklyn, and his early obsession with music, which led to his career as a writer and as a band member. Both a memoir and a history, the book touches on race relations in the seventies and the aids epidemic. Haunted by the deaths of his father and his first wife, along with his struggles with mental illness and alcoholism, Frere-Jones excavates his life’s triumphs and failures. As he writes of playing with a band for the first time, “I fail my way into an epiphany.”

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This essential history details Ulysses S. Grant’s fight to dismantle the Ku Klux Klan during the course of his Presidency. The Klan sprang up largely in response to Black suffrage. After the Civil War, Southern Black men voted in the hundreds of thousands, sending scores of Black candidates to office. The Klan, which Bordewich calls the nation’s “first organized terrorist movement,” targeted Black community leaders, with local and state officials either unwilling or unable to stop it. Grant made the issue federal, dispatching troops to the South and holding trials for suspected Klan members. Though his efforts were later gutted by a series of disastrous Supreme Court decisions, Grant’s victory, Bordewich argues, serves as a potent reminder that “forceful political action can prevail over violent extremism.”

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Camille Pissarro

Camille Pissarro, the father figure of the Impressionists, connected the group’s feuding factions, became an instructor and mentor to the impossible Cézanne, welcomed Georges Seurat and took up his pointillist cause, and even remained (until the Dreyfus Affair) on good terms with the irascible Degas. Pissarro’s observation that winter sun is actually warmer than the summer kind was an insight that moved Monet and Alfred Sisley, and illuminates their art. Only late in his life, though, did he find a subject and an approach toward art-making that brought him to the level of his more illustrious peers. Muhlstein’s biography invites us to head to the museums to look at the work again. She is a sympathetic chronicler of Pissarro’s life, and she understands that, although we may want to lift Monet or Degas up from their circle to see them individually, comparing them with masters past and masters yet to come, Pissarro belongs not only to his time but to his team. Whatever “Impressionism” means is what he means, too.

A painting of a young girl with flowers, by Camille Pissarro

A History of Fake Things on the Internet

Scheirer, a computer scientist, surveys the landscape of Internet fakery and manipulated media. He knows better than most how such technologies could set off a society-wide epistemic meltdown, yet he sees no signs that they are doing so. Doctored videos online delight, taunt, jolt, menace, arouse, and amuse, but they rarely deceive. Seeing the digital-disinformation threat looming, media-forensics experts rushed to develop countermeasures, Scheirer writes. But to hone them, they needed fake images, and, Scheirer shows, they struggled to find any. He sent students hunting for manipulated photos on the Internet. They returned triumphant, bags brimming with fakes. They didn’t find instances of sophisticated deception, though; instead, they found memes. Scheirer reframes our most urgent needs; the manipulations we’ve faced so far haven’t been deceptive so much as expressive. Fact-checking them does not help, because the problem with fakes isn’t the truth they hide. It’s the truth they reveal.

A photo-illustration of a deep fake being made.

Charlie Chaplin vs. America

“You know this fellow is many-sided,” as Chaplin explained the Tramp, his famous silent-film character, “a gentleman, a poet, a dreamer, a lonely fellow, always hopeful of romance and adventure. He would have you believe he is a scientist, a musician, a duke, a polo player.” In short, the Tramp was an Everyman, and when he emerged on the scene, his creator became an object of fan hysteria on a par with Rudolph Valentino. Soon after 1940, however, the country turned against him. Eyman’s book is an attempt to explain what happened. The image of Chaplin the man became virtually the inverse of the Tramp’s: oversexed, ungenerous, anti-American. Chaplin’s fall from grace, Eyman says, “eerily foretells the homicidal cultural and political life of the twenty-first century.” His book is lively and entertaining, adding significant detail to the story of Chaplin’s spectacular peripeteia. Eyman is completely sympathetic to Chaplin, and he makes the case that we should be, too.

Charlie Chaplin standing by a large globe in a still from "The Great Dictator."

Let Us Descend

The title of this powerful historical novel is taken from Dante; the descent to which it refers is into the hell of chattel slavery, “this death before death.” Annis, the protagonist, is the child of an enslaved woman who was raped by the owner of the plantation in Carolina where they labor. Her mother secretly passes down ancestral knowledge, teaching Annis to fight and forage as “a way to recall another world.” After an act of resistance, Annis is sold to a slave trader, and during a brutal forced march she discovers the company of spirits, one of whom takes the name of her grandmother, an African warrior. “How am I with none of the people I belong to?” Annis asks. Ultimately, the spirits help her achieve a measure of deliverance from her lonely inferno.

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The Love of Singular Men

In this novel of queer first love, set in Rio de Janeiro, a middle-aged man, Camilo, obsessively revisits his childhood affair with a teen-age orphan named Cosme, whom his bourgeois family adopted in the nineteen-seventies. The romance between the two boys—Camilo so white as to be “almost green,” Cosme the color of “coffee-with-watered-down-milk”—unfolds against the backdrop of Brazil’s military junta and its legacy of slavery. As Camilo’s family unravels—his father tormented by his work as a doctor for the regime’s torturers, his mother beset by madness—Camilo and Cosme experience the bliss of infatuation, before tragedy occurs, one made all the crueller by the author’s own death by suicide, at the age of twenty-nine.

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Beyond the Wall

When the victors of the Second World War agreed, in 1945, to build a “decentralized” and “denazified” Germany, they set the stage for the creation of the German Democratic Republic, which was founded in the region formerly administered by Soviet authorities. In this layered history, Hoyer combines analysis of the government’s inner workings and interviews with East Germans. She takes up the state’s surveillance apparatus and its appetite for ideological conformity, but also considers the country’s cultural idiosyncrasies and its generous social safety net, which included a robust child-care system. As she does so, she relates details that lend weight to her conclusion that reunification was “a waymarker in Germany’s quest for unity rather than its happy ending.”

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Naked in the Rideshare

These raucously funny pieces of satire by the youngest-ever writers for “The Tonight Show Starring Jimmy Fallon” gleefully dissect so many aspects of Gen Z life—from sex and politics, to memes and Goop—with scalpel-like precision.

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In the eighteen-forties, Thomas Smallwood, an educated free Black man, and Charles Torrey, a white abolitionist, began working together to free slaves. From Washington, D.C., they organized escapes and established the network of allies that Smallwood named the Underground Railroad. Through newspaper records and Smallwood’s and Torrey’s writings, Shane paints a vivid picture of the nation’s capital, which was then dominated by pro-slavery institutions, and of the journeys of slaves who fled north. While recognizing Torrey’s legacy, he draws Smallwood into the spotlight, arguing that his contributions were far greater, despite the fact that, as a Black man, he inhabited a more circumscribed and dangerous world.

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Mapping the Darkness

This absorbing history traces the science of sleep from its origins in a lab at the University of Chicago in the nineteen-twenties. Its ascent, Miller shows, was influenced by a range of factors, among them Freudianism, the study of blinking, the pressures of capitalism (knowledge about circadian rhythms prompted changes in factories’ production schedules), and the Challenger disaster (sleep-research funding increased after it was revealed that exhaustion helped cause the catastrophe). The book follows a handful of dogged scientists—a First World War refugee, a pioneering psychiatrist who was once her mentor’s test subject—but also examines the impact of the many researchers whose discoveries have helped to make the treatment of sleep disorders a pillar of public health.

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This début novel—by an acclaimed Argentinean writer, and first published in 1958—centers on a sixteen-year-old who becomes pregnant after an assault by an older man. Setting the story in the sweltering heat of Argentina’s Pampas, Gallardo re-creates the world of ranchers and missionaries from the perspective of the girl, with her adolescent confusion and private sense of guilt. Gallardo juxtaposes her solitary desperation—she visits a local medicine woman for an abortion, and gallops recklessly on horseback to induce a miscarriage—with the conservative Catholic society that closes ranks against her.

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A Council of Dolls

In this novel, three Dakhóta girls come of age while wrestling with the destruction of Native traditions. Each girl possesses a doll, which Power imbues with memories and speech, and the dolls help pass stories down through the generations. Cora, in the nineteen-hundreds, and Lillian, in the nineteen-thirties, are both sent to Indian boarding schools, which aim to turn “so-called ‘wild Indians’ into darker versions of white people.” Sissy, their daughter and granddaughter, never endures those horrors, but in the book’s final, metafictional section she has become a novelist, and, through the dolls, resurrects her ancestors’ tales. “Words can undo us or restore us to wholeness,” she says. “I pray that mine will be medicine.”

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The Long Form

The plot of Kate Briggs’s début novel is deceptively bare: Helen and her baby, Rose, live through a day together. Between cries, bounces, park walks, lots of looking, thinking, some panicking, dozing, and a number of cups of tea, Briggs delivers essayistic interludes on how caring for a baby, like reading a novel, upturns the standard experience of time. Briggs foregrounds the improvisational quality of mothering a newborn, the perpetual creativity inherent in Helen’s attempts to catch Rose’s interest and make her comfortable. At first, it might sound like Briggs is trying to question the basics of plot or suspense, but, in fact, “The Long Form” is gripping, with all the satisfactions of more traditional narratives, albeit in unprecedented places. When the fictional doorbell rings after pages and pages of Helen trying to put Rose down, trying to gently drift her into a very necessary morning nap, I almost yelped out “No!” like an action hero sprinting toward a preventable explosion, pathetic hand outstretched—we had worked so hard, and now it was over!

A woman holding a baby with just the baby's feet visible.

Lies and Sorcery

The Italian author Elsa Morante’s longest novel, a scathing, operatic saga of social climbing and doomed romance, was first published in 1948, but a full translation has not been available in English until now. (An abridged English version, which Morante considered a “mutilation,” appeared in 1951 as “House of Liars.”) The book, which follows three generations of tragically deluded women, is animated by Morante’s hatred of the selfishness and superficiality engendered by Italy’s rigid class system. In their masochistic worship of hierarchy, tendency toward idolatry, and susceptibility to kitsch, its characters embody the traits that she believed had enabled Mussolini’s rise.

An illustration of a woman writing with a quill on paper while sitting in the center of a vortex of images.

A Haunting on the Hill

Hand’s novel is, as the book jacket notes, “the first novel authorized to return to the world of Shirley Jackson’s The Haunting of Hill House .” In Hand’s story, four friends come together to rent Hill House in order to spend some time workshopping a play. The narrator, a fortysomething playwright named Holly Sherwin, is hoping to revive her flatlined career; all the participants in her workshop are prone to moments of sharp-elbowed competition and jealousy. Meanwhile, they watch as hares run out of the fireplace and supernatural doorways materialize beside their beds. Hand has a gift for the sensuous, evocative detail, and her descriptions are often simultaneously seductive and spooky. She makes clever thematic use of her own haunting of Jackson’s house, brilliantly capturing the discomfort of being too close to a vulnerable artistic project, the sense of violation that can arise when someone moves too boldly into your creative space.

A haunted house at night with two faces peering out the windows.

The House of Doors

In 1921, the English writer W. Somerset Maugham was the most celebrated author in the world. He published, among many other works, a piece called “The Letter,” a short story based on an actual criminal trial in which the wife of a well-off British planter was accused of murdering her neighbor. Eng’s novel offers an imagined account of how Maugham came to write “The Letter,” and does so by combining novelistic hypothesis with the available biographical record. The novel juggles two central narratives, one from 1910, in which the murder trial and its aftermath are masterfully recounted, and one from 1921, in which Maugham vacations with a man who is his secretary and lover, enjoys the hospitality of his colonial hosts, and prospects for stories. With lyrical generosity, and exquisite reticence, Eng layers narratives of history, fact, fiction, and hearsay. He mimics the patter of Maugham’s own prose, introducing gentle subversion in his subplots of passion and erotic wandering. Eng’s book is full of distinct pleasures, conjuring a delicious set of secrets behind a classic story.

A woman and man sit at a table in front of an ornate door. Around them are four large faces and a tangle of tree branches.

Cross-Stitch

The words “text” and “textile” contain a common Latin root, a teacher tells Mila, the narrator of this skillful début novel about female friendship. Mila and Citlali meet as schoolchildren in Mexico City, and bond over a love of embroidery. For Mila, embroidering is both an aesthetic pursuit and an act of political resistance. Years later, Citlali’s sudden death leads Mila to reflect on their past, and to remember Citlali asking, “Just what have you done for a world that’s falling apart around you? Write?” The novel serves as a response, conjuring Citlali, “like a spell,” into life again.

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The Vulnerables

In this ruminative novel set during the covid pandemic, the narrator, an intellectual living in New York, lends her apartment to a visiting pulmonologist and moves into one belonging to acquaintances who have decamped to a suburb, leaving behind their pet macaw. Her living arrangement is soon disrupted by the unannounced arrival of the previous bird-sitter, a college student. At first, the two keep to themselves in a largely peaceable coexistence. The narrator’s most unsettling experience takes place outside, when a man taunts her and coughs in her face, an event that underscores her “vulnerable” status. Rather than dwelling in despair, Nunez’s book expands into a meditation on pain and the formation of unusual intimacies.

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During his first failed campaign for President, Mitt Romney acquired a reputation: the “flippin’ Mormon.” He began his career as a pragmatist, a wildly successful businessman who became a moderate governor in Massachusetts. When he took the national stage, though, he appeared stiff and disingenuous, awkwardly contorting his positions to match the Republican Party’s rightward lurch. In a new, intimate biography, Coppins draws on dozens of interviews, as well as hundreds of pages of personal journals and private correspondence, to show how Romney’s ambitions and principles increasingly came into conflict. The throughline is Romney’s faith, which he nurtured even when he was running for President, and which finally led him to a moment of redemption: his decision, in 2020, to be the first Republican senator who voted to impeach Donald Trump.

Black-and-white photograph of Senator Mitt Romney holding his right hand in the air.

The Dimensions of a Cave

This cerebral thriller follows an investigative journalist as he attempts to expose a secret government program developing a lifelike virtual reality. His reporting raises profound questions: Are artificial beings alive? How do ambition and idealism transform each other? And “how, when you’re inside one story, can you see around it?” The character of the journalist takes shape through his relationships—with his girlfriend, a gallerist, who feels that their settled coupledom has run its course, and with a young, high-minded reporter who lacks the journalist’s ironic distance—suggesting that we best affirm our own realness by recognizing the reality of others. Jackson depicts the world as “stranger, wilder, deeper, more open than you’ve been made to know.”

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Baumgartner

The center of this slender, ruminative novel is Sy Baumgartner, an author and a professor who, at seventy, has been mourning his wife’s sudden death for nearly ten years. As Baumgartner struggles to make sense of this chapter of his life, he starts dating, and he devotes himself to a new book, “a serio-comic, quasi-fictional discourse on the self in relation to other selves.” (Notably, Auster and his protagonist share several traits—both are from Newark and both married translators—and Baumgartner’s mother’s maiden name was Auster.) Auster writes movingly about seeming to recover after great loss: “If you are the one who lives on, you will discover that the amputated part of you, the phantom part of you, can still be a source of profound, unholy pain.”

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How to Be Multiple

In her ambitious and vivacious book, de Bres aims to rescue twins from the gothic, from horror movies, and from singleton scrutiny, the better to testify to the experience of twindom from the inside out. She invokes twins from life and legend—the conjoined twins Chang and Eng Bunker; Tweedledum and Tweedledee; her own identical twin and herself—to examine how multiples complicate our notions of personhood, attachment, and agency. Twins have been critical to our understanding of ourselves, she argues; they are present in the founding myths of great cities. Twins have been worshipped, killed at birth, paraded as curiosities. They have been treated as subhuman and superhuman, and seen to personify every possible duality: collaboration and bitter competition, the purest as well as the most morbidly enmeshed forms of love. And they continue to unsettle our notions about where bodies end and begin, and about whether personalities, even fates, are forged or found.

Sue Gallo Baugher and Faye Gallo stand side by side at the Twins Days Festival, in Twinsburg, Ohio, in 1998.

Going Infinite

Almost immediately after the cryptocurrency exchange FTX imploded last November, an agent e-mailed Hollywood buyers to reveal that the writer Michael Lewis just happened to have spent the previous six months hanging around Sam Bankman-Fried. Lewis, famous for his portraits of unlikely, contrarian heroes, has not composed a hagiography—but neither does he portray Bankman-Fried as an antihero. In the first chapter, Bankman-Fried stands up Anna Wintour at the Met Ball. Later, Caroline Ellison, Bankman-Fried’s on-and-off girlfriend, sends him bullet-point memos about her hopes for a real relationship. Lewis’s tone is one of tender beguilement. He isn’t sympathetic, exactly, but he remains defiantly open to evidence of Bankman-Fried’s innocence, despite the fact that most of the world is convinced that he is guilty of one of the greatest financial frauds of all time. The final work—which is stupefyingly pleasurable to read—offers an inside account of FTX’s collapse, and fills in many gaps in a story that has been subjected to an unholy amount of reporting.

Sam Bankman-Fried seen through a window at Manhattan Federal District Court in New York

The Mysteries

Watterson’s return to print, nearly three decades after retiring from producing his wildly beloved comic strip, “Calvin and Hobbes,” comes in the form of this “fable for grown-ups,” which he wrote and illustrated in collaboration with the renowned caricaturist John Kascht. The book’s characters, unnamed, are drawn from the misty forever-medieval: knights, wizards, peasants with faces like Leonardo grotesques. The magic of condensation that is characteristic of cartoons is also here, in a story with a quick, fairy-tale beginning: “Long ago, the forest was dark and deep.” It opens in a world in which unseen mysteries are keeping the populace in a state of terror. As people unearth the secrets behind these mysteries, and use their new knowledge to create technological marvels, they become less fearful. Or you might say insufficiently fearful: if “The Mysteries” is a fable, then its moral might be that, when we believe we’ve understood the mysteries, we are misunderstanding; when we think we’ve solved them and have moved on, that error can be our dissolution.

A drawing of Calvin, with Bill Watterson as Hobbes.

The Chapter

In this history, Dames considers the nature of the chapter, a subjective division that nonetheless organizes our understanding of life and literature, giving us a shared metaphoric language, a threshold for signalling transition, a way of counting our thoughts. He walks through the chapter as metaphor, the chapter as historical construct, and finally, in its novelistic form, the chapter “as a way to articulate how the way to experience time is to experience its segmentations.” For Dames, form begets function—and neither is above scrutiny. The book was born of an essay published on newyorker.com .

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The Lumumba Plot

In 1961, Patrice Lumumba, Congo’s first Prime Minister, was murdered, brought down by a combination of Congolese politicians and Belgian “advisers,” with the tacit support of the United States and the malign neglect of the United Nations. In this book, Reid, an editor at Foreign Affairs , is interested not only in how external forces arrayed themselves to bring about a calamity but also in how the first leader of the newly decolonized Congo, dealing with a breakaway province and a range of outside players, alienated Belgium and triggered America's Cold War anxieties about Soviet influence. Reid’s account, cool and vivid, leaves no doubt about Lumumba’s humanity and vision, though his portrait of the late Prime Minister avoids the nostalgia that has become a part of his legacy. Most of all, it shows how Congolese independence was never given a chance.

An illustration of Lumumba being detained by soldiers.

On Marriage

Marriage is a vast subject, being an institution that informs our most important social structures—including the tax code and the disposition of intergenerational wealth—while also circumscribing the idiosyncratic goings on within a household. Yet Baum, a British critic and filmmaker, posits that marriage is a surprisingly unexamined subject, at least by professional philosophers, who have left the field to novelists, filmmakers, and other artists. Her nimble new work selects and analyzes artistic renderings of marriage across philosophy, television, and literature—including work by the novelist Taffy Brodesser-Akner, the theorist Slavoj Žižek, and the screenwriter Phoebe Waller-Bridge. Baum is a master at unpicking clichés. She pushes at the boundaries of marriage as a framework for conceiving of ourselves in relation to others, and she is especially interested in marriages that adapt the institution’s conventional trappings for subversive and playful ends. “The happily married,” Baum concludes, “are the ones who’ve simultaneously killed and reinforced the institution by making it suit themselves.”

Two swans with necks tied in a knot.

The Revolutionary Temper

In the final forty years of the ancien régime, Paris was gripped by drama, involving, among other things, royal affairs, riots over bread prices and ministerial despotism, and public demonstrations of innovations like the hot-air balloon. Darnton, a historian at Harvard, plumbs diaries, news reports, and popular songs to show how these events, combined with Enlightenment ideals, were digested by the city’s robust media culture to fuel a burgeoning sense of citizen sovereignty. By the start of the French Revolution, he writes, these stirrings had crystallized into a “revolutionary temper”: “a conviction that the human condition is malleable, not fixed, and that ordinary people can make history instead of suffering it.”

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What the Taliban Told Me

In this memoir, a former linguist for the U.S. military, who monitored suspected Taliban communications in Afghanistan, gathering information that determined the people American soldiers would kill, reflects on his deployment. The book’s arc traces his moral transformation: Fritz recounts how listening to the prosaic conversations of potential enemy combatants rendered him unable to depersonalize them, and therefore unable to perform his job. Essentially, his war chronicle cautions that the urge to make monsters of others creates the risk of slipping into the monstrous ourselves.

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The nine stories in Clowes’s graphic novel follow one another without any introduction, guide, or postscript. Centered on the lives of strong female characters, the book intertwines tales of soldiers in the hell of the Vietnam War, a demonic sect of inbred aristocrats, a radio that broadcasts the voice of the dead, and a rags-to-riches story of an influential candlemaker—among others. The comics form a fractal-like chronicle, with threads of conspiracies and end-of-the-world scenarios woven throughout. An overarching narrative seems to become clearer with each reading—but in the style of a David Lynch story, with each reader’s interpretation as varied and as valid as the next.

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The Two-Parent Privilege

Kearney, a professor of economics at the University of Maryland and a senior fellow at the Brookings Institution, considers how disparities in marriage can underpin social inequality. She begins by positing that the decline in marriage rates and the corresponding rise in the number of children being raised in single-parent homes “has contributed to the economic insecurity of American families, has widened the gap in opportunities and outcomes for children from different backgrounds, and today poses economic and social challenges that we cannot afford to ignore—but may not be able to reverse.” Having two parents who are married to each other, Kearney argues, provides offspring with economic and social advantages. And by joining their particular strengths, a married couple can give their progeny more than the sum of their parts. She argues for policy changes that would scale up community-based programs that strengthen and increase economic support for low-income families and for a broader cultural push to recognize that when it comes to raising children, no other arrangement works quite as well as matrimony.

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A Volga Tale

The Volga German Autonomous Soviet Socialist Republic was a state located along the Volga River, populated by ethnic Germans whose ancestors had been lured to the region by Catherine the Great. This rich epic depicts its rise and fall through the story of a principled and awkward schoolteacher, whose life intersects with twenty years of social tragedy. Early in the novel, the teacher falls in love, but a horrific incident renders him mute and his lover pregnant. Yakhina charts the brutal decades of Stalin’s collectivization and repression, and creates a moving portrait of the teacher’s profound love for his family, and of Russia’s multiethnic population.

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Many generations of the Kurzweil family have sought, through various mediums, to make sense of their collective traumatic past, and in this graphic memoir Amy Kurzweil considers her father’s use of A.I. to create a chatbot that speaks in his own father’s voice and ties it to her quest for self-knowledge. The book was excerpted on newyorker.com .

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In this expansive memoir, a novelist recounts her return to the place where she grew up—a compound in New Jersey, known to her family as “the Farm,” where she was raised by her mother and stepfather in a combined family of ten children. As she revisits the scene of her tumultuous childhood, McPhee writes, memories begin to emerge from “every patch-job and jerry-rigged ‘solution’ from the broken, yet widening, spell of the past.” When a tenant alerts her that overgrown bamboo is interfering with the electricity and plumbing, she embarks upon a series of projects—including tending to the understory of the land’s forest—that lead her to examine the stories that sit behind her own ideas of family and sense of self.

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Pandora’s Box

Biskind’s saga about the rise and fall of prestige television explains, in punchy, propulsive prose, how we went from Tony Soprano to Ted Lasso. We meet the three HBO Davids: Chase, Simon, and Milch—the headstrong, high-strung men who reinvented the Mob drama (“The Sopranos”), the crime procedural (“The Wire”), and the Western (“Deadwood”), respectively. The story of these turbulent masterminds and their antihero doubles has been told before, but Biskind has the benefit of having waited to see the other side of Peak TV’s peak. Netflix, he writes, quickly established itself as a purveyor of original series to rival HBO’s. Then legacy studios and Big Tech got in on the game. Now many streamers are launching ad-supported tiers, meaning that they’ll be answerable to the same sponsors that propped up the networks. “Pandora’s Box” posits that golden ages don’t arise from the miraculous congregation of geniuses; the industry’s default setting is for garbage. Occasionally, the incentives change just enough to allow a cascade of innovation, but things inevitably shift back to the norm. The small-screen era of risk-taking and artistic ambition is over, Biskind suggests. But he cannily chronicles its heights.

A TV sun setting behind the Hollywood sign.

A City on Mars

This playful “homesteader’s guide” to space settlement presents a bleak view of the pursuit, arguing that “an Earth with climate change and nuclear war . . . is still a way better place than Mars.” The authors examine the increasingly popular dream of a multi-planetary human race with a skepticism informed by ethical, logistical, and legal anxieties. They warn that the Martian landscape is whipped by “poison storms”; that space exploration without clearer laws could escalate into a “zero-sum scramble” for resources; and that science has barely grazed the unknowns of long-term extraterrestrial habitation.

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The Pensive Citadel

Brombert went to Yale University as a recipient of the G.I. Bill after serving in the Second World War; his essay collection reflects on decades spent in the academy, in halls fortified not for war but for scholarship. Brombert, who pairs a gravity of human experience with a tender love for regarding it, expounds upon the "paradox of laughter," the allure of existentialism, and the faculty of Baudelaire. One essay, on the slipperiness of time and the layered reappraisals that constitute life and learning, was published on newyorker.com .

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Roads, those most ubiquitous features of human civilization, are the subject of this perceptive book by an environmental journalist. Roads kill more creatures than any other “environmental ill”; they also bisect migration routes, pollute with noise, and help to facilitate deforestation. Road ecology—a specialty that Goldfarb lauds as “a field whose radical premise asserted that it was possible to perceive our built world through nonhuman eyes”—seeks to understand these dynamics and to propose solutions that actively consider animal lives. Through encounters with practitioners, including a veterinarian who helps track the movements of anteaters across Brazilian highways, Goldfarb charts a path toward a less destructive future.

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The Body of the Soul

Many of the stories in the new collection by one of Russia’s most famous writers, who now lives in exile in Berlin, deal with life in the Soviet and post-Soviet years, chronicling ordinary people who encounter mystery and bureaucracy. Two of the stories appeared in the magazine.

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The Lies of the Land

This piercing, unsentimental new book by the historian Steven Conn scrutinizes wistful talk of “real America.” Conn, who teaches at Miami University, in Oxford, Ohio, argues that the rural United States is, in fact, highly artificial: its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts. Agriculture has become a capital-intensive, high-tech pursuit, belying the “left behind” story of rural life, he argues. Fields resemble factories, where automation reigns and more than two-thirds of the hired workforce is foreign-born. And for the past century, rural spaces have been preferred destinations for military bases, discount retail chains, extractive industries, manufacturing plants, and real-estate developments. Understanding the contemporary cultural “revolt against the city,” Conn writes, will require setting aside myths and grappling with what the rich and the powerful have done to rural spaces and people.

Grant Wood’s sister, Nan Wood Graham, and his dentist, Byron McKeeby, stand by the painting for which they had posed, “American Gothic.”

American Poly

Fifty-one per cent of adults younger than thirty told Pew Research, in 2023, that open marriage was “acceptable,” and twenty per cent of all Americans report experimenting with some form of non-monogamy. “American Poly,” a new book by the historian Christopher M. Gleason, offers some explanations for how this came to be the state of our affairs. (The term “polyamory” is thought to have been coined in 1990, but Gleason backdates to encompass various forms of consensual non-monogamy.) The book does not purport to be a sweeping study of free love in the U.S., a history that would include more on its adoption by socialists, beatniks, and queer liberationists. Instead, “American Poly” focusses more narrowly on the post-nineteen-sixties polyamory movement. Gleason argues, persuasively, that contemporary polyamory as a set of ideas and practices was articulated by the free-love advocates best positioned to survive conservative backlash in the nineteen-eighties: socially liberal fiscal conservatives.

A couple doing different activities with other people.

This Is Salvaged

The narrator of the title story in this collection is an unappreciated artist who beholds a warming planet and wishes to express that the precariousness of life is, among other things, darkly funny. This thesis propels the stories that follow. A teen-age girl avoids processing her brother’s death while working above her favorite eggroll shop at an operation that sells everything from phone sex to gardening magazines. A boy who doesn’t fret about technological advancements that pose a risk of alienation fantasizes about owning a car in a driverless future. The exuberant optimism of Vara’s characters allows the author to approach heavy topics—predatory bosses, globalization, class difference—with levity.

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In this affecting début novel, a narrator who resembles the author grapples with the death of her mother—her “integral wound”—and with her mother’s disapproval of her lesbianism. She makes a pilgrimage through Russia, carrying her mother’s ashes in an urn to be buried in their home town, in Siberia, but her grief is continually punctured by the bureaucracy of dealing with death. Drawing from Siberian legend and Greek mythology and from modern works by artists like Louise Bourgeois and Annie Leibovitz, Vasyakina meditates on time, womanhood, and sexuality, using the novel to make sense of the parent she has lost. “I feel that she is looking at the world through me,” Vasyakina writes. “I feel her inside me all the time.”

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The Boy from Kyiv

This deft, intimate biography traces the career of Alexei Ratmansky—arguably the preëminent ballet choreographer of our time, currently in residence at New York City Ballet—and examines the tensions between traditionalism and innovation within his field. Born in St. Petersburg (then Leningrad), raised in Kyiv, and trained at the Bolshoi, Ratmansky danced with the National Ballet of Ukraine during perestroika. After the Soviet Union’s dissolution, he ventured abroad to join companies in the West before eventually returning to the Bolshoi as its director. His eclectic, erudite œuvre includes a variety of original pieces—narrative, abstract, satirical—and reconstructions of classics, like “The Sleeping Beauty,” that make radical use of century-old dance notation. Harss’s insightful portrait of a prolific creator highlights how Ratmansky’s art reflects the frictions and the liberations of a changing world.

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This Country

This moving graphic memoir about buying a (tiny) house and making a home in rural Idaho as an Iranian American beautifully depicts a quest for belonging and the revelation that it rarely comes in the shape or form that one expects.

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This Won’t Help

The collection of short humorous fiction addresses how to, if not thrive, at least hang in there while the world burns. (The key: laughing at these incisive pieces of satire.)

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The Genius of their Age

Ibn Sina and Biruni, two polymaths born in the late tenth century, were giants of the Islamic Golden Age, producing groundbreaking findings in mathematics, science, and philosophy. Both men were from what is now Uzbekistan, and both drew from Aristotle, but this engaging history uncovers their differences, in temperament and in scholarly approach. Ibn Sina was a bon vivant and an eager public intellectual who reasoned from abstract metaphysical principles, whereas Biruni, a recluse, “moved from the specific to the general.” After a vitriolic exchange early in their careers, the two men apparently never corresponded again. As Starr brings them back into conversation, he illuminates the richness of thought that characterized this “lost Enlightenment.”

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Black Friend

In this incredibly funny collection of essays, the comedian Ziwe mines anecdotes from her life—such as finding out that her feet were only rated “okay” on the celebrity-feet photo-sharing site wikiFeet—to delve deeply into contemporary culture, and explore what it means to be a Black woman in America, and in the American media landscape.

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Our Hideous Progeny

This novel might be called historical science fiction: it takes place in the aftermath of “Frankenstein” and treats that text as if it were a true family history rather than a novel. Its narrator, Mary, is an illegitimate daughter in the Frankenstein clan who grows up hearing stories of family tragedy and later accesses a trunk full of old papers in which her great-uncle, Victor Frankenstein, chronicles an experiment gone hideously awry. Mary inherits her ancestor’s scientific proclivities and boldness. Fascinated by fossils, she undertakes an experiment worthy of Dr. Frankenstein, had he been a paleontologist. Evocatively and compassionately, McGill seeks a way to tell the stories of those “whose tales cannot fit in one book, those poor creatures who remain lost or forgotten,” as one character notes. Monstrousness is framed as something empowering, especially for “women who love women, women who didn’t know they were women at first but know better now, those who thought they were women at first but know better now.”

A photo of Shelley surrounded by leaves, insects, and babies.

Blood in the Machine

In the early eighteen-hundreds, British textile workers waged a rebellion against the automation of their industry, breaking into factories and smashing the machines. In response, the government unleashed regiments of soldiers in what became a kind of slow-burning civil war of factory owners, supported by the state, against a group of workers who called themselves Luddites. Today, the term is used as an insult to describe anyone resistant to technological innovation; it suggests ignoramuses, sticks in the mud, obstacles to progress. But this new book by the journalist and author Brian Merchant argues that Luddism stood not against technology per se but for the rights of workers above the inequitable profitability of machines. The book is a historical reconsideration of the movement and a gripping narrative of political resistance.

Illustration of a phone shattering

The Burning of the World

The big-city fires of the past were sudden, cataclysmic events—boiling rivers, melting buildings—and thus easily mythologized; their origins were occluded by fear and wonder. But the imagery of destruction, retribution, and rebirth could obscure circumstances that were often deeply political, as Scott W. Berg shows in his illuminating new book. In the century and a half since the Chicago fire of 1871, many of the lies surrounding it have proved impervious. If you know anything about the disaster, you probably have a vague recollection that there was a cow involved. Didn’t it kick over a lantern? And wasn’t it somehow Mrs. O’Leary’s fault, whoever she was? But none of that is true. Whatever the spark, there was fuel aplenty in the city at large, Berg writes; the weather was an accelerant, but so were social conditions and political decisions. The Chicago fire turns out to be a rich case study not only in urban history and the sociology of catastrophe but in how people choose to remember their collective past.

The remnants of a building stand behind a road with horse-drawn vehicles and pedestrians.

Emperor of Rome

The author of the international best-seller “SPQR” returns with a thematic history of Roman emperors, exploring subjects such as palace dining, funeral processions, and paperwork to illuminate their daily lives, political strategies, and godlike aspirations across two hundred years of rule. The book was excerpted in the magazine .

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In this suspenseful bildungsroman, Justine, a Catholic schoolgirl living in New Zealand in the nineteen-eighties, searches for a classroom thief, as the school’s suspicions shift from her to her best friend to a glamorous new teacher. Justine’s adolescence is colored by concerns both workaday and personal: a close female friendship, petty teen-age infighting, seizures that disrupt her recall, grief for her recently deceased mother. The novel occasionally jumps forward to 2014, when Justine, now an adult with a daughter of her own, tends to her dementia-stricken father. In these moments, Justine’s girlhood collapses into her present, and she appraises “shimmers in my memory” and revisits the mysteries of her youth.

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A Man of Two Faces

Nguyen’s memoir dissects his relationship with the United States, the country to which he came as a refugee from Vietnam when he was four years old, and with his parents, who had to create a new life for their family. Both analytical and impassioned, this exploration of the nature of identity is a valuable addition to the literature of diaspora. The book was excerpted by The New Yorker .

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American Visions

This nimble history surveys the “visions” that Americans fashioned for the nation taking shape before them in the “lurching” period of 1800 to 1860. These ideals were expressed through literature, visual art, popular songs, political slogans, religious doctrines, and folk heroes (such as Johnny Appleseed, who, Ayers argues, represented “the American frontier cleansed of dispossession and despoliation”). Ayers anchors his study with familiar figures, but he pays particular attention to lesser-known Black abolitionists and Native Americans. The result is a dynamic portrait of a country in transition.

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I Must Be Dreaming

It perhaps comes as no surprise that the cartoonist Roz Chast—into whose unique and zany mind readers of The New Yorker have peeked, via her instantly recognizable, beloved cartoons—has some weird dreams. Now, fans can see these dreams illustrated, along with an exploration into the history and meaning of dreams as we know them.

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Revolutionary Spring

This Cambridge historian’s scrupulous survey takes up the interconnected uprisings that engulfed almost all of Europe in 1848. Arguing that they represent “the only truly European revolution that there has ever been,” Clark follows these revolts’ trajectories, from heady beginnings, when parliaments were convened and new constitutions proliferated, to counter-revolutionary backlashes. Resisting the “stigma of failure” that has tended to lurk over this period, he insists that it was consequential, calling it “the particle collision chamber at the centre of the European nineteenth century. People, groups and ideas flew into it, crashed together, fused or fragmented, and emerged in showers of new entities whose trails can be traced through the decades that followed.”

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The Upstairs Delicatessen

Garner, whose book reviews are a highlight of the  Times  culture pages, serves up a commonplace book composed of literary quotations, advice for living, recipes, and a heaping side order of memoir. The assortment makes it clear that, in his reading and at the table, Garner, like A. J. Liebling before him, is a man of immense appetites. He likes his dishes unpretentious––his yearning for chili dogs is at least as powerful as his love of oysters––and his tastes as a reader range from thrillers centered on hardboiled boozers to “Ulysses,” in which grilled mutton kidneys thrill Leopold Bloom, with their “tang of faintly scented urine.” Garner’s mind––his “upstairs delicatessen”––is generous, excellent company.

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Fire in the Canyon

Set in the foothills of California’s gold country, this dread-laden novel follows a family who make their living cultivating grapes for winemaking as they attempt to resume their lives in the wake of a wildfire. After an evacuation, they return to the same land, but their environment—increasingly marred by drought, fire, and high temperatures—presents a cascade of fears: not just death and injury from fire but power outages, dangerous air quality, and smoke that might taint their grapes and thus take away their livelihood. The father’s detailed awareness of the region’s weather produces a sense of looming crisis; he notes how often once unusual events now occur—a set of circumstances that make it “hard not to wonder where the bottom was.”

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The Life and Times of Hannah Crafts

In 2002, Henry Louis Gates, Jr., published an annotated edition of “The Bondswoman’s Narrative,” a novel thought to be the first written by an enslaved Black woman. Its author was unknown until Hecimovich, a scholar of Victorian literature, traced the manuscript to Hannah Crafts, a mixed-race captive who was born in 1826. Like her novel’s protagonist, Crafts was likely the offspring of rape, her first captor having been her biological father. As she was passed from one household to the next, she was taught to read and exposed to popular literature; her novel would eventually draw on Dickens’s “Bleak House.” Alongside Crafts’s story, Hecimovich recounts the painstaking process of his research, which included forensic analysis of paper and ink and the creative use of incomplete archives.

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Ladies’ Lunch

Segal’s new collection gathers her discursive, wry, and pithy stories about a group of women on New York’s Upper West Side who, for decades, have had a standing appointment for lunch. In these stories, several of which were first published by The New Yorker , the friends face off against the implacable onslaught of time with wit and not a little impatience.

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The English Experience

The third in a series of academic satires about Jason Fitger, a hapless Midwestern professor of English, this book finds the divorced failed novelist coerced into chaperoning a group of undergraduates on a winter-break excursion called Experience: England. Fitger harbors “a vague hostility to all things British,” and his sojourn in London is calamitous: he injures himself, bungles his pedagogic responsibilities, and obsesses about his ex-wife’s possible departure for a job in Chicago. The novel’s highlights include the student assignments, many of which are reproduced with their errors intact (“I know my writing needs work but I am not taking it for granite”), and Schumacher’s sympathetic humor, which reveals her characters’ flawed humanity.

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The Hive and the Honey

In a quietly powerful short-story collection, Paul Yoon creates a kaleidoscopic portrait of the Korean diaspora. In these stories, one of which appeared in the magazine , Yoon’s characters struggle to find a place for themselves in a world where life can be capricious and harsh, but sometimes marked by grace.

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American Gun

Extremely deadly and easily obtainable, the AR-15 has become a political symbol, both among people who believe that such weapons should have no part in civilian life and those who consider owning one a constitutional right. McWhirter and Elinson are business reporters, and “American Gun” is, in part, a book about how an industry strategized to sell a particular type of gun to a particular type of person—usually a man—whom it could convince that AR-15s were an integral part of his identity. One of the most unexpected questions raised by their history of the semi-automatic rifle, which has been used by the perpetrators of many of the worst mass shootings in American history, is the following: What if the edgelord identity embraced by many mass shooters is not the result of alienation or mental illness but instead speaks to a successful marketing push of an industry doing business as usual?

Black and white photo of a flag with an AR-15 rifle on it is seen through the top of a rifle.

Reproduction

This work of autofiction juxtaposes a failed attempt to write a novel about Mary Shelley with harrowing stories of Hall’s pregnancies: debilitating nausea, a late-stage miscarriage, an experience of labor that made her feel as if she had “departed from Earth.” Recalling that Shelley was pregnant when she wrote “Frankenstein,” Hall vividly imagines pregnancy’s effect on the novelist’s body and mind. “What am I? she must have wondered. What kind of creature is this?” The last section, a novella in itself, tells the story of a female scientist who “edits” her own defective embryos, altering their genes to make them viable. Hall’s ultimate insight is resonant: “We are all monsters, stitched together loosely, composed of remnants from other lives, pieces that often don’t seem as though they could plausibly belong to us.”

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The Unsettled

Set in Philadelphia in the nineteen-eighties, this absorbing novel follows a mother and son as they search for a place to live, eventually landing in a derelict family shelter. Mathis’s chapters alternate among several points of view, but she primarily orbits the mother’s consciousness. Everything in her life is unsettled: her grip on reality, her relationship with her son’s father, her childhood home in a dwindling Black town in Alabama, where her estranged mother lives. As she attempts to chart the “real story” of how things went wrong, the novel suggests that her struggles often stem from outside forces—some arising from racial injustices, others from the fragility of memory and inheritance.

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This eminently readable tour of Greek philosophy from approximately 650 to 450 B.C. brings the “sea-and-city world” of Heraclitus and Homer to life. Anchoring his study in Iron Age Greece, with its bustling mercantile economy and conflicting embraces of both slavery and personal autonomy, Nicolson traces the emergence of several key philosophical concepts. In the poetry of Sappho, he locates the stirrings of an interior self; in the writings of Xenophanes, the political mind; in the thought of Pythagoras, an immortal soul. Together, he shows, the early Greeks developed intellectual habits, chief among them the use of questioning as the basis of knowing, which laid the groundwork for Socrates, Plato, and Aristotle, and for how we reason today.

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The End of Eden

By cataloguing wildlife whose habitats have been thrown into disarray by climate change, Welz, an environmental journalist, details some of the “cascades of chaos” that define our ecological era. In Puerto Rico, Hurricane Maria decimated the island’s endangered indigenous parrot, the iguaca, killing the last birds able to pass down the species’s language. The depletion of the Pacific Coast’s sunflower sea star has led sea urchins, formerly the starfish’s prey, to begin feeding on seaweed that nearby fish depend on. Welz’s study, which he conceived as an attempt to examine such disruptions “without turning myself to stone,” amounts to a haunting warning.

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The Wren, the Wren

Three characters from different generations of an Irish family, each of whom possesses a remarkably different voice, are braided together in this lyrical novel. Nell, a young writer, speaks first, her attention flicking between digital flotsam and a consuming, ambiguous relationship. Her protective mother, Carmel, who also had troubled relationships with men, is portrayed in the third person. The legacy of Carmel’s father, Phil, a “not terribly famous” poet who abandoned his family when his wife became ill, looms over them both. A brief glimpse of his perspective as a child shows us an earlier Ireland—one of hardship and natural beauty. Scattered with snatches of Phil’s verse, and keenly attuned to sensory detail, Enright’s narrative of complex family ties brims with life.

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How to Say Babylon

In this remarkable memoir, Sinclair, an award-winning poet, conjures coming of age in Jamaica with her father, a reggae musician who embraced a strict sect of Rastafari and sought to protect his family from the evil and pervasive influence of the West—what Rastafari call Babylon—and coming into her own as a poet, a writer, and a young woman in charge of her own destiny. The book was excerpted in the magazine.

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The Civic Bargain

Manville and Ober begin with a simple but persuasive point: that democracy depends not on the creation of constitutions and statutes but on shared understandings among groups. The primal act of healthy democracies is the social bargain, they write, and its product is an idea of citizenship that depends on the coexistence of different kinds of people. The authors trace this idea through the history of democracies, from the Athens of Pericles to the Rome of Cicero, leaping forward, as that history demands, to the slow evolution of British democracy in the seventeenth century and then to the American Revolution and its long aftermath. Throughout the book, Manville and Ober’s model is of civic dialogue rooted in an Aristotelian ideal of “civic friendship.” Citizenship, they suggest, is an escape from clan identity.

A snake wrapped around the Statue of Liberty.

A Flat Place

In this memoir, a Pakistani British literary scholar reflects on her complex post-traumatic stress disorder—arising from an abusive childhood in Lahore—while visiting flatlands across the U.K., such as the fens of eastern England and man-made wastelands on the coast of Suffolk. Much like these landscapes, complex P.T.S.D., which results from prolonged, repeated trauma, doesn’t “offer a significant landmark” to focus on. Where hills and valleys are more commonly evoked as metaphors of struggle and overcoming, Masud sees the vast, stark flatlands as “the place of grief, but also the place of the real.” Between vivid descriptions of their geographical features, Masud confronts her childhood memories, her relationships with others, and the post-colonial histories of both of her homelands.

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Live to See the Day

At the outset of this sweeping work of reportage about life in the low-income neighborhood of Kensington, in Philadelphia, a twelve-year-old boy and his friends are huddled around a trash can at school, marvelling at a sheet of paper they have set on fire. This childish stunt leads to the boy’s arrest, jump-starting an adolescence and young adulthood marked by incarceration, teen parenthood, and financial precarity. As Goyal follows the boy, along with two others, through the next decade, he depicts in granular detail the suffocating effects of poverty in a “hypersegregated metropolis,” where “eighteenth-birthday celebrations are not rites of passage but miracles.”

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Paris Notebooks

This reissued collection of Gallant’s essays and reviews opens with her astute and devastating journals documenting the May, 1968, student uprising in Paris (which appeared first in The New Yorker ) and closes with a review of Georges Simenon’s memoirs from 1985. In between is an incisive and multi-angled view of French society and of literature. The book includes a new introduction by Hermione Lee.

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Sparks: China’s Underground Historians and their Battle for the Future

With firm but never dogmatic moral conviction, Johnson pays tribute to the writers, the scholars, the poets, and the filmmakers who found the courage to challenge Communist Party propaganda. These dissenters looked beyond the official lies about the past and the present, and decided to document the truth about forbidden topics, including Mao Zedong’s campaigns to massacre putative class enemies. They often paid for their candor with long prison terms, torture, or death. Their conclusions—presented in homemade videos, mimeographed sheets, and underground journals—didn’t reach a wide audience when they appeared. And yet, as Johnson makes clear in his superb, stylishly written book, the value of their legacy is incalculable.

“Lin Zhao Behind Bars” by Hu Jie.

Loved and Missed

Ruth, the central figure of “ Loved and Missed ,” the British writer Susie Boyt’s seventh novel, is a professional caretaker, a schoolteacher whose teen-age students look to her for guidance. Yet Ruth’s pedagogical talents fail her when it comes to her own daughter, Eleanor, who left home at fifteen and suffers from a severe drug addiction. When Eleanor announces that she’s pregnant, it’s a threat of grief compounded—one more life that risks being ruined. At the baby’s christening, Ruth gives Eleanor and her boyfriend four thousand pounds to take her granddaughter, Lily, home with for a week. An unspoken agreement is established: Ruth will raise her granddaughter and Eleanor will visit when she can, which turns out to be infrequently and erratically. It is one of the great charms of the book that Boyt’s descriptions of Ruth and Lily’s quotidian routines are so seductive. Much of the novel depicts, with exquisite detail, the prosaic patterns of Ruth and Lily’s home life. They emerge as people in desperate want—for a daughter, in Ruth’s case; a mother, in Lily’s—who find a way to make do without what they lack.

Illustration of a mother holding her child.

The Glint of Light

This naturalistic novel follows a Black environmental scientist who returns home to Chicago from California for his mother’s funeral and, while there, revives a romance with his white high-school girlfriend. The story is shaped by several cataclysmic events, which suit the novel’s backdrop, in which the Presidency of Barack Obama—the pride of the scientist’s late mother—corresponds with a rise in white nationalism. Though the climate crisis and racially charged incidents routinely oblige the scientist to acknowledge his vulnerability, he is inclined to attribute an impartial agency to death: “Class didn’t matter, age didn’t matter; it came at you with an absolute and indifferent force.”

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“The Pole,” the new novel by the South African writer J. M. Coetzee, is a love story that unfolds across a language barrier, and a novel about language that can be told only through a love plot. It describes a romance between Beatriz, a fortysomething socialite in Barcelona, and Witold, a Polish pianist in his seventies who has been flown in from Berlin for a recital. At a dinner after the performance, Beatriz and Witold converse briefly in stilted English, neither’s first choice of language. A week later, he sends her a recording of his playing, along with a flirtatious note “to the angel who watched over me in Barcelona.” She keeps thinking it must be a misunderstanding, something lost in the fault lines opened up between the pair’s native languages. “The Pole” was written in English, but it originally appeared in a Spanish-language translation, with the title “El Polaco.” Coetzee told the Barcelona-based newspaper Crónica Global that the Spanish translation “better reflects my intentions” than the original English does. As we read the book, we are, like Beatriz, left to wonder not only what the words on the page mean but if the writer might have intended to say something else entirely.

Two figures immersed in dots, dancing.

In 2010, Emily Weiss started her own beauty Web site, Into the Gloss. Within five years, Into the Gloss had given rise to a beauty brand, Glossier; within a decade, Glossier was a billion-dollar business. Meltzer, who previously profiled the C.E.O. for Wired and Vanity Fair , calls Weiss “the last girlboss standing.” Meltzer’s book chronicles the way Weiss’s beauty empire leveraged personality and social-media savvy to sell a fantasy of effortless authenticity. If posting to Instagram was a matter of pretending that a camera happened to catch you living a beautiful life, Glossier was the makeup to match.

A hand coming out of a phone, holding shopping bags.

Nobody’s quite sure how pockets were invented. As Carlson writes in her delightfully wide-ranging book, there is no definitive starting point, no recorded epiphanies. Yet the history of pockets over the past five hundred years is the history of attitudes around privacy and decorum, gender and empire, what it means to be cool or simply ready for whatever the day may bring. What's striking is the extent to which women have been denied the privilege of pockets: “Why is it that men’s clothes are full of integrated, sewn-in pockets, while women’s have so few?” Carlson asks. Concealed firearms caused one of the first panics associated with pockets, she writes; a more ambient fear was that pockets, as the poet Howard Nemerov once remarked, “locate close to lust.” Carlson’s winning book depicts the range and relevance of the pocket, which can be a metaphor for abundance or perversion, possession or secrecy—and a way of managing the efficiencies of life.

An X-ray of a variety of objects in pockets.

India's Techade

India has, in the past decade or so, launched a digital revolution—one that started quietly but has recently gone “viral on a scale that is unprecedented,” the journalist and academic Nalin Mehta writes. 1.4 billion Indian citizens now have their own twelve-digit identity number called an Aadhaar—a system that underpins an integrated digital ecology known as “the stack.” It’s a bit like a publicly run app store, where the government sets the rules for developers. Mehta’s book is filled with vivid illustrations of the stack’s impact. There’s Lakshmi, a fifty-eight-year-old widow, who uses her Aadhaar card and thumbprint to access a monthly pension. There are a multitude of small venders—fruit sellers, thatched roadside restaurants—that now take payments via cell-phone-scanned QR codes. Other countries in the Global South are starting to adopt the technology, which some see as the digital equivalent of the Green Revolution.

Handcuffs connected by an ethernet cable.

Music is a vital force in this eclectic poetry collection, which travels between the author’s native Jamaica, his adopted home of New England, and other locales. Dub and reggae inspire and inform Channer’s dense, lushly textured compositions. Contemplating place and displacement, the poems emphasize the palimpsestic, remix-like effect produced by emigration and exile: the memory of a left-behind landscape merging with its current reality, as well as with environments more foreign to the transplant. Elegiac underpinnings give way to lyrical exuberance: as Channer writes in “Redoubt,” a poem set against the ruins of Lee (Scratch) Perry’s famed recording studio, “Suffer was a genre, / keening took into his console / then put out.”

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The Rigor of Angels

In this sprightly intellectual history, Egginton explores the lives of the philosopher Immanuel Kant, the writer Jorge Luis Borges, and the physicist Werner Heisenberg in order to plumb some of the most profound questions of physics and philosophy: the limits of knowledge, the structure of space and time, free will. These thinkers’ battles against “metaphysical prejudices” resulted in complementary, if counterintuitive, insights into the nature of reality; though working in different realms, all three concluded that “we are, and ever will be, active participants in the universe we discover.” While detailing his subjects’ theories, Egginton also foregrounds their relationships, suggesting that world-shaping ideas can be inspired by the vagaries of emotional life.

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Digital Empires

During the past decade or so, governments around the world have grown impatient with the notion of Internet autarky. A trickle of halfhearted interventions has built into what the legal scholar Anu Bradford calls a “cascade of regulation.” Bradford’s comprehensive and insightful book on global Internet policy details a series of skirmishes—between regulators and companies, and among regulators themselves—whose outcomes will “shape the future ethos of the digital society and define the soul of the digital economy.” She considers the efflorescence of Internet laws as part of a wider struggle for global power in an emerging multipolar world. As she sees it, the disparate strands of lawmaking can be grouped into different regulatory regimes, or competing “digital empires,” with each approach corresponding, broadly, to a different calibration of powers between nation-state and private enterprise.

A topless woman sits in a chair facing away toward a wall

“Nobody knows where I am,” one of the narrators in this collection of stories chants. She is in crisis after discovering evidence of her late mother’s secret past, but the line could plausibly be spoken by any of Alcott’s protagonists, who all find themselves off the map in some sense—pushing against expectations, wrestling with desire, and reckoning with ideas of who they are or should be. One character, learning of her lover’s disturbing history, grapples with the question of whether people can change; another attempts to navigate the ethical compromises of her well-paying job. In supple, self-assured prose, Alcott highlights the ambivalence that can come with intimacy and violence, asking whether love is merely another form of circumscription, and whether brutality can sometimes be an antidote to numbness.

A black and white photo of a crowd of women at a protest

The Women of NOW

Katherine Turk’s new history of the National Organization for Women is nominally a group biography, following three somewhat unexpected now leaders: Patricia Burnett, a former beauty queen turned housewife; Aileen Hernandez, the Brooklyn-born daughter of Jamaican immigrants, who worked in labor and civil-rights activism before becoming now’s second president; and Mary Jean Collins, a union leader from a working-class Catholic background, who led now’s formidable Chicago chapter, and discovered her lesbian identity in the process. But Turk’s true subject is now’s early years. Her account reveals a uniquely ambitious political organization, one that achieved remarkable successes while struggling with divergent feminist visions, competing egos, and insufficient funds.

A crowd of women protesting.

The Caretaker

This immersive novel, set in Appalachia, explores the reverberations of a young man’s decision to elope with a teen-age hotel maid. The only son of a well-to-do family, Jacob is disinherited over the marriage, and soon afterward is conscripted to fight in Korea. He asks a friend, the caretaker of the town graveyard, to look after his wife. The two are shunned—the wife because of the town’s loyalty to her in-laws, the caretaker for the disfigurement he suffered as a result of childhood polio—and form a strong friendship. When news arrives that Jacob has been badly wounded, his parents plot to separate the married couple, but it is the lack of love in the caretaker’s life that shapes the novel most deeply.

A white and grey profile image of a man

The Most Secret Memory of Men

A rollicking literary mystery, “The Most Secret Memory of Men” revolves around the search for a Senegalese author of the nineteen-thirties whose long-lost novel resurfaces in contemporary Paris. The book’s narrator, a young Senegalese writer, is charmingly neurotic, and, having strayed from the “noble path of academia” to become a novelist, completely adrift. When he stumbles upon the writings of T. C. Elimane, the narrator undertakes a months-long quest, trying to find out what happened to the silenced storyteller. An aerobatic feat of narrative invention, Sarr’s book whirls between noir, fairy tale, and satire in its self-reflexive inquiry into the nature of literary legend. Spurning the categories to which African fiction is often relegated, Sarr delivers a demiurgic story of literary self-creation, transforming the sad fate of an author who stopped writing into a galvanizing tale about all that remains to be written.

Mohamed Mbougar Sarr, photographed by Nick Helderman.

In 2001, Simmons, a Romanticist by training, became the President of Brown University—and thus the first Black president of an Ivy League institution. Her memoir, which borrows its title from a phrase she and her family use to refer to revisiting their home town of Grapeland, Texas, begins with her youth as one of twelve children born to sharecropper parents. The Simmonses’ straitened circumstances led to her love of the classroom: “a place of brilliant light unlike any our homes afforded.” She dwells on her encouraging teachers, and on the experiences that fuelled her fight against discrimination in higher education.

A black and white photo of a woman sitting down and looking off to the side

Betty Friedan: Magnificent Disrupter

Sixty years after “The Feminine Mystique” ignited the second-wave feminist movement, it is still impossible to mention its author’s name without eliciting strong responses. Most accounts of the second wave feature Betty Friedan’s irascibility, her outbursts, her constant need for reassurance, and her tremendous capacity for cruelty. Shteir’s biography, which is rigorously fair to its subject, features all these, and also gives them context—illustrative bits from Friedan’s life that add reasons, if not excuses, for her behavior. The book demonstrates that Friedan, for all her considerable flaws, was one of those characters whom history responds to and who shape public opinion through the force of their personalities.

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Cosmic Scholar

The Beat polymath Harry Smith—an eccentric, couch-surfing, bearded bohemian who repaired the holes in his jacket with duct tape and lived on pea soup, mashed bananas, and cigarettes—bears some resemblance to the protagonist of Joseph Mitchell’s masterpiece “Joe Gould’s Secret.” But, whereas Gould’s life’s work turned out not to exist, this biography argues persuasively that Smith’s contributions to art, anthropology, avant-garde film, and, most of all, popular music were profound. Szwed, also the author of an excellent biography of Billie Holiday, shows how the legacy that Smith left behind—including the six-LP “Anthology of American Folk Music,” from 1952—influenced the sensibilities of Bob Dylan, Jerry Garcia, and countless others.

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Young Queens

In this triple biography, the dynamics of Renaissance Europe are illustrated through the lives and the politically motivated marriages of Catherine de’ Medici, Elisabeth de Valois, and Mary, Queen of Scots. Catherine, who married into the French royal family, leveraged her maternal qualities to win the right to govern on behalf of her young sons. Her daughter Elisabeth married Philip II of Spain to seal an unsteady peace between their two countries. Mary’s strongest loyalty was to her French relatives—leading her to underestimate a dissatisfied Scottish nobility. In an era of empire-hungry monarchs and religious violence, these women, while fulfilling their obligations as wives and mothers, forged diplomatic connections through family ties.

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Anansi’s Gold

For two decades, beginning in the late nineteen-sixties, a Ghanaian man named John Ackah Blay-Miezah carried out an astonishingly successful scam by pretending to have inherited billions of dollars from Kwame Nkrumah, Ghana’s first President. Though the inheritance was a fiction, propped up by forged documents and opportunistic coöperators looking to capitalize on political instability, Blay-Miezah swindled his marks out of millions by convincing them that he needed money to access the fund, and used his newfound wealth to become one of the country’s most powerful people. Yeebo, a journalist, skillfully interweaves archival material, F.B.I. records, and interviews to recount the saga of the con man’s career, and to reflect on how lies can be leveraged in the creation of national histories.

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Wednesday’s Child

A theme of loss runs through the stories in Yiyun Li’s wise and perspicacious new collection as her characters grapple with the mystery of how we live and how we die. Several of the entries, including the title story, first appeared in the magazine .

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The Suicide Museum

Salvador Allende’s ascension to the Chilean presidency, in 1970, was short-lived; a Marxist, he challenged private-sector interests and U.S. influence, and his government was violently overthrown in September of 1973. Dorfman, who served in Allende’s government as a “cultural adviser,” revisits this episode—and its implications—in this new novel. The plot centers around an obsessed billionaire seeking to determine the manner of Allende’s death (was he shot during the coup or did he take his own life?) and link it to an effort to awaken people's consciousness about the climate crisis. Dorfman gives his name to the narrator and central character of his novel; a vast array of other people appear under their real names, including a host of Chilean political figures. Fifty years after Allende’s death, Dorfman wrestles with ideas that don’t fit together comfortably, grappling with Allende's legacy in a world whose sense of crisis has been reframed.

Salvador Allende, photographed by Raymond Depardon.

Beyond the Door of No Return

This metafictional historical novel centers on the recollections of an eighteenth-century French botanist, whose voyage to Senegal is irrevocably altered by his fascination with a young woman who has escaped from a slave ship. His account—gleaned from notebooks discovered by his daughter—begins as a travelogue and then transforms into a record of the escapee’s ordeal, which she recounts to the botanist in the course of one long night: a mesmerizing tale of capture, getaway, and revenge. Diop’s novel, which culminates in a terrifying sequence of events, is a testament to fiction’s ability to uncover our self-deceptions, leaving them “as if exposed to the African sun at its zenith.”

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Unreliable Narrator

In this collection of essays, the comedian explores the history and science of so-called impostor syndrome, and hilariously mines her life as a depressed, anxious, and shy woman in the public eye to talk about what it’s like to constantly set oneself up for failure—and then get back up onstage.

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The corrosive logic of one-sided relationships is the subject of this dryly funny polemical novel, told from the perspective of a young woman obsessed with her married lover and his ex-girlfriend. The narrator provokes the lover in various ways, in the hope that he’ll end his other love affairs, despite her being aware of her delusion. Surveilling the ex-girlfriend on Instagram, the narrator reacts to the woman’s expensive purchases, which she broadcasts to a sizable following, with a mixture of loathing and desire. This woman “lives with real life art that I can’t afford and wouldn’t know how to get,” she thinks, “and I put posters up with Blu Tack like I’m still fifteen years old. Like a fan.”

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Dragon Palace

Spirits, animals, and people cohabit the universe of these eight stories, which capture with quirky insight and deadpan humor the strangeness of human relationships. One of the stories, “ The Kitchen God ,” appeared in the magazine.

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The Details

This elliptical novel, narrated by an unnamed woman who is confined to her bed by a high fever, consists of four character studies. During her illness, the woman picks up a book—an edition of Paul Auster’s “New York Trilogy”—inscribed to her by a former lover. Flipping through it brings back vivid recollections of that woman, whose frosty personality “was part of her—and not as deficiency but as tool, a useful little patch of ice.” These reminiscences lead to others: first of a wayward roommate; then of a “hurricane” ex-boyfriend; and finally of the narrator’s traumatized mother. She relates her textured insights into human nature through small moments. “As far as the dead are concerned,” she muses, “all that matters are the details, the degree of density.”

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Some Unfinished Chaos

F. Scott Fitzgerald’s prose defined a generation; it was turbulent, brilliant, troubling, troubled. He careened from obscurity to literary acclaim and then into seeming obsolescence, Krystal writes, his fall from grace as compelling as his rise. In this impressionistic biography, Krystal weighs Fitzgerald’s genius against his shortcomings, approaching the altar of an icon with an affectionate agnosticism. The book grew out of a piece that Krystal wrote for the magazine in 2009 .

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24/7 Politics

This near-encyclopedic exploration of the rise of cable news begins with the lead-up to the 1984 Presidential election, when cable executives and lobbyists set out to dismantle the power of network broadcasters and redirect it to themselves. Brownell, a historian, details how the opponents of network broadcasting successfully cast the industry as “elitist” and peddled cable as a democratizing force that would “empower people, politicians, and perspectives.” Her persuasive account argues that cable’s advocates were, in fact, motivated primarily by profit, and that cable television’s Sisyphean pursuit of ratings and revenue ultimately served to cultivate a toxic media—and political—environment.

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A Word or Two Before I Go

Krystal’s witty and generous essay collection purports to be his last, a dénouement to a long career of writing “sentences that lead to other sentences,” many in the pages of this magazine. In one essay, Krystal recalls getting clocked in the face by Muhammad Ali in 1991 on a bus driving down Interstate 78. In the book’s finale, a short story , an aging man regards his life as a composite of moments stretched and compressed, probing time’s capacity to blunt and to sharpen. In this collection, Krystal sifts through his essays and criticism in kind, mulling the stuff that makes life and literature.

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Many of the stories in this powerful collection, by a National Book Award finalist, orbit figures who dwell on the past, unable to accept their “forward movement through the entanglements of time.” There is a woman who is obsessed with the wife of her brother’s killer; a son haunted by his mother as he makes plans to install his father in a nursing home; a man whose budding romance ends after he relates a horrific memory. The wounds that afflict Brinkley’s characters stem from social inequality—police brutality, exploitation in the gig economy, and doctors’ racist dismissals of Black patients—and from such universal vulnerabilities as family discord, heritable illnesses, and our own resistance to change.

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Father and Son

Like Edmund Gosse’s memoir of the same name, Raban’s posthumously published final work follows an English father and son whose lives take diverging paths. Raban juxtaposes an account of his rehabilitation after a stroke that occurred in 2011, when he was sixty-eight, with his father’s experiences as an artillery officer in the Second World War. The stories never connect, reflecting the divide between the liberal, literary son, who immigrated to Seattle in 1990, and the conservative father, who became a vicar in the Church of England. The war chapters, which excerpt correspondence between Raban’s parents, are compelling, but it is Raban’s reckoning with his own frailty that carries the emotional weight of the book. “What have I lost?” he asks. “And am I fooling myself?”

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The Marriage Question

It can be difficult to disinter George Eliot from our reverence, but Clare Carlisle’s eloquent and original book allows us to do just that by examining the scandal and preoccupation of Eliot’s life and work: marriage. Carlisle, a philosopher who has written studies of Spinoza and Kierkegaard, combines an eye for stories with a nose for questions. Her book is based on two related premises: that marriage is a private story, about whose intimacies we can only speculate; and that marriage is also a public story, a constantly adjusted fable. In her account, Eliot’s legally unrecognized but happy marriage to George Henry Lewes is understood as both a private and a public feat. Both narratives differently restrict our access, so the ideal historian will need great tact and an impious curiosity. Carlisle has both.

Two people lying with their faces close to each other with their long hair flowing over an open book

The Philosopher of Palo Alto

As the chief technology officer of Xerox parc, a research company and erstwhile hotbed of Silicon Valley innovation, Mark Weiser believed that screens were an “unhealthy centripetal force.” Instead of drawing people away from the world, devices should be embedded throughout our built environment—in lights, thermostats, roads, and more—enhancing our perception rather than demanding our focus. Weiser’s pioneering ideas, which he refined in the nineteen-eighties and nineties, led to the present-day Internet of Things, but his vision lost out to the surveillance-capitalist imperatives of Big Tech. Tinnell’s profound biography evokes an alternative paradigm, in which technology companies did not seek to monitor and exploit users.

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“My husband marks the start of when my life was worth being archived,” the narrator of this black comedy of modern marriage confesses. Ventura’s protagonist, a forty-year-old English teacher and mother of two whose husband works in finance, is a comically exaggerated cliché whose sole concern is maintaining her husband’s interest: she lies to him about her hair color and pretends to be asleep so he doesn’t see her without makeup. But, as the story progresses, the intensity of her fixation is contrasted with his profound indifference, and her vapid exterior is shown to mask desperate anxieties about class, gender, and power.

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The Great White Bard

In this lively appraisal, a Shakespeare scholar reckons with her love of the playwright’s works while exploring their role in cultivating “a unique brand of English white superiority.” Karim-Cooper’s attentive readings show how beliefs about race reside in the language of the plays: “Romeo and Juliet” is suffused with metaphors that “elevate whiteness above blackness,” whereas “The Tempest” complicates attempts to describe characters with fixed labels by blurring the boundaries between “beauty and monstrosity” and “civility and barbarity.” Ultimately, as contemporary productions featuring imaginative and diverse casting show, “we all have the right to claim the Bard.”

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The Heaven & Earth Grocery Store

This wily, gleefully clamorous novel opens in 1972, with the discovery of a skeleton in a well in Pottstown, Pennsylvania, but it largely unfolds three decades prior, with the events that led to the skeleton’s existence. Though the Black, Jewish, and newly arrived immigrant residents of the tumbledown Pottstown neighborhood of Chicken Hill have clashing ideas about America, they band together to protect a deaf Black boy from the state’s clutches. The novel’s down-home cadences cloak its elaborate narrative circuitry, and McBride makes farcical use of the fear of newcomers held by white characters, such as the town’s physician, a Klansman. The Jewish woman who runs the local grocery store feels otherwise, saying, of Chicken Hill, “America is here.”

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A poet’s intimate, immanent sense of her own mortality casts the world into relief in this remarkable collection, published posthumously. With astonishing formal and emotional clarity, in language at once delicate and bold, Hamilton renders afresh enduring questions of time, love, and literature as measures of our individual and shared lives. Excerpts from the title poem were originally published in the magazine.

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Why the Bible Began

The peculiar thing about the Hebrew Bible is that, as the scholar Jacob L. Wright suggests, it's so much a losers’ tale. The Jews were the great sufferers of the ancient world—persecuted, exiled, catastrophically defeated—and yet the tale of their special selection is the most admired, influential, and permanent of all written texts. Wright’s purpose is to explain, in a new way, how and why this happened. He emphasizes the divisions between the southern Kingdom of Judah and the northern Kingdom of Israel, which were warring adversaries, and highlights the ways in which each kingdom’s dominant narratives were constantly being entangled by the Biblical writers. Wright’s often brilliant and persuasive book leads us to see ideological fractures in passages that we thought we knew.

A bible resting on pillars and entangled in vines.

This Is Wildfire

Many of the most destructive wildfires of recent years have jumped from forests or grasslands into com­munities situated in what’s become known as the “wildland-urban inter­face,” or WUI . According to Mott, a Montana­-based jour­nalist, and Angle, a professor at the University of Montana College of Business, we’re putting up more homes than ever before in such “areas ripe for fire”—and it’s a big reason that wildfires are becoming more dangerous. The two have suggestions for individuals who want to reduce the odds that their homes will go up in smoke. But, they acknowledge, these sorts of home­-hardening projects do little to address the larger issue of development in the WUI , which, they say, has become a “cycle” that will be “hard to reverse.”

A fire overtakes a tree in a forest.

Terrace Story

Leichter’s bewitching second novel is all about space, literal and figurative. There’s real estate: Annie and Edward, cash-strapped new parents, reside in a shoebox city apartment. There’s the metaphoric geography of intimacy, too: George and Lydia are trapped in a marriage full of “blind alleys and impasses.” Rosie is in outer space—a futuristic suburb orbiting Earth—because the planet is having some capacity issues. But the key to it all is Stephanie (single, thirtyish, in sales), and her secret superpower: she can make the world bigger with her mind. She raises ceilings, expands cupboards, adds more room to the local playground, and creates new terrain in a national park. Leichter centers her subtle and witty fable on the off-kilter power dynamics of home life, tearing her characters apart and leaving their stories in pieces, encouraging us to peer into the space between the fragments.

An illustration of a door with two people outside on a balcony looking out into a pink, orange gradient.

The expectation for an American novel about an African immigrant is that it will perform a task of translation: here is where I come from, and these are the painful circumstances under which I left. This slim, captivating début starkly rejects the trope. Binyam’s narrator is a middle-aged émigré, who’s returning to his birthplace to visit his sick brother after a quarter century abroad. He’s also a nameless cipher, who speaks of himself like a marionette, in a laconic prose that omits motive, proper nouns, and all but the most skeletal description. He is going to a place that resembles Ethiopia, but the context comes to seem unimportant; the real guesswork concerns his relationship to his homeland. Binyam wrings mordant humor from his encounters with others, slowly revealing a latent cruelty. The book ends with no easy epiphany; instead, it questions the exile’s authority to pronounce upon the place he leaves.

Illustration of a man returning to his birth country.

The Deadline

Lepore, a staff writer and historian, writes about the grand sweep of history and the exigencies of the everyday with equal panache, and has a knack for entwining them in a way that illuminates both. This new collection of essays—most of which were first published in the magazine—considers everything from the equivocations of government commissions to the provocations of the Bratz doll . Lepore, always mindful of “the hold the dead have over the living,” reconstitutes the American experience as human experience, alert to the comedy and sorrows of its surfaces and its depths.

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Temple Folk

These nine short stories follow Black American Muslims who drift toward and away from their faith, judge one another for immodesty, wrestle with upended family lore, and reflect with ambivalence on the impact the Nation of Islam has had on their lives. A woman visiting Egypt questions whether to continue wearing the hijab, another enters into a puzzling and intense online romance with a devout Albanian, and another is haunted by visions of her dead father as she prepares his eulogy. Built largely around vignettes, Bilal’s stories depict characters who serve as sensitive guides to matters of apostasy, racial prejudice, and gender roles.

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Brave the Wild River

In 1938, two female botanists set out to document the plant life of the Grand Canyon. Elzada Clover and Lois Jotter, undeterred by warnings that the trip would be “a mighty poor place for women,” joined with a river guide and a handful of other boatmen to travel the treacherous Green and Colorado Rivers. Sevigny chronicles the team’s forty-three-day journey, interspersing it with accounts of the adventurers who preceded them, descriptions of plants and wildlife, and the history of Western intervention in an ecosystem long stewarded by Native nations, including the Navajo and the Hualapai. The book also makes the case that Clover and Jotter’s study, conducted shortly after the construction of the Hoover Dam, provides a crucial benchmark in assessing human impact on the environment.

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Disruptions

Millhauser is the great eccentric of American fiction; his stories take place, for the most part, neither in the real world nor in one that’s wholly fantastical but someplace in between. At the core of his new collection is a disorienting version of the small-town tale. The residents in his archetypal old town are diligent about mowing and watering, touching up the paint on their shutters. Invariably, though, Millhauser’s characters are seized by a collective restlessness. In one story, a town’s residents become obsessed with the idea of darkness, painting their houses black and putting their babies in black diapers. In another, the town is home to forty-one columns; people go up there to live and almost never come down. One of the longer stories takes place in a community where the inhabitants of a certain neighborhood are just two inches tall. Some work in the homes of their (relatively giant-size) fellow-townspeople, removing lint from clothes and scouring attics for ants. Millhauser describes it all in precise detail, and much as he relishes the magical, he has a soft spot for the hum-drum. His genius is to be able to evoke both so urgently.

An older man with glasses and a mustache towers over the scene of a small suburban town. He is holding a house and a school bus, as if he is constructing the environment himself.

A collection of essays incubated during the covid lockdown and structured around readings of Albert Camus, Sigmund Freud, and Simone Weil, this urgent volume is suffused with loss. Freud’s notion of the death drive, Rose writes, was influenced by the pandemic of his own time, the so-called Spanish flu, which took the life of his daughter Sophie. That pandemic, by some estimates, wiped out more people than the two world wars combined but was itself swiftly wiped from historical memory; Freud himself seldom mentions it. Rose quotes Walter Benjamin’s observation, in his 1936 essay “The Storyteller,” that “there used to be no house, hardly a room, in which someone had not once died.” Like him, she looks askance at the effort to deny the spectacle of dying. “In a pandemic, death cannot be exiled to the outskirts of existence,” she writes. Her meditations on mortality, absence, and plague are haunted and yet strangely energized, full of possibility.

Jacqueline Rose, photographed by Robbie Lawrence.

The Peacock and the Sparrow

This crackling début thriller is narrated by a C.I.A. spy, a self-described “aging threadbare bureaucrat” stationed in Bahrain in the wake of the Arab Spring. The novel begins with a series of bombings targeting Westerners. These are blamed on the Bahraini opposition, but the station chief suggests that the spy’s informant, who has become a friend, was involved. No one is beyond the spy’s cascading suspicions, not even a Bahraini mosaicist with whom he is romantically entangled, and whom he approaches with a caution usually reserved for his work: navigating an affair is “not so different, after all, from the delicate give-and-take dance with an informant, an unending alternation between obeisance and control.”

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In this study of Arnold Schoenberg, the Austrian-born composer who immigrated to the U.S. in 1933, Sachs blends fleet-footed biography with an accessible analysis of Schoenberg’s works. Best known for his development of twelve-tone serialism, Schoenberg believed that he would single-handedly restore Germany’s musical dominance over France, Italy, and Russia; the cold reception that his compositions faced left him imagining himself as a “lonely, misunderstood prophet.” Sachs’s interpretations of these works can be emotionally convincing, and, according to him, Schoenberg’s music is, as Mark Twain is reputed to have said about Wagner’s, “better than it sounds,” in part because appreciation often requires repeated listening.

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The Five Sorrowful Mysteries of Andy Africa

Andrew Aziza, the Nigerian teen-ager who is the protagonist of this début novel, describes himself as a “genius poet altar boy who loves blondes.” A Christian who lives in a largely Muslim town, Andy feels ashamed of his preference for the West, which he considers to be a foil to his continent and to his Mama, who reads her Bible slowly and believes in ghosts. This shame is expressed in imaginary conversations with his stillborn brother, his schoolteacher, and the first white girl he meets, with whom he readily falls in love. Animated by a lively voice and a spiritual vision, Buoro’s novel also unfolds a touching critique of the false promise of Western transcendence.

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The Ferguson Report: An Erasure

This book reimagines the Department of Justice’s investigation of the Ferguson Police Department following the killing of Michael Brown in 2014; redacting the report word by word, letter by letter, Sealey excavates larger lyric insights about American life from its account of police bias and brutality. An excerpt appeared in the magazine and as an interactive feature on newyorker.com .

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My Stupid Intentions

This début novel is narrated by a beech marten named Archy, who is born into a life of hardship: his father dead, his mother barely able—and sometimes failing—to keep the newborn kits alive. Despite its fairy-tale-like feel, the novel is nothing cute. When Archy is lamed in an accident, he is sold to a dealmaking fox, who treats him like a slave before teaching him to read and write. Archy learns about the lives of men, knowledge that prompts a host of religious questions and leads to a restless search for meaning. Life in Archy’s world is a constant fight for survival, and, while Zannoni’s story implies that thinking and instinct may mean different things for animals than they do for us, he provokes the reader to consider just how different their realm truly is.

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In the early pages of “Still Born,” which was short-listed for the 2023 International Booker Prize, its narrator, Laura, is a total pill. A Ph.D. student in literature, she is avowedly child-free; being a not-mother is the negative space around which she defines her existence and her ethics, and she is evangelical about her stance. She accurately perceives the irrational structural burdens that Western societies place upon mothers, but she mistakes these burdens for proof that motherhood itself must be an irrational choice. One of the welcome surprises of the novel, however, is how quickly it swerves away from Laura’s anti-natalist campaigning, as if Laura, too, wanted out of her own head and into a broader web of experience. Not having children, Laura believes, insures a woman’s freedom to travel, to be consumed with her studies or vocation, to be alone with her thoughts. “Still Born” posits that not having children also grants an equally important freedom to care for people outside of the legal or blood-borne status of family. You don’t have to be a mother—in fact, maybe you shouldn’t be. But you have to do something for whomever you find in, or near, your nest.

Illustration of a pigeon caring for a cuckoo.

August Wilson

As a child, the author of seminal plays including “Fences” and “Ma Rainey’s Black Bottom” was a bookworm: he learned to read by his fourth birthday, and stood out in kindergarten as “a miniature scholar.” This biography deftly traces his ascent to becoming one of America’s preëminent dramatists, recounting his discovery of the blues (“the wellspring of my art”); his founding of the Black Horizons Theatre, in his home town of Pittsburgh, in 1968; and his careful curation of his persona. Hartigan ably argues that his dramas, many of which pay close attention to ancestral lineages and ideas about inheritance, continue to reveal “fissures in the national culture.”

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Information Desk

Schiff’s stint manning the information desk at the Metropolitan Museum of Art, where workaday banalities unfolded amid a sublime setting, inspired this wide-ranging meditation on hallowed objects, institutional power, and insect behavior, an excerpt of which was published in the magazine.

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War and Punishment

A young, distinguished, and wholly independent Russian journalist who was forced to flee his country for the West has written a superb account of all that led to Vladimir Putin’s brutal and misbegotten invasion of Ukraine. Zygar became well known as a reporter in Russia with his best-seller, “All the Kremlin’s Men.” Here, through his on-the-ground reporting from Ukraine and Russia, conducted during the past two decades, and an incisive grasp of history, he describes how Putin has willfully distorted the past to serve his purposes. Read in conjunction with works by scholars such as Serhii Plokhy and Timothy Snyder, Zygar’s book provides an ardent, informed understanding of the present.

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Last of the Lions

When Jones was drafted into the U.S. Army, in 1953, he refused to sign the paperwork, on the grounds that Black men were not full citizens of the United States. Within a decade, he became a close friend and political adviser to Dr. Martin Luther King, Jr. This striking memoir, anchored on the front lines of the fight for civil rights and ranging far beyond, entwines the social history of a nation with the powerful memories of a life lived at its heart. Read an excerpt on newyorker.com .

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The Brothers Karamazov

In “The Brothers Karamazov,” published in 1880, and now available in a lively, fast-flowing new translation by Michael Katz (Liveright), Fyodor Dostoyevsky blended the family novel with the whodunnit. The Karamazov brothers and their father Fyodor fit what Dostoyevsky described as “an accidental family,” sons merely by birth, brothers in name only. In this, they resembled Russia, which he saw as a family at war with itself. The novel has a spoken quality that is meant to communicate the unreliability of memory and the fact that people tend to misunderstand one another far more often than they do the opposite. Katz is particularly attentive to this feature of Dostoyevsky’s prose. His is, by my estimation, the voiciest translation of “The Brothers Karamazov” thus far. He writes at the fever pitch of speech, unleashing the speed and the chaos of the original; narrative unfurls at the mad and authentic pace of human emotion. The book is filled with what you might call “accidental chapters,” culled from court transcripts, hagiographies, love letters, toasts, songs, legal and spiritual confessions. The miracle of this cacophonous novel is that somehow it all coheres; its wildly divergent elements are all made, by Dostoyevsky, to belong.

A courtroom filled with men facing a person sitting on a chair.

You, Bleeding Childhood

This collection of short stories from an Italian writer with a cult following delves into the obsessions, anxieties, and detritus of childhood. One of the stories, “ The Soccer Balls of Mr. Kurz ,” appeared in the magazine.

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The Migrant Chef

The Mexican chef Eduardo (Lalo) García Guzmán, the subject of this wide-ranging biography, spent his youth as a migrant worker in the United States, where he learned that “the health of the oranges was more important than his own.” Tillman traces Guzmán’s trajectory from deportee to celebrated chef dedicated to local ingredients, terroir, and transparent supply chains. She evokes how even as Guzmán aims “to hint, via an ingredient” or “a geographic term,” at the history embedded in his menus, he is haunted by the inequities of haute cuisine, and by the circumstances that render locally sourced foods a luxury.

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The protagonist of this mystery is a young Pakistani Londoner who earns money writing English subtitles for Bollywood films and longs to translate literary classics. When she receives an invitation to the Centre, a secretive language school that produces native-level fluency in ten days, she enrolls, mastering German and Russian before strange dreams and a hushed-up death alert her to something amiss. The novel explores friendship, purpose, and power; it also frames language as intimate and embodied, casting translation as an opportunity for “a repurposing of things once thoughtlessly imbibed.”

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A Most Tolerant Little Town

In 1956, Clinton High School, in Anderson County, Tennessee, became the first Southern high school to be desegregated by court order. Clinton had no history of racial friction, so no one expected trouble. Martin’s striking new book documents how wrong they were. By the end of the school year, pretty much every item in the apparatus of Southern civil-rights resistance had made an appearance in Clinton, from anti-Black slurs and heckling to cross burnings, bombings, and Ku Klux Klan night riders. In October of 1958, the school was destroyed by dynamite. Martin expands upon the existing historical record, interviewing many sources, including most of the twelve Black students who enrolled at Clinton. She is a good storyteller, and, as familiar as the school-desegregation story is, her account illuminates the stark racial divisions in the Jim Crow states and the predominance of segregationist sentiments, even among those who participated in the integration project.

Children on the way to school in Clinton during the period of desegregation.

The novelist Ann Patchett is a connoisseur of ambivalent interpersonal dynamics within closed groups. She is interested in how people, in families and elsewhere, come to terms with painful circumstances; how they press beauty from constraint, assuming artificial or arbitrary roles that then become naturalized, like features of the landscape. “Tom Lake,” Patchett’s ninth and newest novel, is set against the backdrop of the early pandemic, whose claustrophobic intimacy seems almost tailor-made for her interests. In the spring of 2020, Lara is sheltering in place on her family cherry farm with her husband, Joe Nelson, and their three twentysomething daughters, Emily, Maisie, and Nell. With harvesters scarce, the Nelsons have to pick and process their own fruit; to make the time go by faster, Lara tells the girls about her brief youthful career as an actor and her romance with a castmate, Peter Duke, who went on to a wildly successful career in Hollywood. Patchett airs the suggestion that Lara is stranded in the past only to gently put it to rest. “Tom Lake” guides Lara to equanimity and closure, mostly by awakening her to the value of the people around her. The novel’s alchemical transformation of pain into peace feels, at times, overstated. Yet there’s something subversively wise and self-aware about the book’s investment in its own fantasy. Even as Patchett validates Lara’s performance of contentment, she appears to know that behind the artifice lies a more complicated truth.

A portrait of Ann Patchett in front of a cherry orchard.

The Parrot and the Igloo

This history of the idea that human actions are warming the world to cataclysmic effect opens with brief biographies of the inventors who ushered electricity, and its most troubling descendant, fossil-fuel dependency, into the world. The awareness of human-induced warming dawns in 1896 and resurfaces periodically throughout the twentieth century—in 1956, the  Times  imagined an Arctic so hot that it was home to tropical birds, a landscape that gives Lipsky’s book its title—before battles with skeptics and deniers begin in earnest, in the two-thousands. A consensus finally arrives with the release of the fourth I.P.C.C. assessment, in 2007, but this triumph becomes an anticlimax when governments prove unwilling to regulate fossil fuels.

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This comic novel, about a year of crisis for an affluent Jewish family, opens with a dinner party at which each guest is served a meal representing a different socioeconomic background. According to the hostess, Deborah, the matriarch, the purpose of this exercise is “to replicate, in a controlled environment, the lottery of birth.” Yet, the control of the family’s own environment becomes a problem after Deborah’s husband, Scott, is caught falsifying data in a clinical trial. Deborah pursues an affair, their daughter becomes reëntangled with a teacher who groomed her in high school, and their son, a premed student who idolized his father, feels increasingly lost. Ridker’s tone remains light even as his characters struggle to correct course. Writing about psychiatry’s new interest in the “transgenerational transmission of trauma” in his medical-school application, the son wonders, “Who knows what else our parents have unwittingly passed on?”

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This biting gay millennial comedy of manners takes place at the holiday home of a wealthy lesbian couple, where two younger, less financially secure couples visit them for ten days. As the older couple derive satisfaction from comparing their lives with those of their guests, a connection develops between a member of each of the younger couples, sparking a consequential outburst. While depicting rituals both mundane and vaunted—revisiting “Gossip Girl,” fights followed by hours of “lesbian processing”—the novel also plumbs its characters’ fears of intimacy, failure, and irrelevance.

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Ultra-Processed People

In this grim investigation, the British doctor and medical journalist Chris van Tulleken bravely turns himself into a guinea pig to explore the ins and outs of ultra-processed food (U.P.F.)— food made up of substances that you would never find at home. He has in mind all those cereals and snacks and ice creams we see on supermarket shelves with lists of ingredients that are troublingly long. Van Tulleken “wanted this food,” he reports of his U.P.F. diet. “But at the same time, I was no longer enjoying it. Meals took on a uniformity: everything seemed similar, regardless of whether it was sweet or savoury. I was never hungry. But I was also never satisfied.” His account of what happens to our food during its trip to our gut—and the connection that bad food has to the epidemics of obesity and diabetes—is persuasive and scary. Van Tulleken slowly sickens, and the reader sickens along with him.

A mouth surrounded by a variety of foods.

Retrospective

The life of the filmmaker Sergio Cabrera provides the raw material for this searching novel, which charts the Cabrera family’s experiences through particularly turbulent periods of the twentieth century. Cabrera’s father, who became an accomplished dramaturge and actor, fled Fascist Spain as a teen-ager; Cabrera himself, along with his sister and their parents, would leave Colombia decades later, when changing political winds made their Communist sympathies a liability. For part of Cabrera’s adolescence, the family of fervent Marxists lived in Beijing, residing in a plush, cloistered compound reserved exclusively for foreigners. When Cabrera attends a retrospective of his work in Barcelona, in 2016, he reflects on this history, on his family’s resentments, and on how intensely held—if impermanent—political convictions inflect individual lives.

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Last Call at Coogan’s

Based on interviews with nearly a hundred subjects, this portrait of a neighborhood bar, which operated in Washington Heights from 1985 to 2020, is also a portrait of a modern American city in microcosm. Originally run by a “combustible trio of Irishmen,” Coogan’s functioned as a safe harbor in a high-crime neighborhood whose central tension was the mutual distrust between the Dominican community and a largely white police force. By the time Coogan’s closed—during the covid pandemic, after narrowly surviving a brush with gentrification—the bar had become a local institution that hosted fund-raisers, wakes, and other community gatherings.

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This propulsive biography places the drummer and bandleader Chick Webb at the epicenter of the early Swing Era. Despite the spinal tuberculosis that stunted his height at four feet and ended his life at thirty-four, Webb’s strength on the drums reshaped the jazz rhythm section as he “battled” other bandleaders, such as Duke Ellington and Benny Goodman, at Harlem’s Savoy Ballroom. Crease pays close attention to the details of the recordings of Webb’s band, contextualizing their shifting sound against a backdrop of changing racial dynamics. She also incorporates eloquent testimonies to Webb’s musicianship and generosity from his contemporaries: after their performances, he “would compliment his sidemen’s best solos by singing them, note for note.”

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Grand Delusion

The author of this critical consideration of four decades of the U.S. government’s dealings in the Middle East has held positions in the State Department and on the National Security Council, across various Administrations. His historical account is embedded with engaging recollections of his work. In 2002, for instance, he was part of a delegation that briefed Tony Blair on the consequences of regime change in Iraq; the conversation, Simon writes, “never advanced beyond” a “pseudoanalytical nonquestion.” The book concludes with his belief that, ultimately, “the United States would have been better off today had it not been so eager to intervene” in the region.

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Nothing Special

In Nicole Flattery’s début novel, Mae, a teen-ager from Queens, drops out of high school and ends up in Andy Warhol’s Factory as a typist, transcribing the conversations that will become Warhol’s experimental 1968 novel, “a.” For Mae, the recordings are windows into a new world, one that alternately frightens and excites her. The more she listens to the conversations, the more attuned she becomes to the sadness and desperation coursing through them. Everyone she overhears is working hard to turn themselves into larger-than-life characters, being aged and exhausted by drugs, scrambling for a sense of belonging and security that the Factory promises but can’t provide. Lies abound, as does forced cool; the sense of new lives being discovered sits alongside the sense of lives going to waste and people flailing. Warhol himself almost never appears in the novel, but he is a constant presence nonetheless, the sun god that everyone orbits and whose approving gaze they seek. By approaching the famous artist this way, Flattery manages to cannily anatomize his powers and appeal while simultaneously pushing the man himself almost entirely out of the frame.

Illustration of women in film strips

This incantatory début novel begins in 1978, at a London-area reggae club, where the narrator, a young Jamaican factory worker named Yamaye, meets a furniture-maker with whom she falls in love. Their romance is in full bloom when he is groundlessly accosted by the police, and he dies in custody, at the hands of an officer. This loss spurs Yamaye to seek justice and to attain clarity about a murky aspect of her family. Throughout the story, music salves Yamaye’s wounds; she remembers “dancing in the dark; wet, salty bodies sliding in and out of bleeps and horns and haze; transformed by bassline, a better version of ourselves in the grey light before dawn.”

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Eight Bears

There are eight living species of bears, on four continents: polar, panda, brown, black, sun, moon, sloth, and spectacled. Gloria Dickie’s timely survey of these eight groups offers a glimpse into two realities: first, bear populations are plummeting in most of the world, and, at the same time, in some parts of North America they’re coming back to places they haven’t been in generations. Since the nineteen-seventies, American bears in the Lower Forty-eight have been on the move, expanding their range. Not too long ago, Dickie writes, a grizzly turned up in Nathan Keane’s back yard, near Loma, Montana. Told that he should have known better than to keep chickens in bear country, Keane said, at first, “Well, we aren’t in bear country.” But then he reconsidered: “Maybe we’re starting to be now.”

The face of a bear is blurred by motion.

Ninth Building

The author’s youth, which unfolded during the Cultural Revolution, supplies the material for this group of fictionalized connected vignettes. Zou conveys sharp childhood recollections: the book’s narrator watches a man whip a landlord’s widow with braided willow branches, and feels that the suicides that take place around the Beijing apartment complex that anchors his world are both alienating and normal. Later, when he is sent away for reëducation, hard labor replaces violin practice, and gradually he and the society around him learn to accept humiliations, heartbreaks, and the arbitrariness of fate. He begins writing with the hope that “by putting them on paper, these past events would release their hold on me.”

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Thunderclap

This memoir of artistic appreciation is centered largely on seventeenth-century Dutch paintings, but focusses particularly on two artists, one Dutch, one not: Carel Fabritius, a pupil of Rembrandt’s, and the Scottish painter James Cumming, who was the author’s father. Laura Cumming, an art critic, challenges the common views of Dutch Golden Age art as being merely representational or as depicting symbols that unlock religious or moral meanings. Instead, she examines details in the paintings to illuminate the ways in which the artists shaped what they saw: the wit in a painting of a flower, the dramatic light falling on a bundle of asparagus. Through this kind of close attention, she finds in the art works both a way to grapple with her father’s death and guidance for living “in the here and now.”

An illustration of a closeup of a woman’s face

How to Love Your Daughter

Blum’s thought-provoking and forensic novel traces the relationship between an Israeli mother and her estranged adult daughter, who is now living in Europe. Moving between the present and the past, the novel, which was excerpted in the magazine, reveals the moments when a once close and loving bond may have begun to fracture.

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So to Speak

This formally inventive collection, which includes self-described “American sonnets” and “D.I.Y. sestinas,” explores Blackness against questions of image and inheritance, storytelling and song, with a gimlet eye to the politically pressurized present. Several poems, including “ George Floyd ,” were originally published in the magazine.

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Snow Road Station

At the center of this sensitive novel, set in Ontario in 2008, is Lulu, a middle-aged actress who has returned to the hamlet of her youth for her nephew’s wedding. The town is populated with familiars: her brother, her best friend, a new lover, a new grandniece. Despite experiencing a terrifying sexual assault, Lulu savors the town’s pace of life and decides to stay there, giving up her career and her apartment in Montreal. Hay makes a case for the simplicity of pleasure: “All you have to do,” Lulu thinks, “is put yourself in the way of beauty, put yourself into the incredible swing of it.”

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This collection of stories, by an acclaimed Chinese novelist, spans continents and centuries, spans continents and centuries in its depictions of displacement. A band of poets seeks shelter after the devastating earthquake that struck Sichuan Province in 2008; a Chinese woman who moves to Dublin with her Irish husband recalls their fateful honeymoon in Burma; a construction worker who has never left his home town visits New York City; an eleventh-century scholar attempts to finish his book under a death sentence. With wry humor and occasional earthy surrealism, Yan—who was born in Sichuan and lives in Britain—delicately renders both the linguistic and physical manifestations of longing. As one character reflects, it is both “our nature to forget” and “in our nature to resist forgetting.”

An earlier version of this review misidentified Yan Ge’s English-language début.

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A Madman’s Will

In 1833, the Virginia congressman John Randolph freed his nearly four hundred slaves while on his deathbed. This detailed history untangles the much publicized legal dispute that ensued, wherein Randolph’s relatives, some of whom argued that he had gone mad, fought against the slaves’ manumission. Randolph left conflicting directives—his last written will bequeathed most of his estate to a relative, but an earlier version emancipated the people he enslaved—and it took thirteen years for a court to uphold his dying wish. May cautions against ascribing honorable motives to Randolph, and stresses that those he freed continued to face prejudice and violence in the North. “Because manumission was just an exercise of the giver’s rights,” he notes, “it changed almost nothing.”

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Tabula Rasa

McPhee, a staff writer since 1965, has published dozens of books and more than a hundred pieces for the magazine , with some of the most inimitable prose in American letters. In nimble vignettes, this new collection reflects on those ideas which he never committed to print. McPhee writes about a hot summer in Spain, a Dutch merchant vessel, lunch with Thornton Wilder, and the act of not writing. This incisive catalogue of a singular mind is born of a series of ideas written in our pages —and abandoned along the way.

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Fires in the Dark

In this loose sequel to a best-selling memoir of bipolar illness, Jamison, a writer and a psychologist, explores the process of prying a mind from disease or despair. Healing, she writes, depends on “harvesting the imagination” and navigating “the balance between remembering and forgetting”; it also, crucially, relies on support. The book comprises portraits of healers, including W. H. R. Rivers, who treated soldiers who suffered from shell shock during the First World War, and Paul Robeson, who found solace in intuition and in the irrational. Ultimately, Jamison emphasizes the importance of recognizing a diversity of sources of fortitude and models of accompaniment.

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After the Funeral and Other Stories

In her fourth collection of stories, Hadley brings her eloquent prose and her psychological acuity to the relationships—between siblings, friends, lovers, parents, and children—that shape us and change us, that call into question our view of ourselves and our place in the world. Several stories from the collection, including the title piece , first appeared in the magazine.

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The British journalist Oliver Franklin-Wallis used to religiously rinse his plastics before depositing them in one of the color-coded rubbish bins that he and his wife kept at their home. Then he decided to find out what was actually happening to his garbage. Disenchantment followed. At a recycling plant, in New Delhi, he found workers feeding shredded junk into an extruder, which pumped out little gray microplastic pellets known as nurdles. He toured another recycling plant, in northern England, where he learned that nearly half the bales of plastic matter it receives can’t be reprocessed because they’re too contaminated. In the end, Franklin-Wallis comes to see plastic recycling as smoke and mirrors. Over the years, he writes, “a kind of playbook” has emerged: a company pledges to insure that the packaging for its products gets recycled. Then, when public pressure eases, it quietly abandons its promise and lobbies against any legislation to restrict the use of single-use plastics. Franklin-Wallis quotes a telling remark from Larry Thomas, the former president of the Society of the Plastics Industry: “If the public thinks recycling is working, then they are not going to be as concerned about the environment.”

An outline of a woman made out of plastic beads and trash

Natural Light

The artist Adam Elsheimer, who was born in Frankfurt in 1578 and died in Rome at the age of thirty-two, left only a small corpus of paintings, all but one executed in oil on copper, and most of them diminutive. (In Rome, he was called “the devil for little things.”) Yet his expertise was revered, not least by his friend Rubens, who worked on a much larger scale, and Elsheimer’s reputation has endured. This study does discerning justice to his achievement. Bell’s focus is not just on Elsheimer’s registering of natural details, as the title suggests, but also on his evocation of the supernatural—never richer than in his final masterpiece, “The Flight Into Egypt,” with its miraculous interfusing of homeliness and immensity.

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I Do Everything I’m Told

Where, in a poem, is “here”? For Fernandes, it could be New York City, where she lives, or Paris, or Vienna, or any one of the twenty cities that she names in the forty-nine poems of her new collection. Poets have long invoked place names as objects of desire. Fernandes, though, uses them to drop pins on a map of attraction, creating a spatial record of erotic life. In one poem, she boards a plane bound for Zurich and promptly falls in love with her seatmate, a stranger to whom, in the poem’s final lines, she cannot help submitting: “Come see me in Vienna, you say. And I do. / Because I believe so much in being led.” At other times, she’s as reckless with love as she is with verse form. (“Don’t take it personally,” she tells a beloved in “Shanghai Sonnet”: “I am young and nothing is sacred yet.”) In the book’s most moving poems, the geographic mode points to places off the map, not to real life but to potential life. For Fernandes, “here” doesn’t simply designate a place; it enacts a wish.

A woman laying on the floor in the middle of a city.

The Lost Sons of Omaha

This anatomy of a killing in 2020, at a Black Lives Matter protest, tries to recover the essences of two men involved, who were “reduced to grotesques” in the distorting landscape of social media. During a struggle, James Scurlock was shot and killed by Jake Gardner, who died by suicide a few months later. Thanks to duelling political narratives and outright disinformation, Scurlock became “a hoodlum who provoked his own death” and Gardner a “bloodthirsty white supremacist.” Sexton marshals a remarkable volume of investigative material to disentangle fact from fiction, even though he fears that, in this moment, we may find it hard to see the genuine tragedy, which arises from “flawed characters caught up in disastrous circumstances.”

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In “ The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church ,” Swarns sets out the involvement of the Jesuit priests who administered what is now Georgetown University in the institution of slavery—notably, through their sale of two hundred and seventy-two enslaved people, in June, 1838. It was an act that led many of those enslaved to be forcibly removed from Maryland to Louisiana, and many family members to be separated. “The 272” grew out of a series of articles that Swarns wrote while reporting for the Times , where she remains a contributor. Swarns sticks closely to chronology and strives for an objective account, even as she depends on conjecture to join the recorded history of the two hundred and seventy-two to the broader experience of slavery in the Americas. The result is a vivid, pointillistically detailed narrative that foregrounds the people who were enslaved even as it tells the story of the school buildings erected with their labor and the institutions sustained and funded by their sale. “Without the enslaved,” Swarns writes, “the Catholic Church in the United States, as we know it today, would not exist.”

A black-and-white photo of Healy Hall, part of Georgetown University, in Washington, D.C.

The Book of Eve

After a prologue, in which a nun denounces what follows as having been written “to please the Devil,” this novel embarks on a sensuous retelling of the Book of Genesis from Eve’s perspective. According to Eve, Eden “wasn’t desirable, desire didn’t exist there”; “there was no serpent”; and Cain’s offering was “light and joyful” while Abel’s was “unbreathable smoke.” She calls Adam’s idea that earthly life is our punishment for sin a “stupid lie”; for her, the crackling energy of the planet is an inexhaustible pleasure. “Life is good,” Cain says to Adam. “How can you say what Eve has given us is bad?”

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A History of Burning

The inciting incident of this epic début novel—spanning four generations, five countries, and nine voices—comes in 1898, when Pirbhai, a thirteen-year-old Gujarati boy, is tricked into indentured servitude and becomes one of many Indians laboring on the East African Railway, in British-ruled Kenya. Pirbhai’s descendants must navigate a complex social and racial hierarchy. Children are born, daughters are married off, and elders are mourned against the backdrop of Pan-Africanism’s rise and the British Empire’s retreat. Oza shows each generation of Pirbhai’s family grappling with what to pass on to the next—a sense of complicity in colonialism; heirlooms and stories from homes long left; anxieties and hopes for the future—and what to let die with them.

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The Art Thief

From 1994 to 2001, Stéphane Breitwieser stole art at an unprecedented pace: three out of four weekends per year for eight years. He plied his craft during business hours, in museums, galleries, and auction houses, with tourists and docents and security guards milling around. He never wore a mask. He carried no weapons. And he stole some two billion dollars’ worth of art. Michael Finkel wonderfully narrates this odds-defying crime streak, whose trajectory is less rise and fall than crazy and crazier, propelled by suspense and surprises. Breitwieser pulls off his thefts with surprising minimalism. There is no rappelling from roofs, no triggering of fire alarms, no high-tech devices to shut down security systems. His gear consists chiefly of a Swiss Army knife and, weather permitting, an overcoat. In the book’s final chapters—when the dashing antihero grows old and sad—Finkel does not hesitate to bring down the boom, but he is clear and compassionate about the downfall. An outrageous tale, “The Art Thief,” like its title character, has confidence, élan, and a great sense of timing.

Someone in black leaving a room full of frames on the walls.

Winnie and Nelson

Eschewing hagiography, this portrait of the Mandelas’ marriage does justice both to the couple’s political heroism and to the betrayals and the secrets that hounded their union. Nelson emerges as the quieter force, with Winnie essential to his consecration. She could be shockingly cruel, “a monument to the revolution’s underbelly” who would settle personal scores by leveraging “the contagion of violence that besets unstable times,” most notoriously through her “football club,” an assembly of brutal bodyguards. Still, she was a world-class messenger, crucial in bringing Black South Africa’s plight to the international stage. The Mandelas, Steinberg writes, were “throwing themselves into the maelstrom of history, and nobody in a maelstrom is in control of their journey.”

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Okri, a Booker Prize winner, approaches the potential cataclysm of climate change from many perspectives in this multi-genre collection, which is both a work of lyrical imagination and a warning about the dangers we will face unless we take immediate action. A story from the collection appeared in the magazine.

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The Covenant of Water

This novel begins in 1900 in southern India, with the arranged marriage of a twelve-year-old girl to a forty-year-old widowed farmer. Big Ammachi, as she comes to be called, has married into a family with a curse: once every generation, a member drowns. Life unspools across seven decades, during which time Big Ammachi’s loved ones suffer maladies that are treated by practitioners of both traditional and Western medicine. The novel is a searching consideration of the extent to which seemingly contrary approaches to healing can coalesce; for a Swedish doctor who has founded a leprosarium, “medicine is his true priesthood, a ministry of healing the body and the soul of his flock.”

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Tomorrow Perhaps the Future

This group portrait examines those people—including Jessica Mitford, Langston Hughes, Sylvia Townsend Warner, Nancy Cunard, Martha Gellhorn, the war photographer Gerda Taro, and the nurse Salaria Kea—whose commitment to anti-Fascism was galvanized by the Spanish Civil War. Watling deploys a wealth of firsthand testimony and archival materials, not in service of a conventional work of history but in an extended consideration of contemporary concerns: What is the line between solidarity and appropriation in joining the struggles of others? How should writers navigate between objectivity and engagement? “The people in this book were imperfect in their commitment,” she writes. Yet they were prepared to “pick a side anyway.”

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The House Is on Fire

The Richmond Theatre fire of 1811 was, at the time, the deadliest disaster in U.S. history, killing seventy-two. This historical novel examines the event and its aftermath through four figures: the stagehand who accidentally starts the fire; a well-to-do widow in a box seat; an enslaved young woman, attending with her mistress but confined to the colored gallery; and a blacksmith, also enslaved, who rushes to the scene and rescues patrons jumping from windows. The bad behavior of the powerful becomes a theme: the theatre company attempts to pin blame on a fabricated slave revolt, and men in the audience trample their wives in making their escape.

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The Sullivanians

At its peak, in the mid- to late seventies, the psychoanalytic association known as the Sullivanian Institute had as many as six hundred patient-members clustered in apartment buildings that the group bought or rented on the cheap on Manhattan’s Upper West Side. As Alexander Stille writes in his juicy, fascinating “ The Sullivanians: Sex, Psychotherapy, and the Wild Life of an American Commune ,” Sullivanian therapists became “the chief authorities in a patient’s life.” The cult’s founder, Saul Newton, and his top therapists had demoniac control over their patients’ sex lives, social lives, how they earned or spent money, and how they raised—or, usually, didn’t raise—their children. The Sullivanians’ bête noire was the nuclear family, which they identified as the wellspring of all human pathology. Women had to seek permission to get pregnant. While trying to conceive, they would have sex with multiple men, in order to create ambiguity about their child’s biological father. In Stille’s view, “the Sullivanian Institute encapsulates one of the great themes of the twentieth century: the tendency of utopian projects of social liberation to take a totalitarian turn.”

Barbara Antmann standing resolutely outside of building belonging to the eccentric pyschotherapy cult the Sullivanians; her sister is a member of this cult, which is dedicated to destroying ties to the nuclear family.

The Late Americans

This novel follows a group of people in Iowa City, many of them M.F.A. students, and explores the ways that dissonant conditions of class, race, and social circumstances can compromise our freedom to pursue art and our ability to fully understand those we love. Amid financial concerns, artistic frustrations, and the judgments, jealousies, and posturing of their classmates, the characters find solace in moments of shared tenderness that transcend the ever-present threat of alienation. In a workshop, one student suggests that another’s poem may “bend our sympathies,” and Taylor’s novel does something similar: his characters reveal selfish or even violent tendencies, but his multifaceted portrayals show each of them to be as innocent and as flawed as any human.

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Instructions for the Drowning

These stories, by a Canadian novelist, poet, and musician who died last year, peer keenly into the penumbra surrounding death. A student, fervent and pious, accosts the great Harry Houdini. A man bench-presses at the gym; the bar slips and compresses his lungs; he struggles, but no one sees. A plastic surgeon begs his aging wife to allow him to smooth her wrinkles. Each story’s frame is precisely sized. Heighton’s stories wrestle with life’s uncontrollable endings and beginnings: birth, tragedy, failed resurrection. His characters grasp at time, even as it slips away—violent, sacred, apocalyptic, mundane.

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A Stranger in Your Own City

The author, an Iraqi journalist, narrates the American invasion of his country and its aftermath by recounting the lives of a cross-section of Iraqi society, including a Shia man who swaps houses with a Sunni family as sectarianism fractures neighborhoods; a woman doctor working under the Islamic State in Mosul; and a fixer who extorts families whose sons have been detained by security forces, promising to lessen their torture for a fee. Abdul-Ahad is equally caustic about Saddam Hussein, the American occupiers, corrupt Iraqi politicians, and opportunistic religious commanders (“freelance criminal gangsters running their own death squads”). His kaleidoscopic view emphasizes aspects of ordinary Iraqi lives which are lost in the simplistic interpretations of outsiders.

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Easily Slip into Another World

“I go back in my memory and I don’t see: I hear,” Threadgill, a Pulitzer Prize-winning jazz musician and composer, writes in this autobiography. As a child, he taught himself to play his mother’s piano, then learned the clarinet, the flute, and the saxophone (his main instrument). Threadgill is an engaging narrator, touching on racism in the Chicago of his youth, his military service in Vietnam—one band performance is interrupted by a Vietcong raid—and his compositional process. The book’s title refers to a state of mind in which he is able to resist the “mess” of conformity and produce an utterance of his own. “Your neurosis and your dream,” he writes, “they go hand in hand.”

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Lament for Julia

The Budapest-born American writer and philosopher Susan Taubes drowned herself, in 1969, days after the publication of her first novel, the cult classic “Divorcing.” Her suicide, at the age of forty-one, has colored the reception of her work, turning her into an icon of doomed femininity. Recently, however, a reappraisal, based in part on newly discovered works, has been revealing a more complex writer and thinker. In the novella “Lament for Julia,” written a few years before the publication of “Divorcing,” an unnamed voice mourns the disappearance of one Julia Klopps, and narrates glimpses of her life. The drama of work comes as much from the mystery of the voice’s relationship to Julia as it does from Julia’s fate. Taubes’s attempts to get the novel published were unsuccessful, but the work was admired by Samuel Beckett, who wrote to his publisher calling Taubes “an authentic talent.”

A photograph of Susan Taubes.

In Dorothy Tse’s first novel, a lonely middle-aged professor named Q falls in love with Aliss, a life-size mechanical ballerina. “Owlish,” translated from Chinese into a playful and sinuous English by Natascha Bruce, is set in a thinly veiled version of Hong Kong, with echoes of the pro-democracy protests of 2019 and 2020. As demonstrations spread across the city, Q retreats into his fecund and unabashedly filthy fantasy life, installing Aliss in an abandoned church and visiting her for hours on end. Tse uses hallucinatory prose to suggest the reality-warping effects of state censorship and to deliver a cautionary tale about runaway imagination. Activists protest unfree elections and the modifying of history textbooks. One student even climbs a clock tower. But Q, caught up in his own mind, hardly notices. “The world around him,” Tse writes, “seemed to vanish into his blind spot.”

A man and a ballerina on a rocking horse in a snow globe with protest related objects flying around them

V Is For Victory

On becoming President, in 1933, Franklin D. Roosevelt faced two daunting tasks: to pull the country out of the Depression and, in the face of Nazism’s rise, to overcome U.S. isolationism. Such was his success, this paean to F.D.R. contends, “that, if any one human being is responsible for winning World War II, it is FDR.” Nelson focusses on the ways in which New Deal economics and a nascent war effort went hand in hand, as with the bond-sales programs that financed the “arsenal of democracy” policy, and shows us Roosevelt wrangling generals and manufacturers alike. He sees America’s “industrial genius”—factories producing everyday items were enlisted to make armaments—as central to the defeat of fascism, arguing that American workers were war heroes, too.

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The fifth, and reputedly the last, of Ford’s books about the character Frank Bascombe, this novel finds Frank now in his seventies and confronting his son Paul’s devastating illness. After Paul, who has A.L.S. (or “Al’s,” as he jokingly refers to it), participates in an experimental protocol at the Mayo Clinic, Frank picks him up in a rented R.V. and they set out for Mt. Rushmore. A melancholy but banter-filled road trip ensues, in which they survey a swath of Middle America—kitsch stops along the way include the World’s Only Corn Palace, where everything is made of corn—and meet various vividly drawn characters. The startling and poignant conclusion unites father and son through love and grief as they learn to “give life its full due.”

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A Life of One’s Own

Biggs’s absorbing, eccentric memoir wends its way through chapter-length biographies of women authors whose lives asked and answered questions about domesticity, unhappiness, and tradition: Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, Elena Ferrante. Within their differences (of era, of means, of race), each charged herself with writing while woman, thus renegotiating their relationship to endeavors long considered definitive of womanhood. Their lives supplied Biggs a measure of clarity in mapping a new life for herself. “This book bears the traces of their struggles as well as my own—and some of the things we all found that help,” Biggs writes of her subjects. Their stories, the ones they lived and the ones they invented, are complexly ambivalent. But Biggs has been a resourceful reader, one who finds what will sustain her.

An illustration of two women's heads facing one another, with a pen between them.

The Wounded World

This literary history traces the genesis of W. E. B. Du Bois’s ambitious, unfinished study of the role of Black soldiers in the First World War. Du Bois had called on African Americans to “close ranks” (“ first  your Country,  then  your Rights!”), but his postwar research revealed to him the conflict’s horrors—Black troops denied crucial equipment; Black officers convicted in sham trials—leading him to question the merits of the war and the point of Black soldiers’ sacrifice. Du Bois meticulously documented “a devastating catalog of systemic racial injustice,” Williams writes, while showing “an ability to distill it into concise, lively, accessible prose.” The same goes for this book, which weaves a propulsive narrative from a tangle of facts and forces.

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An Honorable Exit

Vuillard, who specializes in novels tracking historical events, turns his eye to France’s attempts to extricate itself from the First Indochina War, culminating in the disastrous defeat at Dien Bien Phu, in 1954. Vuillard examines not only the battlefield but also company boardrooms and National Assembly watering holes, to capture “how easy it was to be pragmatic and realistic thousands of kilometers away, to draw up a balance sheet and make projections, when you were in no personal danger.” With measured outrage and penetrating irony, he pillories the alternating bluster and euphemism of French decision-makers while emphasizing colonialism’s brutal toll on the Vietnamese.

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In a powerful graphic memoir, the Pulitzer Prize-winner Darrin Bell explores how racism—both subtle and blatant—has impacted his life, from childhood to the present. Read an excerpt on newyorker.com .

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Samuel Barber

Barber’s music continues to be treasured for its melding of flawless craftsmanship and deep feeling. Barber himself was more complicated, as this fine biography reveals. Born on Philadelphia’s Main Line in 1910, he was an ebullient gay uncle to his extended family, and counted Andy Warhol and Jacqueline Kennedy among his friends. But his personality was tinged with nastiness and melancholia, intensified by alcoholism and by the collapse of his relationship with the composer Gian Carlo Menotti. Pollack’s account of the psychosexual intrigue that engulfed many of the guests at the couple’s Westchester home is startling in its frankness.

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Set in the nineteen-seventies and eighties, this novel follows the Aziz siblings—Walter, Lina, and Donnie—after their mother’s commitment to a mental-health institution. “The sadness was always there, an underground cascade,” Lina observes of her mother, whose condition becomes a reflecting pool around which the siblings gather, peering into themselves, and into her. Simpson darts between their points of view, detailing the vicissitudes of their lives. The novel’s strength lies less in dramatic conflict than in small details, which continually highlight questions of care. Lina speaks about “medieval olfactory therapy with flowers” and about the Belgian town of Geel, where patients are integrated into the community—as her mother never was.

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We’re All in This Together...So Make Some Room

The stand-up comedian Tom Papa lays his jokes on the page in this collection of candid essays, addressing universally human topics including getting a car, staying in hotels, and avoiding your family. Read an excerpt on newyorker.com.

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The memoirist Claire Dederer’s third book grew out of a viral essay, “What Do We Do with the Art of Monstrous Men?,” that she published in The Paris Review in late 2017, at the height of #MeToo. In thirteen chapters, “Monsters” moves through a catalogue of familiar names associated with both genius and monstrosity. The usual suspects—Roman Polanski, Woody Allen, Bill Cosby—all make an appearance, as well as many others, sorted into categories such as “The Genius,” “Drunks,” and “The Silencers and the Silenced.” Early in the book, Dederer confesses that she has fantasized about solving the question of whether to consume the work of a disgraced artist with an online calculator that could “assess the heinousness of the crime versus the greatness of the art and spit out a verdict.” The real question, she eventually decides, is not what “we” do with the monstrous men. “The real question is this: can I love the art but hate the artist?” By the end of “Monsters,” Dederer’s reckoning with the artists whose work has shaped her has become a reckoning with her own potential for monstrousness. Go ahead, she tells us, love what you love. It excuses no one.

Illustrations of the faces of Woody Allen, Pablo Picasso, Michael Jackson, and Roman Polanski being distorted.

Take What You Need

A delicate meditation on art, family, and ugliness, this novel unfolds in chapters that alternate between the perspectives of Jean, an elderly sculptor living in the Alleghenies, and her estranged stepdaughter, Leah, who, after Jean’s death, comes to collect the sculptures that constitute her inheritance. These works, towers of welded scrap metal that Jean calls “manglements,” have a familial aspect: Jean learned to weld from her father, and the metal comes from her cousin’s scrap shop. The characters dwell not only on the difficulties that arise in family life but also on the ways in which such difficulties can’t be separated from love. Jean recalls that, when she read Leah “Little Red Riding Hood,” the child wanted “no confusion about whether I was speaking as the wolf or the grandma.”

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Some historians have charted history as the linear, progressive working out of some larger design, while others embraced a sine-wave model of civilizational growth and decline. What if world history more resembles a family tree, its vectors hard to trace through cascading tiers, multiplying branches, and an ever-expanding jumble of names? This is the model suggested by Montefiore’s book, a new synthesis that approaches the sweep of world history through the family—or, to be more precise, through families in power. The author energetically fulfills his promise to write a “genuine world history, not unbalanced by excessive focus on Britain and Europe.” In zesty sentences and lively vignettes, he captures the widening global circuits of people, commerce, and culture and offers a monumental survey of dynastic rule: how to get it, how to keep it, how to squander it.

A medieval family tree with portraits of different people on the branches

The Plot to Save South Africa

On Easter weekend, 1993, Chris Hani—an A.N.C. commander seen as Nelson Mandela’s likely successor—was assassinated by two white nationalists. Protests and violence followed, threatening to derail ongoing negotiations to end apartheid. This account re-creates the delicate process by which negotiators—Mandela and Cyril Ramaphosa on one side, F. W. de Klerk and Roelf Meyer on the other—struggled to keep the people’s reactions in check and pull the country back from the brink of civil war. Malala also probes the persistent conspiracy theories surrounding Hani’s death. Conceding that these theories may never be proved or disproved, he nonetheless stresses the way that a killing intended to ignite a race war ended up accelerating democratization.

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Mozart in Motion

Mozart is one of the composers most mansioned in myth: a prodigy of easy and childlike genius, the story goes. Modern commentary rightly complicates the narrative. In his new book, the English poet Patrick Mackie offers an exemplary biographical approach, nicely balancing the proper spiritual astonishment with the proper cultural curiosity, as he chronicles Mozart’s life through a series of celebrated works. Mackie describes a composer who was eager to please his audiences and who, at the same time, pushed his work into experiment and risk. The author is a sensitive and highly intelligent appraiser of musical form, with a gift for analyzing Mozart’s music as something more than the simple expression of culture and biography.

Portrait of Mozart with a face made up of musical notes

My Father’s Brain

Spanning seven years, this incisive memoir relates the decline of the author’s father, an eminent agricultural scientist, after a dementia diagnosis. Sandeep, a physician, examines the history and science of dementia and the ethics of making decisions on behalf of the cognitively impaired. He is clear-eyed about his and his siblings’ shortcomings and about the social factors that exacerbate the challenges of helping the elderly. These include cultural biases against those perceived as not rational and Western individualism, which discourages intergenerational homes and thereby increases the obstacles to collective caretaking.

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Gravity and Center

This volume of sonnets by one of the form’s most distinctive practitioners calibrates tensions between mind and body, nature and culture, self and society, freedom and restraint. Cole eschews fixed metrical and rhyme schemes but retains the sonnet’s essential sense of rigor and compression, the drama that emerges from its “little fractures and leaps and resolutions.” His approach, which bears the influence of French and Japanese lyric traditions, combines a surrealistic idiom with an enigmatic emotional intensity; the poems feel at once delphic and deeply personal, mapping the thin and porous membrane between their author’s inner and outer worlds.

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The Earth Transformed

Frankopan’s essential epic, a history of climate change and its influence over the rise and fall of civilizations, runs from the dawn of time to the present day. By about two and a half billion years ago, enough oxygen had built up in Earth’s atmosphere to support multicellular life, he writes, and by about five hundred and seventy million years ago the first complex macroscopic organisms had begun to appear. The first primates lived in the trees. Then, Homo sapiens began wandering around the understory. “Like rude house guests who arrive at the last minute, cause havoc and set about destroying the house to which they have been invited, human impact on the natural environment has been substantial and is accelerating to the point that many scientists question the long-term viability of human life,” Frankopan writes. He sketches the limits of human self-preservation and imagines a possibly not too distant future in which we fail to address climate change—and cause our own extinction.

A black and white photograph of a dense forest.

Paved Paradise

Grabar makes a serious case for parking as a grave social problem, but he does so in a way that is consistently entertaining. His book is filled with engaging eccentrics, including the New York “traffic agent” Ana Russi, who once gave out a hundred and thirty-five parking tickets in a day. When cars took the place of horses, Grabar writes, the civil-minded assumption in America was that private developers should be obliged to provide sufficient parking to accompany whatever building they had just built. The resulting system created a permanent logjam, in which huge quantities of urban space were consumed by parking, architects and developers faced burdensome design constraints, and the classic main street became impossible to re-create. Grabar’s anti-parking polemic makes a story out of people, not just propositions, and relates many bits of mordant social history in a good-natured and puckish vein.

Cars cross over numerous highways, as seen from above.

Biting the Hand

In this affecting memoir, a literature professor whose parents emigrated from South Korea writes about her “inheritance” of what Koreans call  han —a culturally specific mixture of rage and shame—as well as the insidious tendency of “racial shame” to separate “people of color from one another.” Lee mixes personal anecdotes, including experiences of racism, with analyses of racially charged historical events, such as the 1992 Los Angeles riots, during which “thousands of Korean-owned businesses were looted and torched.” She argues that white supremacy has been bolstered by a “culture of scarcity,” in which “there’s only a certain amount of bandwidth available in the American consciousness to deal with racial oppression.” Changing this will involve rejecting an entire “racial imaginary” that makes room only for the broad categories of white and nonwhite people.

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When the World Didn’t End

Turner was a member of the Lyman Family cult until she was sent away at the age of eleven. In this absorbing memoir, she scrutinizes her childhood with anthropological curiosity. With the intimacy of one who grew up in a cult and the distance of one who left it, Turner contemplates the nature of shared belief, at once familiar with its extremes and keenly aware of its covert power over many facets of human behavior. The book grew out of the piece “ My Childhood in a Cult ,” which Turner wrote for the magazine in 2019.

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Carmageddon

Knowles, a writer for The Economist , takes up the case against cars, analyzing their contributions to destruction of the urban fabric. He argues that America has exported its car addiction to the developing world, where such ill effects are further exacerbated: “A huge amount of economic growth has been squandered, with the extra income that people are earning being spent sitting in traffic on ever-more polluted roads.” Knowles floats possible remedies, but just as quickly pokes holes in them. The electric car, for example, produces more pollution in its construction than its existence justifies, and driverless cars cause too many casualties. Briskly written and well researched, “Carmageddon” is a serious diatribe against cars as agents of social oppression, international inequality, and ecological disaster.

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Two women, living centuries apart, scour the Colosseum for plant samples in this lyrical, incisive novel. In 1854, one helps the botanist Richard Deakin (a historical figure) catalogue the amphitheatre’s flora; in 2018, the other assists an academic tracking the changes in its ecosystem since Deakin’s time. The twin narratives mimic field-work notebooks, with headings by family (Vitaceae, Gentianeae, Ambrosiaceae) and vivid illustrations. Gradually, the women’s fragmentary entries come to reveal a changing climate, the invisibility of women’s work, and the perseverance of unofficial histories. As Simpson Smith writes, “the weeds outlive the narrative.”

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Hungry Ghosts

In this novel, set in rural Trinidad in the nineteen-forties, the disappearance of a wealthy farmer upends carefully tended boundaries of class and identity. The farmer’s wife orders one of his employees, part of a community of indigent laborers on the village outskirts, to take over his duties. This man has always taught his family to be content with the status quo, even though he chafes at the limitations of his own life. But, as those with power make a game of his desire for a more expansive life—for sensual pleasure and land of his own—he finds himself increasingly at risk of forgetting what he has told his son about moths drawn to lamplight: “It is that hope that turns on them and gets them killed.”

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Actual Malice

During the civil-rights movement, segregationists used coördinated libel lawsuits in state courts to drive Northern media out of the South. It was in this context, in 1964, that the Supreme Court decided New York Times v. Sullivan, a landmark decision that made it harder to win defamation suits against the media. Samantha Barbas, a law professor and historian, unfurls the story of the case, deftly employing archival sources to shed new light on the triumph of press freedom as an outgrowth of the civil-rights struggle. Her book illuminates the effect of libel suits on journalists’ ability to cover the movement, the legal strategies used against those suits, and the impact of the case on the civil-rights movement itself. A heroic narrative in which the litigation helped vanquish segregationists serves to underscore what Barbas calls the “centrality of freedom of speech to democracy.”

An illustration of a reporter's microphone with a snake tail as a handle.

In her graphic novel,Benji Nate takes us to the messy, funny, and at times navel-gazey world of a group of hot, young Internet girls, living under one roof. Read an excerpt on newyorker.com.

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Holding the Note

Remnick, The New Yorker’s editor, captures the tempo and timbre of the great musicians of our time: Leonard Cohen’s divine darkness, Bruce Springsteen’s durable swagger, Mavis Staples’s transcendent gospel . This series of profiles, gathered from the magazine, plumbs the lives and legacies of iconic artists and their indelible work: the people who made the music that made us.

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Widely regarded as one of the most important philosophers of the past century, Derek Parfit was born to a British missionary family in China, and spent most of his life at an Oxford college whose fellows have no teaching responsibilities to distract them from research. Parfit made contributions to questions about identity, future generations, and freedom, but his central project was to argue for the objective nature of morality. Edmonds’s companionable biography tracks this work while assembling a portrait of how Parfit grew from a young boy with strong moral intuitions to a kind, perfectionistic man who believed that the stakes of his mission were so high that he should devote almost all of his waking hours to it.

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Go Back and Get It

On her thirty-eighth birthday, the author of this memoir found a century-old photograph of an enslaved ancestor and embarked on a pilgrimage to uncover hidden branches of her family tree. The book’s title is derived from the West African practice of  sankofa , which is “symbolized by a bird in flight with its head craned backward and an egg in its beak.” In spare, often haunting prose, Ford describes the union between her Black great-great-grandmother and her white great-great-grandfather, the lasting trauma of being raped as a child by a relative, and the lynching of forebears “swinging from trees for the crime of being born Black.”

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We the Scientists

Niemann-Pick disease type C is a rare genetic disorder whose sufferers face almost certain death by the age of twenty. In a selection of case histories, this book illuminates the painful tension between the extended time frames of medical research and the life spans of those hoping for a cure. Marcus writes of a woman whose twin girls received an NPC diagnosis as toddlers. When the mother sought permission through the F.D.A.’s compassionate-use program to give the girls an experimental drug, profound ethical issues arose: What if the treatment made the girls worse? Given the rarity of the disease, might a one-off experiment preclude sufficient enrollment in a later clinical trial, countering the common good? Marcus shows how parents, by imparting a sense of urgency to the search for a cure, have helped future generations of children even as they could not save their own.

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A Small Sacrifice for An Enormous Happiness

The fifteen stories in this collection, set variously in America and India, are propelled by familial anxieties. Chakrabarti’s characters—diverse in race, class, sexuality, and religion—reveal themselves through longings: a closeted man dreams of conceiving a child with his lover’s wife; a lonely married woman secretly builds an airplane in her garage. Elsewhere, would-be do-gooders turn exploitative, as in a story that finds an American man making wild financial promises to the son of his longtime guru. These tales eschew neat conclusions, leaving their protagonists suspended, as one opines of life itself, “between unbearable truths—salvation or suffering.”

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The Postcard

In 2003, the French author Anne Berest’s mother went out to gather the mail and found an anonymous postcard: On one side was a photo of the Opéra Garnier; on the other, the names of Jewish family members, who, in 1942, had been deported from France and murdered at Auschwitz. Based in part on her mother’s ensuing research, Berest’s nearly five-hundred-page novel, “ The Postcard ,” fluidly translated by Tina Kover, examines that family history and its present-day reverberations. The first section finds Anne questioning her mother about their family, whose path led from Moscow in 1918, through Latvia and Palestine, and on to France. The story then jumps to Paris in 2018, where Anne’s six-year-old daughter tells her grandmother one day, “They don’t like Jews very much at school.” Berest uses novelistic techniques to give the novel both a detective story’s page-turning urgency and the immediacy of life as it unfolds.

Anne Berest seen in profile.

Smith’s illuminating book documents the rise of online traffic-chasing as a twenty-first-century media norm and the ways in which the new laws of traffic—shaped by social media and their ability to disseminate material at exponential, “viral” rates—unseated old power structures. His story focusses on the rise of two figures: Jonah Peretti, the founder of BuzzFeed, and Nick Denton, the founder of the online Gawker Media network. The long story that Smith traces, from the open Internet of Peretti’s early high jinks to today’s atomized and factionalized splinternet, is shaped by the demands of business strategy. At BuzzFeed’s height, the traffic rush was a gold rush; by the end of the decade, traffic had become most powerful as a tool to form political identity. Smith’s book highlights how the race for clicks spawned, then strangled, the new media.

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In the Orchard

This novel, an examination of motherhood, unfolds in the course of a night and a day. Maisie, weeks after having her fourth child, lies awake breastfeeding and fretting about money. Her hormonal, sleep-deprived thoughts veer from the banal to the profound: “She couldn’t get purchase anywhere, couldn’t get traction on anything.” The next morning, her family makes its annual visit to a local apple orchard. There, a succession of encounters reminds her of the punishing unpredictability of human existence. Maisie’s contemplation of life as “a series of languishments and flourishes, of withering and blooming,” aptly describes this rhapsodic, plotless book, which nevertheless carries a stinging twist at its end.

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Camera Girl

Less than a decade before she became the world’s most photographed woman, Jacqueline Bouvier regularly worked behind a camera for the Washington Times-Herald , soliciting opinions from the capital’s ordinary residents and taking their pictures. “Camera Girl,” Carl Sferrazza Anthony’s new biography of the young Jackie, illuminates this portion of her life, making plain that the future First Lady was clever and educable, a woman who preferred her own curricula—books, socializing, and travel—to anything imposed by the schools that she attended. It was in postwar Paris, Anthony writes, that Jackie perfected a knowledge of “how to be ‘on,’ to make an intentional impression, to invent herself into a character.” Her column at the Times-Herald was called “Inquiring Camera Girl,” and her twenty-month run with it is the charming and informative heart of the book, a lively depiction of a young woman who relished every opportunity to regard the world from her own perspective.

Jacqueline Bouvier, photographed by Richard Rutledge.

Shy, the teen-aged namesake of Max Porter’s new novel, is caught between helpless sensitivity and impulsive violence. At fifteen, he spun out of control because his mum gave away his old Hot Wheels toys; not long after, he broke a row of chemistry sets after he couldn’t get an erection with a girl from school. The question animating the novel, Porter’s third, is simple: Will Shy’s inner chaos manifest as childish mischief or something worse? Porter’s gift is his ability to balance a delight in language with precise attention to its mechanics. In “Shy,” he culls from the cramped space of his protagonist’s head about six hours’ worth of mental flotsam, mashing up fonts, registers, characters’ voices, and words themselves to create intricate linguistic effects. The novel ends sentimentally, but, for most of “Shy,” Porter balances social realism and fairy tale in perfect suspension.

A watercolor illustration of a teen-age boy.

Hit Parade of Tears

An icon of Japanese counterculture in the nineteen-seventies and eighties, Suzuki worked as an underground actor, posed for the erotic photographer Nobuyoshi Araki, and penned science-fiction stories, before killing herself at the age of thirty-six. This collection showcases her unique sensibility, which combined a punk aesthetic with a taste for the absurd. Her work—populated by misfits, loners, and femmes fatales alongside extraterrestrial boyfriends, intergalactic animal traffickers, and murderous teen-agers with E.S.P.—wryly blurs the boundary between earthly delinquency and otherworldly phenomena. As one character puts it, “Some wackjobs think they’re living in a science-fiction world.”

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On the thirtieth anniversary of the Waco siege, Guinn, an investigative journalist, reconstructs the conflict between David Koresh, the leader of the Branch Davidians, and the U.S. Justice Department. In 1992, a box being delivered to a Davidian-owned business broke open and dozens of grenade casings spilled out, prompting a months-long investigation by the Bureau of Alcohol, Tobacco, and Firearms. The A.T.F. pursued multiple avenues to obtain a warrant, which it got, and eventually decided on a “dynamic entry” of the Branch Davidian compound, Guinn reports. Amid the resulting siege, Koresh, exuding confidence, told a negotiator, “You’re the Goliath, and we’re David.” Of course, whereas the Biblical David had a sling and five smooth stones, the modern Davidians had a .50-calibre sniper rifle that could shoot chunks off car engines. In the end, the F.B.I. raid at Waco resulted in dozens of deaths, including those of more than twenty children. Incorporating interviews with more than a dozen agents who participated in the raid, Guinn chronicles the flames kindled at Waco, the ashes of which are still blowing around.

Silhouette of a tank in front of a burning building.

Waco Rising

Waco, Texas, is best known for a fifty-one-day standoff outside the city in 1993, between a religious sect called the Branch Davidians and the Department of Justice. The siege, which culminated in a fire in the Branch Davidian complex, killed four federal agents and eighty-two civilians. Kevin Cook’s excellent book documents the ways in which the event galvanized the militia movement. Between 1993 and 1995, more than eight hundred militias and Patriot groups formed. Waco, Cook reports, was their rallying cry. A young Alex Jones became obsessed with Waco; it led him to start his Web site Infowars. Jones had a hand in arranging the rally at the Ellipse on January 6, 2021, and, directly afterward, insurgents attacked the U.S. Capitol. Waco helped militias and members of the radical right to see the state as a violent enemy of the people. That view, once marginal, has elbowed its way to the mainstream.

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Writers and Missionaries

These probing essays on writers and artists—such as Richard Wright, Edward Said, Jacques Derrida, and Kamel Daoud—reflect Adam Shatz’s abiding interests: the intellectual life of the Francophone and the Arab worlds, leftist politics, and the nature of political art. The book, Shatz’s first, culminates in a memoir that first ran in The New Yorker about cooking. Shatz writes, “The childhood passion that awakened my interest in France, and, by an unexpected and twisted path, led me to my work as a writer.”

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Impossible People

In this graphic memoir, Julia Wertz charts her long, winding path to sobriety in a way that is honest, funny, and highly relatable. Read an excerpt on newyorker.com.

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Set in the nineteen-fifties, this finely etched novel centers on Kit, who spent her early childhood living by the Arkansas River with her white father and Cherokee mother. After her mother died, of tuberculosis, things went awry, and Kit, now eleven, offers a written account “of this whole awful mess,” which has led to her forced enrollment in a Christian boarding school. (Her relatives are “doing the fighting to get me out.”) Kit’s guileless narration betrays a precocious resolve and a dawning realization that lies can have the power of violence. “I am descended from people who survived the Trail of Tears,” she says. “Those that gave up hope and stopped on the road died in the snow.”

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Skip to the Fun Parts

The cartoonist Dana Maier gets it—getting creative work done is hard, a fact that she draws up in this illustrated guide for procrastinators who want to be productive. Read an excerpt at newyorker.com.

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Nothing Stays Put

America’s preëminent late-bloomer poet, Amy Clampitt, published her first book in 1983, when she was sixty-three. This lucid biography tracks her path to eventual fame: her childhood as the bookish eldest daughter of Iowa Quakers; years of obscurity as a West Village bohemian, toiling under the mistaken belief that she was a novelist. Religious conversion (and, later, deconversion), activism, and finding love enriched Clampitt’s life as she crept toward the erudite, lush poetry that dazzled readers. Spiegelman insists that much cannot be known about a poet so resolutely private, though he successfully evokes an artist with a will strong enough to endure decades of false starts.

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Still Life with Bones

In this meditative ethnography, a social anthropologist writes about conducting forensic work at mass graves in Guatemala and Argentina, and delicately explores the art, the science, and the sacredness of exhumation in the aftermath of genocide. In forensics, Hagerty writes, “bones shift between people and evidence” and “rattle like dice” as they gradually reveal an individual’s story. She takes us through the histories of legendary forensics teams and resistance groups, relays testimony from family members of individuals who disappeared, and examines the prismatic nature of grief. Throughout the book, just as in forensics, “the ritual and the analytical buzz in electric proximity.”

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Chain Gang All Stars

This début novel, a caustic satire, takes place in a dystopian United States where prison inmates can attempt to secure their freedom by volunteering to compete in a series of televised death-matches, the so-called Criminal Action Penal Entertainment (or CAPE) program. CAPE participants, known as Links, tour the country in squads known as Chains, fighting in packed arenas and sometimes attaining the status of celebrity. The novel’s protagonist is a former inmate of a private prison named Loretta, who bears the stage name Blood Mother and who, together with her partner, shepherds a chain known as the Angola-Hammond through gruelling marches. Alongside Adjeh-Brenyah’s rich accounts of his characters’ perspectives, the narrative plunges into bloody fight scenes. The result is a stirring reckoning with contemporary American ills, among them mass incarceration and voyeuristic appetites for violence.

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Romantic Comedy

Flirting with the tropes of its namesake genre, this playful novel follows Sally, a writer on an “S.N.L.”-like show called “Night Owls,” who falls in love with one of its guest hosts. Their relationship develops via e-mail in the post-grocery-wiping, pre-vaccine days of  COVID -19. When Sally decides to visit her beloved in L.A., their time together in his Topanga mansion requires her to navigate incredulity, insecurity, and an offer that she feels is an “affront to my independence.” The novel is preoccupied with the instinctual nature of self-sabotage, and with the fulfillment that can come from defying ingrained impulses.

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To Anyone Who Ever Asks

The singer-songwriter Connie Converse was a pioneer in the folk scene of mid-century New York but never made it big. She drove off by herself at the age of fifty, never to be heard from again. Fishman describes stumbling upon Converse's prescient music and tracking down her story. The original essay that sparked the book appeared on our site, in 2016.

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The great Hungarian writer Magda Szabó’s novel “ The Fawn ,” originally published in 1959 and newly translated by Len Rix, is a chronicle of silence and all that roils beneath it. The book depicts the tumultuous reunion of the bitter and brilliant Eszter Encsy and her childhood playmate, the cherubic Angéla, after a decade apart. Rix’s translation captures the novel’s narrative restraint, the fugitive path it treads between the need to speak and the desire to withhold. Szabó wrote “The Fawn” in secret, during a period of almost a decade when Hungary’s postwar Stalinist regime prohibited her from publishing. Political censorship is one cause of silence in “The Fawn,” but the novel’s true subjects are those silences which fall between people, the failures of intimacy that cut friends and lovers adrift. Szabó understood such silences as a sort of exile, and, in her fiction, she examined the effects, how estrangement from others could also make people strangers to themselves.

A portrait of the Hungarian author Magda Szabó.

We Should Not Be Friends

When Schwalbe, an unathletic theatre kid who spent his free time at Yale volunteering for an aids hotline, met Maxey, a fellow-senior and a celebrated wrestler intent on becoming a Navy seal, he never imagined that they’d be compatible. This delicate memoir tracks their intermittent friendship, from initiation into one of Yale’s secret societies to thirty-five-year college reunion. Gradual revelations from parts of Maxey’s life which Schwalbe missed make for an unexpected page-turner that may inspire readers to reach out to old friends. Schwalbe overcomes the perspectival limitations of memoir-writing by allowing himself access to his friend’s thoughts, notably in rhapsodic contemplations of the sea surrounding the Bahamian island where Maxey ultimately finds purpose.

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Künstlers in Paradise

Julian, a directionless young New Yorker, ventures west, to Venice Beach, to help care for his zesty ninety-three-year-old grandmother. When the pandemic descends, he finds himself sequestered indefinitely with her, as she recounts memories of her Anschluss-ruptured Vienna childhood and her family’s subsequent immigration to Hollywood, where she came to know legends including Arthur Schoenberg and Greta Garbo. The novel emphasizes echoes across history but explores intergenerational gaps, too, and—despite handling such weighty subject matter as survivor’s guilt, sexual repression, and the ongoing traumas of racial and religious persecution—maintains a remarkable lightness of tone and of characterization.

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In this compelling work of memoir and history, Bilger investigates the life of his grandfather, a schoolteacher in Germany’s Black Forest who became a Nazi party chief in occupied France during the Second World War. Exploring the silence and the secrets of both a single man and a society, the book was excerpted in the magazine.

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The Best Minds

This engrossing memoir centers on the author’s childhood friend Michael Laudor, who developed schizophrenia and, in his thirties, committed a horrific murder. The pair, both Jewish faculty brats with literary dreams, grew up on the same street in New York’s suburbs—parallels that haunt Rosen as Laudor’s brilliance edges into paranoia. Rosen thoughtfully interweaves this story with an account of changing attitudes toward mental illness. Laudor, before his crime, had become a poster boy for a Foucault-influenced intellectual culture that saw psychosis as a metaphor for liberation. Meanwhile, as Rosen notes, institutions for treating the mentally ill were being dismantled with no provision of adequate replacements.

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Small Mercies

Lehane has been wrestling with Boston’s ugly racial legacy since his first novel, “ A Drink Before the War ,” published in 1994. His latest, a tragic vision of Boston’s working-class enclaves set amid the busing protests of 1974, lands like a fist to the solar plexus. Mary Pat Fennessy, the central character, is forty-two, with two husbands in the rearview mirror and a son who died of a heroin overdose. When her beloved daughter goes missing, Mary Pat embarks on a quest to find out what happened—a quest that takes her from the haunts of the local gangsters to the exotic terrain of Harvard Square—turning her world inside out. Her perception of Southie begins to peel away from the neighborhood’s defensive self-image as she reckons with her own racism and the hatred festering all around her. Lehane’s ferocious crime novel captures a tetchy, volatile mixture of working-class pride and shame.

A woman strides forward with determination. Behind her is a school bus with cracked windows, through which we can see the silhouettes of children.

The Blazing World

Healey, a historian at Oxford, writes with pace and fire and an unusually sharp sense of character and humor. Narrating with the eclectic, wide-angle vision of the new social history, he shows that ideas and attitudes, rising from the ground up, can drive social transformation; the petitions and pamphlets which laid the ground for conflict are as important as troops and battlefield terrain. His account allows members of the “lunatic fringe” to speak for themselves; the Levellers, the Ranters, and the Diggers—radicals who cried out in eerily prescient ways for democracy and equality—are in many ways the heroes of the story, though not victorious ones. Seeking to recapture a lost moment when a radically democratic commonwealth seemed possible, Healey demonstrates that ripples on the periphery of our historical vision can be as important as the big waves at the center of it.

A man on stage holding a crown on one hand and a decapitated head on the other.

Six decades ago, Pedro Cuatrecasas, a resident at the Johns Hopkins School of Medicine, found concrete evidence that the ability to digest lactose might be a genetic condition linked to one’s racial background. More studies over the following decades would draw similar conclusions about the difficulties that many communities of color faced when trying to digest unfermented milk. Despite this consensus, milk retained its reputation as a nutritional bulwark in the United States and elsewhere. In “ Spoiled: The Myth of Milk as Superfood ,” the culinary historian Anne Mendelson questions fresh milk’s hegemonic grip over the American mind. The book charts the gradual spread of “dairying,” from its origins in the prehistoric Near East and Western Asia to its prevalence in northern Europe. Mendelson does not propose forgoing fresh milk altogether. Rather, she seeks to gently put it on a level playing field with its alternatives and open the minds of her readers to the culinary possibilities of dairy beyond American shores.

Illustration of a group of children with large smiles dancing around a large milk carton fountain.

The Cult of Creativity

Franklin posits that “creativity” is a concept invented in America after the Second World War, appearing primarily in two contexts: psychological research and business, each arising semi-independently, but feeding into and reinforcing each other. Humanistic psychologists—attuned to postwar anxieties about alienation and conformity—connected creativity with authenticity and self-expression. The advertising industry—the motor of consumerism—grabbed on to the term to appropriate the glamour and prestige of the artist and confer those attributes on admen and product designers. In the information age, countercultural values turned out to be entirely compatible with consumer capitalism. The difficulties that arose in defining creativity are intrinsic to the concept itself, Franklin argues, and his provocative book unpacks the history of a term whose origins are more recent than we might imagine.

An illustration of a person's upper torso with a colorful and dynamic explosion of shapes in place of their head. Around the perimeter of the shapes is a yellow ruler.

Psychonauts

Long before the hippies, a group of nineteenth-century artists, philosophers, and scientists began taking drugs in order to uncover the secrets of the mind. In “Psychonauts,” the historian Mike Jay argues that these thinkers were unique. Before the group’sexperiments, drugs had been used to self-medicate, or to escape the world, but the psychonauts saw them as an education: a way to access the hidden corners of consciousness. In the process, they upended the notion of objectivity, asserting that drugs needed to be experienced in order to be understood. Jay has written several books on Western drug use, and his study is full of sharp, lively anecdotes: William James inhaling nitrous oxide, Freud’s exploits with cocaine, and Thomas De Quincey’s famous opium trips. For the psychonauts, drugs were a tool not just for science but for self-actualization.

William James wearing a hat and sunglasses.

Benjamin Banneker and Us

The central figure in this memoir-biography is Benjamin Banneker, a Black astronomer who was born in 1731 and became famous for writing almanacs and helping to design Washington, D.C. After learning that she was one of Banneker’s descendants, Webster, a white poet, retraced his and his ancestors’ lives. In the process, she built close relationships with newfound Black cousins, whose relatives have researched Banneker for generations, and are both excited by and wary of her interest in him. One tells her, “You white writers just dip in and visit. You will write this book and then go away, but I am compelled to live here.” Listening to her family and constructing a story together leads Webster to conclude that “ancestry is not an individual acquisition but a collective inheritance, a shared process of awareness.”

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Spring Rain

“Spring Rain,” the third book in a trilogy, follows Hamer as he becomes too old to work as a gardener anymore. The first book, “ How to Catch a Mole ,” was an account of how Hamer, who worked for many years as a mole catcher—which is surprising not only because the job sounds like it belongs in a Wordsworth poem but also because Hamer has been a vegetarian since childhood, and often had to kill the moles he caught—ceased to be a mole catcher. That book is a double portrait: of the difficult, lonely, and intense domesticity of both moles and Hamer. “ Seed to Dust: Life, Nature, and a Country Garden ” is a year of meditations on his time working in a vast garden owned by an old woman he calls Miss Cashmere. Hamer’s prose proceeds by association and by charismatic detail (“there are golden moles and white moles”), but it also has a strong sense of arc, of change. His mind turns to mortality often in the new book, which could be described as a memoir of a retired gardener turning his own small patch of neglected land back into a garden, or as a memento mori. “Spring Rain” is something of a winter book. “There are two kinds of old people,” Hamer writes. “There are the old people who are in pain and are miserable, and there are the old people who are in pain and are light-hearted. All old people are in pain.”

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In Memoriam

This consuming and unstintingly romantic début novel begins in 1914, and centers on two teen-age boarding-school students: Ellwood, an aspiring poet, and Gaunt, a moody, half-German pacifist. The young men are taking tentative steps toward romance when Gaunt enlists in the British Army. Ellwood eventually follows, set on reunion, and determined that, “if something dreadful was being done to Gaunt, he wanted it done to him as well.” The story parses the extent to which pursuing forbidden love can feel like risking one’s life. Of his heart, Gaunt thinks, “It was only because he knew he would die that he could be so reckless with it.”

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Tenacious Beasts

The occasional resurgences of animal populations in an era of mass extinction are the subject of this lively study, by a journalist and professor of environmental philosophy. Despite widespread depredation, some species, from wolves in densely populated Central Europe to beavers in the polluted Potomac to whales in the Gulf of Alaska, have staged dramatic comebacks. Preston focusses much of his reporting on wildlife scientists and Indigenous activists, arguing that these recoveries—and the ecological restorations they engender—demonstrate that the flourishing of other species is “integral to our shared future.” In cases where conditions are right, degraded landscapes can be revitalized through the combination of thoughtful environmental practices and animals’ natural capacities.

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Is It Hot in Here (Or Am I Suffering for All Eternity for the Sins I Committed on Earth)?

In this collection of essays, the comedian Zach Zimmerman traces the path from his strict Christian upbringing to his current queer, atheist life in New York City, with much hilarity and self-mockery. Read an excerpt on newyorker.com.

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Grann, a staff writer, recounts the journey of a British Navy warship that started off rough—storms, rats, scurvy—and only got rougher. In 1741, the ship’s crew ran aground in South America, and starvation led to cannibalism and other horrors. The book, which was excerpted on newyorker.com, may sound like “Lord of the Flies,” but it is no tale of civilization discarded; even when struggling to survive across the earth from England, the sailors remained obsessed with the rules of the British Empire.

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Greek Lessons

This novel, by a winner of the International Booker Prize, follows a woman who mysteriously loses the faculty of speech and begins taking ancient-Greek lessons as a possible remedy. The book was excerpted in the magazine.

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In 2021, just as New York’s restrictions on night life lifted, the media theorist McKenzie Wark was asked to write a book for a series being published by Duke University Press about practices. “Raving,” a monograph about the underground party scene that has exploded over the past several years in certain neighborhoods in Brooklyn and Queens, is the result. The book has some theorizing, a lot of quoting from others, a little ethnography, and some first-person autofiction written in a rapid present-tense clip. Wark, who is trans and in her early sixties, began going to what she describes as “queer and trans-friendly raves in Brooklyn, New York” in 2018, around the same time she started hormone treatment. The book’s charm is in the autofiction, where the reader gets to inhabit Wark’s sense of liberation. In raving, she immerses herself in the cacophonous glory of New York City at night and finds a new way to inhabit her body and connect to its past. It’s an unusually hopeful depiction of late midlife as a phase of discovery.

Pink-and-red interior of a rave space.

The Laughter

The protagonist of this biting novel, set in the days before the 2016 election, is Oliver Harding, a G. K. Chesterton specialist at a liberal-arts college near Seattle. Harding spends his days in misguided pursuit of a Pakistani law professor, who is caring for a nephew who has had a series of run-ins with the French police. Jha slowly reveals the paltriness of Harding’s inner life—his racist suspicions about the nephew, his damaged relationship with his ex-wife and daughter, his near-constant womanizing and reactionary moralizing. As the campus is swept by a wave of student-led anti-racist protests, he discovers far too late that he has been “invited to something, to a nearness and vastness I still don’t understand.”

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The Diary Keepers

Nearly three-quarters of the Dutch Jewish population was murdered in the Holocaust, yet after the Second World War the Netherlands claimed a national memory of unified defiance. In a challenge to this account, Siegal has assembled the wartime diaries of seven Dutch citizens, among them a Jewish journalist, the wife of an S.S. official, and a shopkeeper active in the Resistance. Though diaries may be myopic and self-images fallible—as exemplified in the puffed-up scribblings of a Nazi-sympathizing policeman—it’s clear these diarists saw enough, Siegal writes, to respond to horror. She casts “bearing witness” as an impure but essential act and history as mutable, a story told and understood not by one but by many.

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Steady Rollin

A moving memoir, told in a series of vignettes, whisks us along with the author—often by bicycle—from the Bible Belt to Oakland, California, with many colorful pit stops. Read an excerpt on newyorker.com.

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Pineapple Street

This engaging début novel centers on a family of wealthy real-estate moguls, the Stocktons, living in the historically preserved “fruit streets” of Brooklyn Heights. The story’s focus alternates among the eldest of the family’s three grown children, who has forsaken her career for motherhood; the youngest, who works off her hangovers with tennis; and the wife of the lone male scion, whose middle-class background stands in contrast to her husband’s upper-crust one. “I know you get all awkward and waspy whenever it comes up,” she tells him. She is unfairly accused by her sisters-in-law of gold-digging, but, in the end, none of the despicable rich we meet are really so despicable; some punches are pulled to maintain the story’s levity.

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Courting India

In 1616, when Britain’s first ambassador to India arrived—bearing gifts Das describes as “cheap trash”—his country’s eventual dominion over the latter was far from certain. The Crown was in debt, European competitors were gobbling up pieces of the global spice and textile trade, and England’s understanding of South Asia was “sketchy at best.” During his four-year term, Roe constantly got sick and slowly suffocated in the Western clothing he insisted on wearing in summer. But as Das focusses on the push-and-pull between his prejudice against and fascination with his counterparts, she finds that “Contact and interchange between cultures can happen often almost despite itself.” Ultimately, her study of Roe’s work poses the question of what would have taken place if—as Roe had advocated—England had pursued a policy of peaceful trade rather than violent subjugation.

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By turns melancholy and exuberant, but always fuelled by formal and sonic play, this collection—structured around a sequence of “Skeleton” acrostics, punctuated by a series of “Flesh” interludes—measures the fact of mortality against the pleasures and possibilities of being alive. Several poems were originally published in the magazine .

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There Will Be Fire

In October of 1984, Prime Minister Margaret Thatcher and nearly all the members of her Cabinet were staying at the Grand Hotel, in Brighton, after attending the annual Conservative Party Conference. In the early hours of October 12, Thatcher was in her room, going over some papers when a bomb went off, causing the hotel’s large chimney stack to collapse. Five people were killed; Thatcher survived. Carroll’s book offers a new and gripping account of the Provisional Irish Republican Army’s attack, which, he writes, “almost wiped out the British government.” As a police procedural, the Brighton case is captivating—involving, among other elements, a cache of weapons hidden in the woods and a tense police pursuit through Glasgow, which Carroll describes vividly. He also outlines the political intrigue and enmity that both preceded the attack and followed it. Decades after the bombing, Caroll’s fast-paced caper thoughtfully depicts an episode in a centuries-old struggle, prompting questions about terrorism, politics as violence, and the value of remembering (or of forgetting).

Two people in formal attire escape the Brighton Grand Hotel attack with a police officer.

A Spell of Good Things

Set in contemporary Nigeria, this novel of radical class divisions examines political and domestic abuse through the stories of Ẹniọlá, a boy from an impoverished family, and Wúràọlá, a wealthy young medical resident who is engaged to the son of an aspiring politician. The lives of Adébáyọ̀’s characters are circumscribed by money and gender: Ẹniọlá is routinely humiliated for his poverty, beaten by his teachers, and even spat on, while Wúràọlá, enmeshed in cultural expectations of marriageability, hides her fiancé’s increasingly violent assaults from her family. A prayerlike refrain echoes through the novel: “God forbid, God forbid bad thing.” But all of Adébáyọ̀’s characters are inexorably drawn into the violence that leaks from profound societal inequities as they journey toward the terrifying moment in which their stories converge.

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White Cat, Black Dog

The stories in Link’s new collection may be billed as “reinvented fairy tales,” but they’re influenced by a vast pool of intertextual allusion that includes superhero movies and Icelandic legends, academic discourse, and the work of Shirley Jackson, Lucy Clifford, and William Shakespeare. One story, “The White Cat’s Divorce,” transposes a French tale to Colorado and replaces a tyrannical king with a Jeff Bezos-esque billionaire. Most, though, are more loosely wrapped around the tales that supposedly inspired them. Throughout the collection, Link suggests that all stories—and not just the ones that end with “happily ever after,” or begin with “Once upon a time”—are boxes too small for what we want them to contain. With a tale of spaceships, robots, and vampires and a story of Shakespearean actors travelling through a post-apocalyptic wasteland, Link deploys puns, clever genre work, and metafictional flourishes that infuse the collection with an air of flux and fragility. To read her is to place oneself in the hands of an expert illusionist, entering a world where nothing is ever quite what it seems.

Woman Author surrounded by fairytales.

The Great Reclamation

The reserved, thoughtful protagonist of this novel grows up amid the shifting political regimes of mid-twentieth-century Singapore, where he strives to balance his loyalty to the traditional life of his fishing village with the appeal of the modern future promised by the government. As the novel proceeds from his discovery of islands that appear and disappear under mysterious circumstances to the new government’s creation of “brick buildings that gave the illusion of solidity on what the kampong knew was wet and shifting soil,” it illustrates the unsteadiness of both the physical environment and personal and political allegiances during a time of overwhelming historical change.

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In 1959, East Germany asked its writers to spend time in industrial plants—rubbing off their élitism while bringing culture to the working man. Reimann wrote “Siblings” while participating in this initiative, living in a remote town and working at a coal-production plant. The novel, newly translated into English after the uncensored manuscript was found by chance, takes place around 1960. Reimann’s heroine, Elisabeth, a twenty-four-year-old painter, has been leading a circle of worker-painters at a coal factory, but her clash with a hack artist who’s also in residence there will lead to a visit by state security. Meanwhile, she’s trying to dissuade her brother Uli, a young engineer blacklisted for having worked for a professor who defected, from leaving for the West himself. In a disarmingly direct style, alive with dialogue and detail, Reimann connects the contradictions of East Germany with the legacy of the Third Reich, and never whitewashes what it was like to forge a new society out of the devastations of war. A clear-eyed chronicler of life in the G.D.R. and of her own fissured commitments, Reimann brings to life the intoxicating, impossible allure of living your ideals.

A watercolor portrait of writer Brigitte Reimann, with red grid-like buildings in the background.

Picasso the Foreigner

Born in Málaga, Spain, in 1882, Pablo Picasso settled in France in 1904. Cohen-Solal, a cultural historian, draws on dossiers found in French police archives, which include interrogation transcripts, rent receipts, and other material, to document the surveillance to which Picasso was subjected by the authorities, who considered him to be an “intruder.” Her biography illuminates Picasso’s paradoxical situation, in which the institutional forces “obsessed with the idea of a national cultural purity” viewed him with suspicion even as he was idolized by French galleries and critics.

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How Data Happened

Wiggins’s and Jones’s fascinating history of data science begins in the eighteenth century with the entry of the word “statistics” into the English language. Numbers, a century ago, wielded the kind of influence that data wields today, they write; then, during the Second World War, statistics became more mathematical and more predictive—a necessary tool for calculating missile trajectories and cracking codes. The digitization of human knowledge proceeded apace, with libraries turning books first into microfiche and then into bits and bytes. By the beginning of the twenty-first century, commercial, governmental, and academic analysis of data had come to be defined as “data science,” which had been just one tool with which to produce knowledge and became, in many quarters, the only tool. “At its most hubristic, data science is presented as a master discipline, capable of reorienting the sciences, the commercial world, and governance itself,” Wiggins and Jones write. The emergence of a new discipline is thrilling, but the authors carefully note the attendant hazards.

A three-dimensional pattern of books turning into transistor boards.

Spoken Word

This rich hybrid of memoir and history surveys the institutions that have shaped spoken-word poetry for the past five decades, from the Nuyorican Poets Café, in Manhattan, to the Get Me High Lounge, in Chicago, where the poetry slam originated, and the Internet—now perhaps the genre’s predominant venue. Bennett, a poet himself, pays tribute to his literary forebears, such as Miguel Algarín. Bookended with accounts of state-sponsored performances—the author’s own, alongside Lin-Manuel Miranda, at the White House, in 2009, and Amanda Gorman’s recitation at President Biden’s Inauguration, in 2021—the book also chronicles the mainstreaming, for better or worse, of a radical tradition.

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Look at the Lights, My Love

The winner of the 2022 Nobel Prize in Literature here studies the “great human meeting place” of the big-box superstore, keeping a diary of her visits to a mall near Paris and analyzing what it means to confront our desires and those of others in the marketplace. The book was excerpted on newyorker.com.

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Bottoms Up and the Devil Laughs

Kerry Howley’s “ Bottoms Up and the Devil Laughs: A Journey Through the Deep State ” traces an odyssey through the post-9/11 American security state, searching for rhymes and resonance among the lives of its whistle-blowers, accidental truthtellers, targets, and victims—and also the rest of us, tapping at our phones, constantly feeding data onto the Internet, aware that it’s all accumulating somewhere, much of it accessible to the government. To the extent that “Bottoms Up” has a main character, it’s Reality Winner, a one-time National Security Agency contractor who leaked to the press a document about Russian cyberattacks on U.S. election officials and was sentenced to five years and three months in prison. When Reality—as Howley typically refers to her heroine—is on the page, we feel the intimacy of a novel. It’s as if Howley, in profiling her subject with such care, is trying to wash off the sticky, simplifying fiction imposed on her by the government and reveal the human underneath—suggesting how easily anyone could be reduced to a version of themselves they wouldn’t recognize.

Illustration of woman holding a phone in shadow

The man most credited with creating the idiosyncratic variety-show-soap-opera hybrid that is American professional wrestling today is Vince McMahon, the longtime kingpin of World Wrestling Entertainment, or W.W.E. In the past four decades, his company (until 2002 the World Wrestling Federation, or W.W.F.) has made household names of performers such as Macho Man Randy Savage, the Undertaker, and Dwayne (the Rock) Johnson, while helping to warp their pseudo-sport medium into an international entertainment juggernaut. As Abraham Riesman writes in a compelling new biography, “ Ringmaster: Vince McMahon and the Unmaking of America ,” “If wrestling is an art, one man is both its Michelangelo and its Medici.” Riesman traces parallels between wrestling’s manipulated narratives and the wider cultural substitution of performance for substance which climaxed with the election of Donald Trump. “Vince had proven to the wrestling world what Trump would one day prove to everyone else,” she concludes. ”Nothing was true, and everything was permitted.”

Vince McMahon gets a crowd ready for the main event.

The Kingdom of Prep

Bullock’s new book is a buoyant and persuasive account of how the J. Crew brand’s fluctuating fortunes reflect Americans’ shifting attitudes toward dress, shopping, and identity. When Arthur Cinader started J. Crew, as a mail-order retailer, in 1983, he built a catalogue around tableaux featuring the upper crust at play, horsing around and lounging about, serious yet untroubled. The orders came flooding in. At the center of Bullock’s story is the malleability of prep, which she describes as “the bedrock of straightforward, unfettered, ‘American’ style.” But the book is also a business story. In the nineteen-nineties, the mail-order industry began to stagnate; around 2011, a “retail apocalypse” stymied brick-and-mortar stores. Bullock depicts J. Crew’s survival as the result of individual genius: that of the Cinaders, and, later, Mickey Drexler and Jenna Lyons. “The Kingdom of Prep” captures the viewpoint of the visionaries, and the “competitive, deeply bonded believers” who worked for them.

A collage of preppy people in photos mixed with sewing materials.

Ghosts of the Orphanage

In this investigation of abuse and murder in orphanages in North America and Australia during the mid-twentieth century, Kenneally pursues what she calls “cold cases, twice over”: disappearances of children for whom official records are inaccurate or lacking, the main proof of their existence being the memories of their peers. Building her narrative on circumstantial evidence and the testimonies of survivors, Kenneally portrays an “invisible archipelago” of institutions—most, but not all, run by the Catholic Church—that, while operating independently, shared so many horrifying traits that their violence can only be termed institutionalized. The result is a gripping chronicle of the ways in which those in power ignored, or even encouraged, the ill-treatment of children across borders, cultures, and decades.

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Milton Glaser: POP

No art director’s work was more influential than that of Milton Glaser, the co-founder and original design director of New York magazine. But his real achievement lies in what this anthology reveals: a breathtaking empire of imagery that encompassed two decades and was felt in later years. Anyone who came of age in the sixties and seventies will be astonished to discover that so much of the look of the time was specifically the work of Milton Glaser and Push Pin Studios. The Signet Shakespeare series, posters for rock bands, album covers for newly fashionable recordings of Baroque music, nineteenth-century classic novels, the outsides and insides of New York when it was an audacious newcomer—all of it was done in a manner that’s immediately recognizable. Glaser’s Day-Glo, high-low approach combined the blaring-glaring palette of advertising with Beaux-Arts draftsmanship and the dense, geometric ordering of the European avant-garde. The result, as this anthology makes clear, provided a visual vocabulary for an entire era.

Colors radiating from the tip of a pen.

The Absent Moon

The Brazilian writer and publisher Luiz Schwarcz’s brief autobiography “ The Absent Moon: A Memoir of a Short Childhood and a Long Depression ,” translated from Portuguese by Eric M. B. Becker, is restrained and full of explicit omissions and yet offers astounding emotional clarity. Schwarcz, the son of a Holocaust survivor, sees his project—or his responsibility—as a double one: to share but not interpret the profound suffering he’s faced in his lifetime with depression and bipolar disorder; and to tell, again without interpretation, what he can of the family story that underlies both his struggles with mental illness and his instinct, or compulsion, toward silence. Schwarcz writes about his illnesses and their effects, which have ranged from obsessive, manic work habits and a tendency to create conflict in his early professional years to intense anxiety and self-harm in middle age, in prose marked by a clarity that comes from total, rigorous precision. “The Absent Moon” ’s rigor is, ultimately, not just a stylistic choice, but an emotional and ethical one. Schwarcz acknowledges the confusion and disorientation inherent to reckoning with historical pain and horror, while also transcending the comforting but—to him—false notion that his depression could be fully explained or understood.

Luiz Schwarcz at his home, in São Paulo.

We Were Once a Family

In 2018, a white woman named Jennifer Hart intentionally drove her S.U.V. off a strip of the Pacific Coast Highway, in northern California, down a hundred-foot drop into the ocean. Inside were Jennifer’s wife, Sarah, and the couple’s six adopted Black children. As later reporting revealed, the Harts were able to adopt and retain custody of the children despite years of mounting evidence of abuse and neglect, including child-protection investigations across three states, and despite the fact that three of the children had family members, in their home state of Texas, who wanted them back. “ We Were Once a Family ,” Roxanna Asgarian’s moving and superbly reported book about the Hart tragedy, brings to light the racial inequities of the child-welfare system, which, as the scholar Dorothy Roberts writes, too often harshly scrutinizes and punishes Black families and children rather than protecting them. A grim truth that emerges from Asgarian’s patient, compassionate reporting is that removing a child from his birth or adoptive home and placing him into the foster-care system is itself a form of trauma.

An illustration of white hands holding a Black mother and her child who reach for each other.

An Autobiography of Skin

In the three narratives that make up this powerful début, Black women from Texas reckon with their complex relationships to their bodies, which are by turns deprived of sex, rendered husk-like after childbirth, and physically battered. One woman finds refuge from a loveless marriage in gambling; another is so undone by news stories of violence against Black people that she endeavors to alter her children’s skin color. In the book’s slow-boil closing tale, the narrator, bereft following a breakup, shares an extrasensory power with her grandmother, who says, “If we were chosen, it was only because we continued to love, despite our pain and disappointments over many lifetimes.”

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Old God’s Time

In this tragic tale, Barry, a writer of almost Joycean amplitude, excavates the buried tensions at the heart of Irish identity. Tom Kettle is a retired policeman living alone in a Dublin suburb during the mid-nineteen-nineties. After growing up in a Church-sponsored orphanage where the young wards were sexually abused, he has emerged into the normality of middle-class life, but his career forced him into complicity with the system that brutalized him. When the novel begins, Kettle has lost his wife and two adult children, and his career comes back to haunt him when two former colleagues show up with an unsolved case from his past. He is metaphysically divided, adrift between past and present, the imagined and the real. His daughter, Winnie, who died of a heroin overdose, is always dropping in to chat; pages go by before Kettle grasps that he is talking to himself. Kettle remains, in the midst of untold anguish, a “very living man,” intensely receptive to the world and its marvels. Barry’s casually exquisite prose, capable of lyrical expansion but always firmly rooted in the dialect of the tribe, seems to capture them all.

Portrait of Sebastian Barry in front of a house on green hills.

The Dog of the North

“I was used to being the object of anger,” the down-on-her-luck narrator of this vibrant picaresque says. In her mid-thirties, she flees a dead-end job and a failing marriage, embarking on a journey that leads to a confrontation with childhood trauma. En route, she contends with her possibly homicidal grandmother; lives in a van owned by her grandmother’s ailing accountant; searches for her mother and stepfather, who disappeared years earlier; eludes her abusive biological father; and kindles a promising new romance. “I seemed to be trapped in a continual reckoning between present and past,” she notes. McKenzie parlays that reckoning into a vibrant novel that combines slapstick comedy with poignancy.

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The protagonist of this novel is a virtual-reality designer who crafts popular “Original Experiences,” which draw on his most disturbing memories: “That way, the whole thing could be forgotten, or at least its potency could be reduced.” But one day the designer begins receiving death threats, and shortly afterward ethical concerns about the technology arise. As the designer seeks to resolve both problems, his world metamorphoses into an augmented reality itself: his wife and daughters, chillingly unknowable, remain nameless for much of the book; their house, under constant renovation, becomes an unfamiliar maze.

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I Am Still with You

Combining memoir and travel writing, Iduma uses personal loss—of close relatives—to reflect on the history of the “faultily amalgamated” country of Nigeria. Rummaging through derelict regional archives and filling lacunae with his relatives’ memories, he attempts to piece together the story of his namesake, an uncle who died in the Biafran War. After the war, this uncle frequently appeared in the dreams of the oldest man in their family, and Iduma draws a parallel with the ghostly unresolved tensions around the conflict, which is not taught in many Nigerian schools. This adroitly crafted work seeks closure for “a generation that has to lift itself from the hushes and gaps of the history of the war.”

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Poverty, by America

The author’s first book, “Evicted,” which won the Pulitzer Prize for general nonfiction, renders a vivid portrait of eight families struggling to stay housed in Milwaukee. In his new book, he offers a bracing argument about how and why the rest of us countenance poverty and are complicit in it. More manifesto than narrative, “Poverty, by America” is urgent and accessible, a slim volume full of revelations—about the misallocation of government aid, with public benefits unduly assisting the affluent—and handily presented statistics and studies. Desmond’s refreshing social criticism eschews the easy and often smug allure of abstraction, in favor of plainspoken practicality. Calling on readers to become “poverty abolitionists,” he proposes a host of solutions, exhibiting varying levels of ambition. “The goal is singular—to end the exploitation of the poor—but the means are many,” he writes. The book is a moral gut punch.

A pile of household items—including mattresses, chairs, and boxes—sits on the sidewalk in front of a house.

The Nature Book

Tom Comitta’s experimental novel is entirely made up of descriptions of the natural world copied from canonical novels and spliced together in strangely mesmerizing combinations. The book feels, at its best, symphonic, both in its structure—four movements, the third of which is the most distinct and the last of which references the first and goes out in a brilliant burst—and in the way language echoes, builds, works its accretive magic. It’s oddly affecting to see other aspects of the natural world, like springtime, approached again and again by different writers, as happens in a section that guides us through the seasons. The joining of different human consciousnesses, different perspectives and syntaxes, creates a strong tension; at times, the effect can verge on prose poetry. “The Nature Book” is occasionally disorienting and alienating. But, in this way, it resembles a wilderness in one of the word’s original senses: a place that is self-willed, a separate, self-sustaining ecosystem with its own imperatives independent of ours.

Illustration of an open book with plants, trees and mountains popping out of its pages.

A Stone Is Most Precious Where It Belongs

This chronicle of the transformations of the Uyghur homeland of Xinjiang opens in 2018, on a night when more than twenty members of Hoja’s family were arrested, after she began reporting on the Uyghur internment camps run by the Chinese government. Hoja recounts sweet childhood memories of life in Ürümqi, and the way that locals gradually found themselves to be strangers in their own land, when activities like texting someone overseas or watching Turkish soap operas became excuses for arrest. Descriptions of catastrophe are interspersed with lines of quiet devastation. Hoja’s decision to move to America for her career ripped “a hole” in her family: “the hole would slowly close, like a wound healing over time. But it would knit back together with me on the outside.”

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For more than twenty years, the French writer Maylis de Kerangal has been one of our preëminent novelists of work. In “Painting Time,” she studied a group of trompe-l’oeil artists; elsewhere, she’s explored restaurant life (“The Cook”), a heart transplant (“Mend the Living”), and the construction of an ambitious suspension bridge (“Birth of a Bridge”). Her latest book in English translation, “Eastbound,” is the first not to center a vocation, but it does showcase her interest in process, how people accomplish a task during a set period of time. The book follows Aliocha, a twenty-year-old conscript, as he desperately tries to escape the Trans-Siberian railway, which is carrying his regiment to army training. His defection requires violence, foresight, and the help of others, and De Kerangal’s long, racing sentences heighten the suspense, collapsing time and space. By the end, she’s shown how language, when harnessed correctly, can put entire worlds on the page.

Five people of various sizes performing different activities.

Greta, the aimless protagonist of this darkly comic novel, works as a transcriptionist for a sex-and-relationship coach—“Greta liked knowing people’s secrets”—and quickly becomes obsessed with one of her employer’s clients, whom she nicknames Big Swiss. She appreciates Big Swiss’s blunt honesty and her impatience with people “who can’t stop saying the word ‘trauma.’ ” After a chance meeting in a dog park, the two women begin an affair, which causes Greta to question various aspects of her life: her residence in a near-uninhabitable farmhouse, the suicide of her mother when she was thirteen, her own suicidal impulses. Big Swiss, Greta reflects, may have something to teach her “about eradicating self-pity and perhaps replacing it with something productive.”

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The Great Displacement

Roving across the United States, this survey explores the precarious environments in which many Americans now live, places irreversibly altered by floods, fires, hurricanes, and drought. “Managed retreat” is a popular term in climate discourse, but whole communities, from Arizona ranchers to Indigenous tribes in Louisiana, face disaster without any sort of plan. Victims of megafires in California find themselves at the mercy of the state’s housing crunch. Bittle argues that the approaches of both government and the insurance industry are totally inadequate for today’s dilemmas: Where should we build? What should we protect? And what do we owe those who lose everything?

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The Real Work

Gopnik, a longtime staff writer, learns to drive, to draw, and to bake bread in a perceptive and personal account considering the elusive nature of mastery, the accumulated practice that yields not just achievement but accomplishment. His interest in the marriage of skill, tradition, artistry, and finesse—what magicians call “ The Real Work "—was born in a piece he wrote for the magazine in 2008, and the book draws from his writing in these pages.

best new books education

The Half Known Life

This travelogue examines spiritual customs from around the world, meditating on the idea of paradise. Iyer visits the mosques of Iran, the insular streets of North Korea, the mountains of Japan, Aboriginal Australia, and Belfast (the “spiritual home of civil war”). Many would-be Edens have, variously, been riven by conflict, divided by religion, and wracked by colonization. Grappling with “a world that seems always to simmer in a state of answerlessness,” Iyer gradually reconciles himself to the contradictions of earthly paradise. “The most beautiful of flowers has its roots in what we regard as muck and filth,” he reflects, contemplating Buddhism’s emblematic lotus. “It’s only grit that makes the radiance possible.”

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The Written World And The Unwritten World

Born a hundred years ago, Calvino was, word for word, the most charming writer to put pen to paper in the twentieth century. His era and his experiments with genre, most memorably in his novel “If on a Winter’s Night a Traveler,” make it natural for readers to think of him as a postmodernist, a master of pastiche, an ironist—to class him with Jorge Luis Borges or the members of the OuLiPo, the French avant-garde literary society to which he belonged. Yet the essays newly collected here remind us how much Calvino loved the craftsmanship of the pre-modern era, worshipping the episodic approach to storytelling of Ariosto, Boccaccio, Cervantes, and Rabelais. These writers, he believed, came closest to the oral telling and retelling of tales, creating an “infinite multiplicity of stories handed down from person to person.” Calvino sought to reclaim the bond between intricate narrative forms and entertainment. In response to a 1985 survey, “Why Do You Write?,” he declared, “I consider that entertaining readers, or at least not boring them, is my first and binding social duty.”

An illustrated portrait of the writer Italo Calvino. Calvino's face becomes an optical illusion, hidden amid fantastical architecture.

The Sun Walks Down

Set in rural Australia in the late nineteenth century, this ambitious novel assembles a band of characters—including a white farmer, an Aboriginal farmhand, and a Swedish painter—who are drawn together by the disappearance, in a dust storm, of a six-year-old boy. McFarlane’s figures emerge in intricate detail, defined by their petty desires, their moral imperfections, and their relationship both to the cataclysm of colonization and to the grandiosity of the landscape and the sun, which, for some, takes on near-divine significance. “There’s no way to describe these skies,” the painter writes to a colleague in Europe. “If I had to try, I would say that they are light shipwrecked by dark.”

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Iron Curtain

In this acutely observant novel, Goldsworthy has constructed a sharply etched variant of the Yugoslavia where she grew up. The book’s main action begins in 1981. Milena Urbanska, the forceful and self-centered protagonist, is the daughter of the Vice-President of an unnamed Eastern Bloc country. Soon after her boyfriend’s suicide, Milena meets Jason Connor, a young Anglo-Irish poet; she falls for him, and follows him to London, where Jason’s true awfulness gradually begins to reveal itself, with wonderful plausibility. Though “Iron Curtain” is a story about personal, not political, disloyalty, the character drama is thrown into high relief against the author’s shrewd rendering of both East and West.

Vesna Bjelogrlić, photographed by Siân Davey.

Collected Works

Poised at the intersection of life and art, reality and imagination, this novel blends the thrill of mystery with the curiosity and depth of philosophical inquiry. Fifteen years after Cecilia Berg goes missing, her husband, Martin, is haunted by memories of their shared youthful intellectual ambitions, by the artistic struggles of their friend Gustav, and by professional and family worries. Narrated alternately by Martin and his daughter, Rakel, the novel refracts Cecilia’s absence through the literary and artistic concerns of those who remain. Rakel reflects that a picture “is always created at the expense of another picture.” She says, “The Cecilia of Gustav’s paintings pushed another Cecilia out of the frame. . . . And who was she?”

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Life on Delay

“Nearly every decision in my life has been shaped by my struggle to speak,” Hendrickson writes in this moving exploration of stuttering. A stutterer since childhood, he spent years in therapy, waiting in vain “for this strange thing to exit my body.” Many stutterers do largely overcome their impediment (including the actress Emily Blunt, whom Hendrickson interviews), but others never do. Why this is so remains a neuroscientific mystery. Hendrickson presents a wealth of fascinating detail (virtually all stutterers, for instance, can sing and recite fluently), but the real draw lies in his account of his personal experiences, which convey something essential about the challenge of being human.

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The Devil’s Element

There are two sides to the phosphorus problem—one shortage, the other excess. Since the early nineteen-sixties and the start of the Green Revolution, global consumption of phosphorus fertilizers has more than quadrupled. How long the world’s reserves might last, given this trend, is a matter of some debate. Egan, a journalist who for many years reported on the Great Lakes, explains that phosphorus is critical not just to crop yields but also to basic biology; in vertebrates, bones are mostly made up of calcium phosphate, as is tooth enamel. But our dependence on this element—and lavish deployment of it—has also led to agricultural runoff that is creating vast dead zones in our lakes and seas. Egan’s book paints a grim picture, but, as he notes in the book’s earliest pages, it “is not intended to be the last word,” and there’s room in its pages for some hope of averting catastrophe.

Farmland surrounded by green algae water.

Brooklyn's Last Secret

This illustrated tale of a less-than-famous rock band on a summer bus tour is full of poignant details and not-so-definitive best-of lists. Read an excerpt on newyorker.com.

best new books education

I Have Some Questions for You

Makkai’s latest novel is being marketed as an irresistible whodunnit. But its deeper project is a critique of true crime, charging the genre on three counts: exploiting real people for entertainment, chasing gore rather than studying systemic problems, and objectifying victims, most of whom are pretty, white, rich, and female. The book’s protagonist is Bodie Kane, a podcast host teaching a two-week course at her old high school. For a class project, one of the students is making a podcast about the murder of Thalia Keith, an old classmate of Kane’s, and the imprisonment of Omar Evans, a Black athletic trainer charged with the crime. The two characters endure in our protagonist’s memory—as does a music teacher, Dennis Bloch, whom she suspects might have been involved in the killing. As Kane revisits this dead-girl story, the book brilliantly interrogates dead-girl stories in general, modelling an approach that avoids fetishizing revelations of harm. In Makkai’s hands, at least, crime writing can be as ethical as it is absorbing.

Rebecca Makkai, photographed by Noah Sheldon.

Evil Flowers

Seemingly mundane occurrences grow increasingly surreal in these razor-sharp stories, none longer than a few pages. An ornithologist dispels the part of her brain that recognizes birds; a visitor to a Tripadvisor forum dedicated to Virginia Woolf’s country house strikes up two Internet friendships; an institution is branded the “Mational Nuseum.” Øyehaug’s dizzyingly inventive fictions are suffused with uncanny observations about the natural world and a pervasive, tongue-in-cheek intertextuality. The title is a Baudelaire reference, and, just before the reader encounters a photograph of the poet’s scowling visage, the narrator imagines him having a prophetic glimpse of her book and thinking, “Evil flowers, my ass.”

best new books education

Three Roads Back

This posthumous treatise on grief, by a biographer of Emerson, Thoreau, and William James, takes these three thinkers as case studies, examining the formative role that loss played in their intellectual development. Using diaries and letters, Richardson details his subjects’ experiences in the wake of loved ones’ untimely deaths, and shows how each, debilitated by sorrow, sought solace and found liberation in nature’s universalities and in the particularities of human experience. The result is an elegant and useful rumination on resilience as a practice, achievable through study, creation, companionship, and deep reflection. As Thoreau asked, “What right have I to grieve, who have not ceased to wonder?”

best new books education

Much of the world’s cobalt—vital to the batteries that power cell phones, laptops, and much else—comes from the Democratic Republic of the Congo, mined in conditions that this intrepid exposé characterizes as “predation for profit,” carried out at “minimum cost and maximum suffering.” Kara draws from interviews with miners, some as young as ten, whose work puts them at risk of respiratory ailments and heavy-metal poisoning. Parents tell him of children lost when tunnels collapsed. His sympathetic, often enraging account is animated by the idea that the first step in ending such calamities is “advancing the ability of the Congolese people to conduct their own research and  safely  speak for themselves.”

best new books education

Daughter in Exile

In this bildungsroman wrapped in a migrant story, Lola, a pregnant Ghanaian, travels to New York to join her fiancé, an American marine. After he ghosts her, she ends up near Washington, D.C., relying on the generosity of a succession of strangers and friends to navigate the harsh realities of life in the U.S. Her experience of sisterhood and solidarity among women reshapes her understanding of her relationship with her own mother. “In this world, you never know when you’ll be the one in need of help,” one benefactor tells Lola. “Who knows, one day my child might need someone too.”

best new books education

Schulman, a staff writer, takes readers on a fizzy tour through ninety-five years of the Academy Awards’ most fractious moments. From the Hollywood blacklist to Harvey Weinstein’s dirty tricks, from surprise appearances by Sacheen Littlefeather and Snow White to the Slap of 2022, the hand-to-hand combat behind the cyclorama walls comes to light in this deeply reported book, which was excerpted on newyorker.com.

best new books education

This Other Eden

This historical novel takes inspiration from the formation, in the mid-nineteenth century—and, in 1912, the forced eviction—of a mixed-race fishing community on Malaga Island, Maine. Harding’s version is called Apple Island, and he movingly depicts the islanders’ dispossession. He imbues his characters with mythological weight—a world-drowning flood is the island’s foundational story—without losing the texture of their daily lives, which are transformed by a white missionary. Of his presence, one islander observes, “No good ever came of being noticed by mainlanders,” foreshadowing the arrival of eugenicist doctors wielding skull-measuring calipers, a project to remake the island as a tourist destination, and the destruction of the community.

best new books education

The Wife of Bath: A Biography

The garrulous, much widowed Wife of Bath in Chaucer’s “Canterbury Tales” has become one of the most beloved characters in English literature. Turner, a medieval-literature professor at Oxford, whose previous book was the first full-scale biography of Chaucer written by a woman, here tells us where the Wife of Bath came from—in terms both of literary precursors and of actual women’s lives in Chaucer’s England—and then, once the character was hatched, where the idea of such a woman has gone in the course of English literature. Turner emphasizes the character’s realness: “The Wife of Bath is the first ordinary woman in English literature. By that I mean the first mercantile, working, sexually active woman—not a virginal princess or queen, not a nun, witch, or sorceress, not a damsel in distress nor a functional servant character, not an allegory.” She is a regular person, who gets up on her horse and reels off eight hundred and twenty-eight lines (her prologue is much longer than any other pilgrim’s) of reminiscence, opinion, and merriment.

The Wife of Bath stands looking at the writer Chaucer, her hands placed firmly on the table at which he is seated writing. A horse looks on from the doorway.

When the News Broke

This carefully detailed historical account presents the 1968 Democratic National Convention, in Chicago, as a critical juncture for the American press. The basic story is familiar: Hubert Humphrey won the nomination despite not having entered a single primary, and the Party’s antiwar forces were defeated at almost every turn while police and the National Guard manhandled demonstrators and cameramen in the streets. But Hendershot, a media historian at M.I.T., takes us through it virtually hour by hour, from the point of view of the news networks. Inspecting assertions made at the time that the news media inflamed the conflict, she weighs the evidence and concludes that broadcasters operated with “tremendous fairness.” Yet she proposes that the convention presents an instructional context for our own moment—it was, she writes, “a tipping point for widespread distrust of the mainstream media.”

A black-and-white photo of two men looking out over an auditorium.

After Sappho

“The first thing we did was change our names. We were going to be Sappho,” Schwartz writes, in the collective voice of her powerful genre-bending début novel. Composed of fragments, the narrative knits together the lives of feminist and lesbian icons of the twentieth century, including Virginia Woolf and Vita Sackville-West, Gertrude Stein, Isadora Duncan, and, most prominently, the Italian writer Lina Poletti, who “was always beckoning us onwards into a future we did not yet know how to live.” Schwartz finds moments of levity amid the women’s struggles, as when Sibilla Aleramo’s 1906 novel, “Una Donna,” about an unhappy wife and mother, baffles male editors with its popularity. “Perhaps there was a new market in boring stories about women, they remarked.”

best new books education

Victory City

In his fifteenth novel, which is part adventure story, part myth, and part cautionary tale, Rushdie imagines a kingdom created almost overnight by a woman who merges with a goddess in fourteenth-century India. The novel was excerpted in the magazine.

best new books education

Why You'll Never Find the One

In this humorous guide, the cartoonist Sarah Akinterinwa offers advice for diving into the contemporary dating scene, and comics depicting what it’s like in the deep end. Read an excerpt on newyorker.com.

best new books education

Skull Water

In nineteen-seventies South Korea, Fenkl’s narrator, Insu, the teen-age son of a Korean mother and a German American father, moves between the Westernized world of a U.S. Army base and the more traditional society of his mother’s relatives, finding that he is at once at home and a stranger in each. In Fenkl’s ambitious and expansive novel, part of which originated in the magazine, Insu’s understanding of time and place is transformed by his encounters with his mother’s brother, Big Uncle.

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The Wandering Mind

In this wry, wonderfully written history, Kreiner reveals that the problem of attention far predates smartphones. The book studies the monks of the fourth through the ninth centuries, whose devotion to God was tested, again and again, by the lure of distraction. (“All I do is eat, sleep, drink, and be negligent,” John of Dalyatha lamented.) Kreiner, a professor at the University of Georgia, narrates the monks’ attempts to focus, which involved restrictions on sleep and sexual urges, on footwear, on socializing, and on the frequency and flavor of meals. The monks’ greatest asset, though, was that they had something to focus on : their faith. For those of us who don’t live in monasteries, a worthy object of attention may be harder to find.

A Venn diagram of two overlapping ovals. In the bottom oval, a monk reading looks upward. In the top oval, a man with a cell phone takes a picture. They are both looking at a butterfly, which flies in the overlapping space between the ovals.

The Sense of Wonder

This playfully self-referential novel examines Asian American identity through the twin lenses of basketball and Korean TV dramas. Won Lee, a point guard for the Knicks, is the only Asian player in the N.B.A. His girlfriend, Carrie Kang, is a TV executive who dreams of producing “a Korean American Korean drama.” When Won leads his team to seven straight victories and becomes a media sensation, Carrie develops a series about a Korean basketball star and a sportswriter. Salesses’s novel, mimicking the melodrama of K-dramas, abounds in reversals—betrayals, infidelities, a cancer diagnosis. Such tropes, and the complex lives they reveal, are used to undermine the “model minority myth” these characters hope to transcend.

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The Guest Lecture

Abigail, the narrator of this formally innovative novel, lies awake in a hotel, running through the next day’s lecture, on the economist John Maynard Keynes. Her method of remembering is the loci technique: she envisions herself walking through her house, its rooms corresponding to her talking points. In her mental tour, Abigail is accompanied by a mental version of Keynes who tries to keep her on track, even as she careers off onto tangents, about problems domestic and professional, including a recent denial of tenure and doubts about the originality of her intellectual project. The novel succeeds in interweaving an essayistic impulse with the vulnerabilities attendant on any dark night of the soul.

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The New Life

The principal characters of this début novel are modelled on real Victorian figures: John Addington Symonds, a scholar, poet, and critic, and the pioneering sexologist Havelock Ellis. The book opens in 1894, when the two are preparing to take a grave risk: they set out to collaborate on a book, about the lives of sexual “inverts,” which is bound to occasion scandal. Throughout the novel, the fictional Symonds lives out, in a small way, his vision of the future; what he wants is a sexuality that belongs within a larger picture of the good and the beautiful. Crewe distinguishes himself both as novelist and as historian; his Victorians sound like human beings, not period pieces. More unusually, he has found a style that can accommodate everything from the lofty to the romantic and the shamelessly sexy.

Man in the water with nude male bathers behind him

The Scythian Empire

Often regarded by historians as a collection of savage tribes, the Scythians emerge as a pivotal force of the ancient world in this monumental history. Although the Scythian Empire, spanning the Eurasian Steppe, was indeed geographically diffuse, Beckwith highlights previously unnoticed connections among its far-flung groups, paying particular attention to linguistic data, which show that a surprising number of familiar words and concepts have roots in Scythian. He likewise traces the ways in which elements of Scythian culture shaped later polities, including the Persian Empire, and claims that the Scythians “effectively produced the great shared cultural flowering known as the Classical Age.”

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Pirate Enlightenment

In this posthumous volume, the late anthropologist and anarchist continues his reëxamination of the Enlightenment by expanding the story of communities that contributed to its thought. His focus is the pirate settlements founded on the east coast of Madagascar at the turn of the eighteenth century. Having conducted field research there and consulted historical sources, Graeber hypothesizes about a loosely organized pirate kingdom created from the intermarriage of pirates and the Malagasy people. Graeber believes that pirates’ social organization was often more egalitarian than popular portrayals suggest: in a refuge far from European courts, radical political experiments were already under way.

best new books education

This much anticipated and compellingly artful autobiography depicts the Duke of Sussex’s life in a tight three-act drama, consisting of his occasionally wayward youth, his decade of military service, and his relationship with Meghan Markle, with numerous bombshells sprinkled throughout. The memoir, luridly leaked, is worth reading not just for its headline-generating details but also for its voice and its sometimes surprising wit. Harry’s ghostwriter, J. R. Moehringer, a Pulitzer Prize-winning reporter turned memoirist, has a novelist’s eye for detail and a felicitous familiarity with the British literary canon; elevating Shakespearean flourishes may give readers a shiver of recognition, while descriptions of the patched, starched bed linens at Balmoral hint at the constricting fabric of monarchy. Haunted by the spectres of family tragedy and dysfunction, “Spare” takes aim at the media, the monarchy, and—most of all—the prince’s own flesh and blood.

The royal family.

Forbidden Notebook

Published in Italy in 1952, this intimate, quietly subversive novel is told through the increasingly frantic secret diary entries of a woman named Valeria. Against a backdrop of postwar trauma and deprivation, Valeria struggles with her household’s finances, a romance with her boss, her husband’s professional dissatisfactions, and her grownup children’s love affairs. Confiding these tensions to her diary—the only outlet for expression in her cramped life—she awakens to society’s treatment of working wives and confronts a deep ambivalence toward her husband and children. She concludes that all women, to make sense of their world, “hide a black notebook, a forbidden diary. And they all have to destroy it.”

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Professing Criticism

Guillory, a literature professor best known for his landmark work “Cultural Capital” (1993), traces how criticism evolved from a wide-ranging amateur pursuit, requiring no specialist qualifications, into a profession and a discipline housed within the academy. Professionalization, he argues, secured intellectual autonomy for criticism’s practitioners but did so at the eventual expense of reach and relevance, as the field became ever more minutely specialized and preoccupied by its own procedures and politics than by the literary works under review. With funding for the humanities being slashed and enrollments in English courses dwindling, Guillory writes that the knowledge and pleasure transmitted by literary criticism in the university may become “a luxury that can no longer be afforded.”

tiny books all stacked up to create a scholarly looking building

Wade in the Water

Set in 1982, this immersive début novel is narrated largely by an adolescent girl who lives in an all-Black neighborhood in the fictional town of Ricksville, Mississippi. After a white graduate student moves there to conduct research for a thesis on Black migration and the civil-rights movement, the two begin a cautious friendship. Chapters told from the graduate student’s perspective relate a turbulent personal history that includes a stay in a psychiatric hospital and a father who was a Klansman. Though the novel occasionally becomes didactic, Nkrumah resists giving her two main characters a predictable relationship, and her story uncloaks heroes in marvellously unexpected places.

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Still Pictures

The final book by the formidable journalist and longtime staff writer Janet Malcolm is an intimate and elegiac memoir organized around a series of family photographs. Documenting everything from Malcolm’s flight out of Prague before the start of the Second World War to her time at William Shawn’s New Yorker , “Still Pictures” grew out of her 2018 essay “ Six Glimpses of the Past .” An excerpt ran on newyorker.com

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The Best Books We’ve Read in 2024 So Far

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Best New Books Coming March 2024 for Kids, Teens, and Teachers

Lots of new picks for National Reading Month.

New Books March 2024 collage including Tiny Wonders and The Gulf

March is National Reading Month , which makes it the perfect time to check out all the new reads available for the classroom and beyond! Here are the new books for March 2024 that we’re most excited to get our hands on.

New Fiction Picture Books March 2024

March 2024 chapter books/easy readers, new middle grade fiction books march 2024, march 2024 new young adult fiction books, best new graphic novels for all ages in march 2024, march 2024 new nonfiction books for all ages, new books for teachers in march 2024, all that grows by jack wong.

All That Grows book cover

It won’t be long before winter finally gives way to spring, bringing new growth to the world. This new picture book explores the connection between plant growth and human growth as two siblings tend a garden together, learning from each other.

Buy it: All That Grows at Amazon

Everyone Gets a Turn by Marianne Dubuc

Everyone Gets a Turn book cover

Four animal friends find an egg, and since they all want to take care of it, they decide to pool their talents and share in caring for the little bird that soon hatches. It turns out, though, that the little bird has a message of her own to share!

Buy it: Everyone Gets a Turn at Amazon

Miss MacDonald Has a Farm by Kalee Gwarjanski, illustrated by Elizabet Vukovic

Miss MacDonald Had a Farm book cover

Women can be farmers too! In this fun twist on the classic song, Miss MacDonald teaches kids how to tend crops, “with a water-water here” and a “weed-weed there.” It’s a clever take on an old favorite, one that helps kids make connections between the food they eat and the people who grow it all.

Buy it: Miss MacDonald Has a Farm at Amazon

Speck: An Itty-Bitty Epic by Margaux Meganck

Speck: An Itty-Bitty Epic book cover

Dive into a vivid undersea world, and follow the journey of a “speck” that starts in a tide pool. As the speck grows into a barnacle that makes its home on the side of a massive blue whale, it encounters challenges and awe-inspiring sights, both big and small.

Buy it: Speck: An Itty-Bitty Epic at Amazon

Spider in the Well by Jess Hannigan

Spider in the Well book cover

When a town’s wishing well stops granting wishes, one boy peers inside to find a massive spider that seems to be keeping the coins (and wishes!) for itself. But the spider shares a secret with the boy: People were making selfish wishes. Together, the spider and the boy teach the scheming townsfolk a lesson in a hilarious new tale that will delight kids and adults alike.

Buy it: Spider in the Well at Amazon

Tiny Wonders by Sally Soweol Han

Tiny Wonders book cover

Young April wakes to a sad gray day, when everyone seems too busy to enjoy life. She remembers her grandmother telling her that dandelions always brightened her days. So April sets out to fill her town with dandelions, setting free the “tiny wonders” of seeds that bring sunshine to the whole community.

Buy it: Tiny Wonders at Amazon

Bunny and Clyde by Megan McDonald, illustrated by Scott Nash

Bunny and Clyde book cover

Bunny and her chipmunk pal Clyde are tired of being good. They set off on a quest to be bad instead, unrepentantly making messes and plotting mischief. Much to their surprise, some of their pranks turn out to be helpful. They find that being bad is a whole lot more work than they expected!

Buy it: Bunny and Clyde at Amazon

Fox Versus Fox by Corey R. Tabor

Fox Versus Fox book cover

The “I Can Read” books are a staple in many early elementary classrooms, and teachers will welcome this new addition to the collection. A red fox is determined to impress his new friend, the white fox, with his amazing skills on skateboards and more. The white fox is impressed, but it turns out he has plenty of skills of his own, and the whole tale escalates into a soaring finish.

Buy it: Fox Versus Fox at Amazon

Henry and the Something New by Jenn Bailey, illustrated by Mika Song

Henry and the Something New book cover

In the third book about a young neurodivergent boy named Henry, his class prepares to visit the museum for the first time. Henry is both excited and nervous, and at first is too scared to speak up and ask his group to visit the dinosaurs. In the end, though, he finds his voice, and his group learns something new, just like their teacher asked them to do.

Buy it: Henry and the Something New at Amazon

Trim Saves the Day by Deborah Hopkinson, illustrated by Kristy Caldwell

Trim Saves the Day book cover

The Trim series follows an adventurous cat aboard a 19th-century sailing ship. In the latest chapter book, Trim wants to find a way to help out, but mostly winds up irritating his fellow shipmates. Finally, though, Trim is able to use his big voice to alert the crew to a catastrophe and save the day.

Buy it: Trim Saves the Day at Amazon

Ferris by Kate DiCamillo

Ferris book cover

Kate DiCamillo is back with an engaging new heroine, who just happens to have been born beneath the Ferris wheel at the fair. Follow Ferris through one eventful summer when she helps to banish a ghost, reform her mischievous sister, and reconcile her arguing aunt and uncle too.

Buy it: Ferris at Amazon

Kyra, Just for Today by Sara Zarr

Kyra, Just for Today book cover

Thirteen-year-old Kyra is in 7th grade, and suddenly everything is changing. As she deals with the ordinary challenges of puberty and growing up, she also worries that her mother, who has been in recovery from alcoholism for the past five years, might be falling into old habits. This is a must-read for any tween or teen whose family has been affected by addiction.

Buy it: Kyra, Just for Today at Amazon

The Luminous Life of Lucy Landry by Anna Rose Johnson

The Luminous Life of Lucy Landry book cover

Set in Michigan in 1912, this book tells the story of Lucy, a French and Ojibwe girl who’s been adopted by an Ojibwe family after the loss of her parents. Her father died in a shipwreck, leading to Lucy’s fear of water, an inconvenient fact for a girl who must now make her home with lighthouse keepers. Dreamy Lucy has to find a way to make peace with her past, embrace her Ojibwe culture, and draw on her courage to overcome her fears.

Buy it: The Luminous Life of Lucy Landry at Amazon

Olivetti by Allie Millington

Olivetti book cover

In this unique new offering, Olivetti is a typewriter who shares the narration of the story with Ernest, a 7th grader struggling to make sense of his family’s recent tragedy. Olivetti, it turns out, remembers every word ever typed on him. When he’s left in a pawn shop by Ernest’s mother Beatrice, Olivetti decides to break the “typewriterly code” and reach out to Ernest, sharing his typed memories. Together, they find the answers Ernest needs.

Buy it: Olivetti at Amazon

Sona and the Golden Beasts by Rajani LaRocca

Sona and the Golden Beasts book cover

In the land of Devia, the ruling Malechs outlawed music years ago to keep the native people from using their magic and communicating with animals. But Sona, a Malech, secretly hears music everywhere. When she sets off on a quest to help her beloved Ayah, she must embrace her powers and the help of friends and beasts she finds along the way. Ultimately, Sona learns to fight for what is right. This rich new world is perfect for fantasy fans.

Buy it: Sona and the Golden Beasts at Amazon

Warrior on the Mound by Sandra W. Headen

Warrior on the Mound book cover

At a time when white and Black Little League teams were still segregated in North Carolina, 12-year-old Cato just wants to become a star pitcher, and dreams of meeting his hero, Satchel Paige. But when his Black team is accused of damaging the new (and far superior) field where the white team plays, it throws the whole town into an uproar. This sports-based historical-fiction novel has a deeper message to share about prejudice and tolerance, then and now.

Buy it: Warrior on the Mound at Amazon

Ariel Crashes a Train by Olivia A. Cole

Ariel Crashes a Train book cover

Written in verse, this new YA novel addresses the realities of living with obsessive-compulsive disorder (OCD). Teenager Ariel is on her own this summer, with her best friend away and sister off at college. She’s disturbed by her own intrusive thoughts and compulsive behaviors, until her sister suggests OCD might be at play. Ariel wants therapy to find out more, but her parents aren’t supportive. Fortunately, a new group of friends helps support her as she learns more about herself and her condition.

Buy it: Ariel Crashes a Train at Amazon

The Hedgewitch of Foxhall by Anna Bright

The Hedgewitch of Foxhall book cover

Travel back to 8th century Wales and join a young “hedgewitch” estranged from her family. She sets out to walk the length of Offa’s Dyke, destroying it to return Wales’ disappearing magic. But two young princes have been challenged to do the same, in a contest to determine who will inherit the throne. The three are thrown together in a quest that includes romance, magic, danger, and a deep dive into Welsh mythology.

Buy it: The Hedgewitch of Foxhall at Amazon

Icarus by K. Ancrum

Icarus book cover

Seventeen-year-old Icarus is a high school senior by day, art thief by night. Per his father’s strict rules, he has no close friends, though he does have plenty of acquaintances. Then one night he meets an intriguing boy named Helios during a break-in. The two bond over their restricted lives, pursuing a dangerous relationship that both their fathers would end in an instant. Soon, Icarus must make a choice: his father’s world of art thievery and revenge, or a chance at happiness with Helios instead.

Buy it: Icarus at Amazon

The No-Girlfriend Rule by Christen Randall

The No-Girlfriend Rule book cover

When your boyfriend tells you that the one rule at his favorite role-playing game group is “no girlfriends allowed,” what’s an RPG lover like Hollis to do? Luckily, she finds a “girl-friendly, LGBTQIA+-friendly campaign” to join instead. With these new players, she explores a whole new world inside the game and out.

Buy it: The No-Girlfriend Rule at Amazon

Song of Freedom, Song of Dreams by Shari Green

Song of Freedom, Song of Dreams book cover

As the Berlin Wall prepares to fall in late 1989, pianist Helena is focused more on her music. But as her life (and future career) becomes more constrained by the restrictive German Democratic Republic (GDR) government, Helena realizes she must join those who are speaking up and demanding change. As the GDR disintegrates, Helena’s story (written in verse) unfolds in ways she could never have imagined.

Buy it: Song of Freedom, Song of Dreams at Amazon

Next Stop by Debbie Fong

Next Stop book cover

Middle schooler Pia recently lost her brother in an accident Pia believes is her fault. On a trip to Cesarine Lake with a family friend, she’s determined to visit the wacky attraction that supposedly makes “impossible things happen.” The trip itself helps Pia explore what happened to her brother and build resiliency in the face of tragedy. Will the magic of the lake work for Pia? This book leaves you feeling that anything is possible. (Grades 3-7)

Buy it: Next Stop at Amazon

Poetry Comics by Grant Snider

Poetry Comics book cover

These illustrated poems on the changing seasons are perfect for classroom use in a poetry unit. The illustrations help bring the descriptive language and lyrical verses to life, making poetry a relatable topic for reluctant readers. (Grades 3-7)

Buy it: Poetry Comics at Amazon

The Circuit Graphic Novel by Francisco Jiménez, illustrated by Celia Jacobs

The Circuit Graphic Novel book cover

More than 25 years after the publishing of the original book, this graphic novel adaptation makes the popular memoir more accessible for younger readers. The story of a family of migrant farm works from Mexico will open many kids’ eyes to the challenges of itinerant life, as they read about a boy who just wants an education and somewhere to call home once and for all. (Grades 3-7)

Buy it: The Circuit Graphic Novel at Amazon

Blue Stars Mission One: The Vice Principal Problem by Kekla Magoon and Cynthia Leitich Smith, illustrated by Molly Murakami

Blue Stars Mission One: the Vice Principal Problem book cover

Cousins Riley Halfmoon (Black and Indigenous) and Maya Dawn (biracial) move to Urbanopolis to live with their activist grandma after growing up in very different environments. When their school vice principal is determined to do away with programs they love in favor of more trailer classrooms for detention, the two must pair up to expose his plan and save what’s important to them both. (Grades 3-7)

Buy it: Blue Stars Mission One: The Vice Principal Problem at Amazon

The Baker and the Bard by Fern Haught

The Baker and the Bard book cover

Juniper (the baker) and Hadley (the bard) set out on a journey to harvest the magical glowing mushrooms needed to fill a customer’s request. They discover that something has been creeping out of the forest at night to eat the farmers’ crops, and Hadley (always on the lookout for new stories) drags Juniper off to solve the mystery and rescue their new animal friends. (Grades 7-12)

Buy it: The Baker and the Bard at Amazon

The Gulf by Adam de Souza

The Gulf book cover

High schooler Oli has always dreamed of living at the Evergreen commune on one of British Columbia’s Gulf Islands. She convinces two friends to run away with her, but the journey to the commune is more difficult than they expect. Will the Evergreen actually hold the answers the three are seeking, or will the journey itself prove more important? (Grades 9-12)

Buy it: The Gulf at Amazon

Safe Passage by G. Neri, illustrated by David Brame

Safe Passage book cover

Darius, his little sister Cissy, and his best friend Booger dash across South Side Chicago to find a wrecked armored truck rumored to have left cash floating in the streets. Crossing through these rough neighborhoods is dangerous, and when Booger documents their quest on social media, local gangs are suddenly on their tail as they try to find safe passage there and back again. (Grades 9-12)

Buy it: Safe Passage at Amazon

Comet Chaser by Pamela S. Turner, illustrated by Vivien Mildenberger

Comet Chaser book cover

Caroline Herschel’s older brother discovered Uranus (with Caroline’s help), but she was also an incredible scientist in her own right. She was the first paid female astronomer, hired by King George III no less. This book chronicles her incredible discoveries throughout the 18th and 19th centuries, bringing this inspiring female scientist to life for young readers. (Grades Pre-K to 3)

Buy it: Comet Chaser at Amazon

Something About the Sky by Rachel Carson, illustrated by Nikki McClure

Something About the Sky book cover

Rachel Carson is well remembered for sparking the environmental movement. This informative picture book illustrates one of her previously unpublished essays, sharing details about the “ocean of sky” and the clouds that populate it. It’s a quiet, meditative look at the sky above, full of mysteries. (Grades 1-3)

Buy it: Something About the Sky at Amazon

This Book Is Full of Holes by Nora Nickum, illustrated by Robert Meganck

This Book is Full of Holes book cover

Black holes, ice holes, sinkholes, holes in the body of a guitar … find all of these and more in this clever nonfiction book about various kinds of holes. Full of fun humor and fascinating facts, it’s bound to make you look at holes in a whole new light. (Grades 1-4)

Buy it: This Book Is Full of Holes at Amazon

The Fastest Drummer by Dean Robbins, illustrated by Susanna Chapman

The Fastest Drummer book cover

Drums are often one of the earliest instruments kids learn to play, and they’ll be captivated by the story of Viola Smith. As a young female musician in the 1930s, Viola grabbed the world’s attention by being the “fastest girl drummer in the world.” She drew attention to her cause, encouraging bands to hire female drummers during World War II, and continued to create catchy rhythms when she was more than 100 years old! (Grades 2-4)

Buy it: The Fastest Drummer at Amazon

My Antarctica by G. Neri, illustrated by Corban Wilkin

My Antarctica book cover

Join the author on a long-awaited journey to Antarctica’s McMurdo Station, where he meets charming penguins, mummified seals, and scientists engaged in groundbreaking work. The author’s photographs, enhanced by drawings and other images, make the frozen continent seem to leap off the page and into readers’ imaginations. (Grades 2-5)

Buy it: My Antarctica at Amazon

The Enigma Girls by Candace Fleming

The Enigma Girls book cover

Bletchley Park (known then as Station X) housed the critical code-cracking work that helped lead the Allies to victory in World War II. Among the brilliant code breakers were hundreds of young women, including the 10 teenagers profiled in this engaging book. Their compelling stories are sure to inspire awe of their courage, knowledge, and skills. (Grades 3-7)

Buy it: The Enigma Girls at Amazon

Exclusion and the Chinese American Story by Sarah-SoonLing Blackburn

Exclusion and the Chinese American Story book cover

The Chinese American story in the United States begins with the first documented arrival in 1834 of an unnamed teenage girl, imported to be displayed “like an animal in a circus.” It continues across the decades, with oppression and prejudice a regular fact of life. Explore the changing social attitudes and laws throughout the years with this thoughtful look at the Chinese American experience that’s ideal for middle grades. (Grades 5-8)

Buy it: Exclusion and the Chinese American Story at Amazon

Spying on Spies by Marissa Moss

Spying on Spies book cover

Elizebeth Smith Friedman was one of the greatest code breakers of all time. Her important work was so vital to national security that much of it is still classified more than 40 years after her death, but the story of her life is fascinating. From her work intercepting coded messages from mobsters like Al Capone’s gang to breaking Nazi codes during World War II, the entire tale is an incredible look at an amazing woman. (Grades 5-9)

Buy it: Spying on Spies at Amazon

Future Tense by Martha Brockenbrough

Future Tense book cover

Today’s teens will grow up in a world more influenced by artificial intelligence than ever before. That means it’s important for them to understand how AI works, along with its potential advantages and drawbacks. This book is written at a level middle and high schoolers can understand, making it an excellent addition to your nonfiction library shelves. (Grades 7-12)

Buy it: Future Tense at Amazon

An End to Inequality by Jonathan Kozol

An End to Inequality book cover

Any educator dedicated to bringing more equality and equity to America’s education system will welcome this analysis of race-based challenges in our schools. While segregated schools are no longer legally acceptable, they continue to exist in practice, with a striking disparity in quality between them. Approach this read with an open mind, and you’re likely to find a lot to think about—and act upon.

Buy it: An End to Inequality at Amazon

Cultures of Growth by Mary C. Murphy

Cultures of Growth book cover

Many schools are working to build a “growth mindset” culture, but teachers often wonder if it’s really making a difference. This book, with a forward by growth mindset originator Carol Dweck, looks at the application of this mindset to adults and business teams. Tracking stories at companies like Microsoft and organizations like a New York school system, it explores the incredible changes that are possible when growth mindset is given a chance to work.

Buy it: Cultures of Growth at Amazon

Raising a Socially Successful Child by Dr. Stephen Nowicki

Raising a Socially Successful Child book cover

COVID-19 and increased screen time has had a marked effect on many children’s social skills. Dr. Nowicki aims to help reverse those negative effects, as well as prevent them from happening to future generations. Though this book is aimed toward parents, educators will find a lot here that’s useful too, especially in pre-K and elementary school classrooms.

Buy it: Raising a Socially Successful Child at Amazon

What new books coming in March 2024 are you most excited to add to your collection? Come join the conversation in the We Are Teachers HELPLINE group on Facebook to ask for more book recommendations.

Plus, read across america day activities to celebrate literacy ., you might also like.

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Middle School Teachers Share the Cringiest Things They’ve Said by Accident, and We’ve Officially Left Our Bodies

Whatever you do, DO NOT let Mike Hunt register for your Kahoot. Continue Reading

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Buncombe County Schools Board bans NYT bestselling book; which one?

best new books education

ASHEVILLE – A trend sweeping school districts around the United States has found its way to the Buncombe County Board of Education: Book banning.

During its Feb. 8 meeting, the Buncombe County School Board unanimously voted to ban “Tricks” by Ellen Hopkins from schools in the district. The 2009 New York Times bestselling novel about five teenagers who fell into prostitution will no longer be available to students at county schools.

The decision was the final piece of a multi-step process that started when a community member and three parents challenged 10 books at Enka High School in October 2023, according to a Jan. 5 memo to Superintendent Rob Jackson. Most of the books are award-winning or bestselling. BCS spokesperson Timothy Reaves told the Citizen Times Feb. 19 that the group recommended Enka High remove the following books:

  • "Impulse" by Ellen Hopkins, published 2007;
  • "Beloved" by Toni Morrison, published 1987;
  • "Burned" by Ellen Hopkins, published 2006;
  • "Doing It! Let's Talk About Sex" by Hannah Witton, published 2017;
  • "Nineteen Minutes" by Jodi Picoult, published 2007;
  • "Perfect" by Ellen Hopkins, published 2011;
  • "Sold" by Patricia McCormick, published 2006;
  • "Tricks" Ellen Hopkins;
  • "Water for Elephants" by Sara Gruen, published 2006; and
  • "Wicked: Life and Times of the Wicked Witch of the West" by Gregory McGuire, published 1995.

Enka High’s Media Technology Advisory Committee reviewed the books subject to the complaint, per school policy. Reaves told the Citizen Times that "Doing It! Let's Talk About Sex," "Nineteen Minutes" and "Wicked: Life and Times of the Wicked Witch of the West" were removed.

The Enka district MTAC team received a request to review four books that remained at Enka High: “Tricks,” “Perfect," “Sold” and “Water for Elephants." This committee moved to remove “Tricks,” pending board review, but chose to keep the remaining three titles.

“The book narrates teenagers’ various experiences with sex and sex trafficking. While the committee appreciates that sex trafficking is a relevant and timely issue, it felt that the book was not well-balanced in its portrayal of the topic,” the memo said about “Tricks.”

“The committee’s opinion is that the book normalizes, if not glorifies, unhealthy sexual behavior among teens. The overall tone of the book was extremely dark and disturbing, without a balanced emotional perspective. The book also includes an excessive amount of explicit content, leading us to question its appropriateness for high school readers, especially without guidance.”

The memo included passages from each of the books. Many of the passages that the Citizen Times reviewed included sexual content. At the end of the section for each respective book, there was a profanity tally. It is unclear what entity marked the passages or created the tally from the memo.

“’Tricks’ is simply filth in poetic form,” Enka High parent Kim Poteat told the school board during public comment. She was one of the four parents to stage the censorship effort. “What we put into our children’s minds matters. I hope and pray you will see our children deserve better materials than ‘Tricks’ in their school libraries.”

While the Board of Education was initially tasked with approving the ban for the Enka District, members of the board motioned so this book removal applies for all Buncombe schools.

School board member Amy Churchill noted her reservations about removing the book from the library.

“It’s a slippery slope to start banning books, especially when its being used for cultural wars and talking points, political moves, and being surfed from the internet what books to be against without reading said books,” she said. “I have a really hard time when we start talking away basically freedoms.

According to Pen America, there were 3,362 instances of book bans in the U.S. during the 2022-2023 school year, a 33% increase from the prior year.

A spokesperson for Asheville City Schools previously told the Citizen Times that the district does not have a banned book list.

More: Child sexual abuse lawsuit: Family sues Buncombe County Board of Education

More: Asheville schools adopts SB 49 policies; Board chair calls law 'misguided and obtuse'

More: Answer Woman: Are there any books banned in Asheville or Buncombe County schools?

Mitchell Black covers Buncombe County and health care for the Citizen Times. Email him at [email protected] or follow him on Twitter @MitchABlack.   Please help support local journalism with a  subscription  to the Citizen Times.

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The 10 Best Books of 2023

The staff of The New York Times Book Review choose the year’s standout fiction and nonfiction.

Credit... By Timo Lenzen

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By The New York Times Books Staff

  • Nov. 28, 2023

Every year, starting in the spring, we spend months debating the most exceptional books that pass across our desks: the families we grow to love, the narrative nonfiction that carries us away, the fictional universes we can’t forget. It’s all toward one goal — deciding the best books of the year.

Things can get heated. We spar, we persuade and (above all) we agonize until the very end, when we vote and arrive at 10 books — five fiction and five nonfiction.

We dive more into the list in a special edition of our podcast . And in case you’d like even more variety, don’t miss our list of 100 Notable Books of 2023 , or take a spin through this handy list , which features all the books we’ve christened the best throughout the years.

Here they are, the 10 Best Books of 2023.

The book cover of “The Bee Sting,” by Paul Murray, features the title and author’s name on a blank cream-colored background. The only image on the cover is an illustration of a small bee whose tail spells “a novel.”

The Bee Sting , by Paul Murray

Murray makes his triumphant return with “The Bee Sting,” a tragicomic tale about an Irish family grappling with crises. The Barneses — Dickie, Imelda, Cass and PJ — are a wealthy Irish clan whose fortunes begin to plummet after the 2008 financial crash. But in addition to this shared hardship, all four are dealing with demons of their own: the re-emergence of a long-kept secret, blackmail, the death of a past love, a vexing frenemy, a worrisome internet pen pal and more. The novel threads together the stories of the increasingly isolated Barneses, but the overall tapestry Murray weaves is not one of desolation but of hope. This is a book that showcases one family’s incredible love and resilience even as their world crumbles around them. Read our review .

Local bookstores | Barnes and Noble | Amazon | Apple

Chain-Gang All-Stars , by Nana Kwame Adjei-Brenyah

A dystopian satire in which death-row inmates duel on TV for a chance at freedom, Adjei-Brenyah’s debut novel — following his 2018 story collection, “ Friday Black ” — pulls the reader into the eager audience, making us complicit with the bloodthirsty fans sitting ringside. “As much as this book made me laugh at these parts of the world I recognized as being mocked, it also made me wish I recognized less of it,” Giri Nathan wrote in his review. “The United States of ‘Chain-Gang All-Stars’ is like ours, if sharpened to absurd points.” Amid a wrenching love story between two top competitors who are forced to choose between each other and freedom, the fight scenes are so well written they demonstrate how easy it might be to accept a world this sick. Read our review .

Eastbound , by Maylis de Kerangal

De Kerangal’s brief, lyrical novel, first published in France in 2012 and newly translated by Jessica Moore, follows a young Russian conscript named Aliocha on a trans-Siberian train packed with other soldiers. The mood is grim. Aliocha, unnerved by his surroundings after a brawl, decides to desert — and in so doing, creates an uneasy alliance with a civilian passenger, a Frenchwoman. Their desolate environment — de Kerangal describes the Siberian landscape as “a world turned inside out like a glove, raw, wild, empty” — only heightens the stakes. “The insecurity of existence across this vastness and on board the train emphasizes the significance of human connection,” our reviewer, Ken Kalfus, wrote. “In a time of war, this connection may bring liberation and salvation.” Read our review .

The Fraud , by Zadie Smith

Based on a celebrated 19th-century criminal trial in which the defendant was accused of impersonating a nobleman, Smith’s novel offers a vast, acute panoply of London and the English countryside, and successfully locates the social controversies of an era in a handful of characters. Chief among them are a widowed Scottish housekeeper who avidly follows the trial and a formerly enslaved Jamaican servant who testifies on behalf of the claimant. Smith is a talented critic as well as a novelist, and — by way of the housekeeper’s employer, a once popular writer and friendly rival of Dickens — she finds ample opportunity to send up the literary culture of the time while reflecting on whose stories are told and whose are overlooked. “As always, it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself,” Karan Mahajan wrote in his review. “Dickens may be dead, but Smith, thankfully, is alive.” Read our review .

North Woods , by Daniel Mason

Mason’s ambitious, kaleidoscopic novel ushers readers over the threshold of a house in the wilds of western Massachusetts and leaves us there for 300 years and almost 400 pages. One after another, in sections interspersed with letters, poems, song lyrics, diary entries, medical case notes, real estate listings, vintage botanical illustrations and assorted ephemera not normally bound into the pages of a novel, we get to know the inhabitants of the place from colonial times to present day. There’s an apple farmer, an abolitionist and a wealthy manufacturer. A pair of beetles. A landscape painter. A ghost. Their lives (and deaths) briefly intersect, but mostly layer over each other in dazzling decoupage. All the while, the natural world looks on — a long-suffering, occasionally destructive presence. Mason is the consummate genial host, inviting you to stay as long as you like and to make of the place what you will. Read our review .

The Best Minds , by Jonathan Rosen

An inch-by-inch, pin-you-to-the-sofa reconstruction of the author’s long friendship with Michael Laudor, who made headlines first as a Yale Law School graduate destigmatizing schizophrenia ; then for stabbing his pregnant girlfriend to death with a kitchen knife, after which he was sent to a maximum-security psychiatric hospital. Drawing from clips, court and police records, legal and medical studies, interviews, diaries and Laudor’s feverish writings (including a book proposal of his own), Rosen examines the porous line between brilliance and insanity, the complicated policy questions posed by deinstitutionalization and the ethical obligations of a community. “The Best Minds” is a thoughtfully constructed, deeply sourced indictment of a society that prioritizes profit, quick fixes and happy endings over the long slog of care. Read our review .

Bottoms Up and the Devil Laughs , by Kerry Howley

Howley’s account of the national security state and the people entangled in it includes fabulists, truth tellers, combatants, whistle-blowers. At the center is Reality Winner (“her real name, let’s move past it now”), the National Security Agency contractor who was convicted under the Espionage Act for leaking classified information to The Intercept and sentenced to 63 months in prison. Howley’s exploration of privacy and digital surveillance eventually lands her in the badlands of conspiracy theorists and QAnon. It’s an arc that feels both startling and inevitable; of course a journey through the deep state would send her down the rabbit hole. The result is a book that is riveting and darkly funny and, in all senses of the word, unclassifiable. Read our review .

Local bookstores | Barnes and Noble | Amazon

Fire Weather , by John Vaillant

In 2016, raging wildfires consumed Fort McMurray in the Canadian province of Alberta. In the all-too-timely “Fire Weather,” Vaillant details how the blaze started, how it grew, the damage it wrought — and the perfect storm of factors that led to the catastrophe. We are introduced to firefighters, oil workers, meteorologists and insurance assessors. But the real protagonist here is the fire itself: an unruly and terrifying force with insatiable appetites. This book is both a real-life thriller and a moment-by-moment account of what happened — and why, as the climate changes and humans don’t, it will continue to happen again and again. Read our review .

Master Slave Husband Wife , by Ilyon Woo

In 1848, Ellen and William Craft, an enslaved couple in Georgia, made a daring escape north disguised as a sickly young white planter and his male slave — Ellen as the wealthy scion in a stovepipe hat, dark green glasses and a sling over her right arm to conceal her illiteracy. Improbably, despite close calls and determined slave catchers, the Crafts succeeded in their flight, going on to tour the abolitionist speaker circuit in England and to write a popular account of their journey. Their story, which a leading American abolitionist called “one of the most thrilling in the nation’s annals,” is remarkable enough. But Woo’s immersive rendering, which conjures the Crafts’ escape in novelistic detail, is equally a feat — of research, storytelling, sympathy and insight. Read our review .

Some People Need Killing , by Patricia Evangelista

This powerful book mostly covers the years between 2016 and 2022, when Rodrigo Duterte was president of the Philippines and pursued a murderous campaign of extrajudicial killings — EJKs for short. Such killings became so frequent that journalists like Evangelista, then a reporter for the independent news site Rappler, kept folders on their computers that were organized not by date but by hour of death. Offering the intimate disclosures of memoir and the larger context of Philippine history, Evangelista also pays close attention to language, and not only because she is a writer. Language can be used to communicate, to deny, to threaten, to cajole. It can propagate lies, but it also allows one to speak the truth. Read our review .

Explore More in Books

Want to know about the best books to read and the latest news start here..

Even in countries where homophobia is pervasive and same-sex relationships are illegal, queer African writers are pushing boundaries , finding an audience and winning awards.

In Lucy Sante’s new memoir, “I Heard Her Call My Name,” the author reflects on her life and embarking on a gender transition  in her late 60s.

For people of all ages in Pasadena, Calif., Vroman’s Bookstore, founded in 1894, has been a mainstay in a world of rapid change. Now, its longtime owner says he’s ready to turn over the reins .

Do you want to be a better reader?   Here’s some helpful advice to show you how to get the most out of your literary endeavor .

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

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Bestselling Dallas-area author on what the church needs to learn about teaching emotions

Jennie allen is known for her christian women’s conference if: gathering, which drew 50,000 in-person and online attendees last year, and her books, including a new york times bestseller..

Jennie Allen's latest book, "Untangle Your Emotions: Naming What You Feel and Knowing What...

By Joy Ashford

4:28 PM on Feb 16, 2024 CST

New York Times bestselling author and Dallas-area resident Jennie Allen, whose latest book was published this week, has been teaching the Bible since she was 17. “I met Jesus, and I literally just fell in love with him,” she said. “I had to talk about it; I was annoying all my friends.”

Allen started a Bible study with girls from her high school, and they met in her family’s living room to study the Book of Revelation. “It sounded interesting to me as a 17-year-old. I didn’t know how complicated it was,” she said of the famously difficult book.

Her reach has since grown considerably. Allen, now 47, has an active social media presence, with over 175,000 followers on Facebook and over 400,000 on Instagram . She also founded and leads an annual conference for Christian women called IF: Gathering , which will hold its 10th edition Feb. 23-24 at Fort Worth’s Dickies Arena. Last year, the conference had 50,000 in-person and virtual attendees and its livestream was viewed over 600,000 times in 129 countries, Allen’s press team said.

Allen’s 2020 book Get Out Of Your Head: Stopping the Spiral of Toxic Thoughts has sold over 1 million copies and spent 36 weeks on the New York Times bestseller list, according to her press team. Her new book Untangle Your Emotions: Naming What You Feel and Knowing What to Do About It has made Amazon’s bestseller list . To promote the book, she appeared Thursday on the Today show.

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Allen’s big break came in 2010, when she was offered a deal to write two books and seven Bible studies by a Christian publisher. “I had no platform whatsoever,” she said. “I didn’t deserve that.”

She has since written books on topics including mental health and faith. Her most recent one, she said, reflects a change in how she views emotions. It was informed by lessons she’s learned since the pandemic, when she met with a small group of friends and a counselor over Zoom. “We came together to carry each other’s heavy stuff,” she said.

The counselor helped Allen and her friends learn how to listen to one another’s feelings without shaming or judging emotions she said they’d otherwise see as negative. “They showed me that, when they spoke to my emotion with their emotion, instead of trying to fix me, I felt seen and safe and comforted,” Allen said of the group.

In her new book, she shares the lessons she learned, drawing on insights from the Bible and modern psychology. As she wrote, Allen read books from psychologists including Chip Dodd and Lisa Feldman Barrett.

In all her work, Allen said, she aims to share the “last 2%” of her life that even other vulnerable people might hold back. In Untangle Your Emotions , she talks about her husband’s experience with depression and her own anxiety around her children moving far from home. “I think why that’s embarrassing is it feels like a controlling, crazy mom,” she said of sharing her experience.

But it was important to do so, she said. “The Bible says ‘mourn with those who mourn,’ because our brain is meant to heal as we share the hard things.”

Related: Dallas podcaster’s Bible reading show reaches No. 1 on Apple Podcasts

Part of her journey with emotions has involved shifting her perspective on parenting, Allen explained. “Once I got comfortable with ‘negative’ emotions, or uncomfortable emotions, I could sit with other people in them. My kids found me to be a much safer place.

“The most beautiful moments of parenting — for me, it’s been apologizing. And just saying I’d like to do this better, and I’m sorry that I didn’t.”

Allen hopes the thinking that transformed her parenting can help change the way the church teaches about emotions. “We don’t have a good theology of emotions,” she said. “We tend to make people feel guilty for being emotional or having emotions, when what a difficult emotion needs is comfort.”

Allen has a vision for the church that looks different. Citing Romans 8:1 — “There is therefore now no condemnation for those who are in Christ” — she said it “means that we should be the safest place to struggle, to feel fear or anger or sadness. I do believe we have that potential.”

Tickets to attend In: Gathering in person at Dickies Arena in Fort Worth are sold out, but...

Joy Ashford covers faith and religion in North Texas for The Dallas Morning News through a partnership with Report for America.

Joy Ashford

Joy Ashford . Joy Ashford covers faith and religion in North Texas for The Dallas Morning News through a partnership with Report for America.

Luka Doncic, Mavericks keep rolling with playoff-atmosphere win vs. Devin Booker, Suns

City manager replacement: mayor, city council seem to differ on next steps, man suing atmos energy dies from injuries after carrollton home explosion, attorney says, new mavericks majority owner miriam adelson attends first game since purchase of franchise, at&t says cell service fully restored after major outage disrupts its mobile network.

A Guide to Picking Your Ultimate Chromebook Education Device in 2024

A Guide to Picking Your Ultimate Chromebook Education Device in 2024

In a previous blog we talked about the “ Six Factors To Consider When Choosing Your Education Chromebook ”. In this blog we will provide guidance on which Chromebook devices are best for K12 students and which are best for teachers. For K12 students, we recommend Chromebook devices that are durable, have spill and drop protection, are secure, environmentally sustainable , and provide high-performance and long battery life.

Look for Chromebooks that last for 11 hours or more for young kids and elementary school students, and Chromebooks that last 15 hours or more for middle and high school students. Long battery life fosters a seamless learning experience as it allows students to focus on learning, and at the same time it relieves teachers from the stress of monitoring the battery life of each of their students’ devices.

We also recommend devices that provide high-performance capabilities for better multitasking and collaboration, so students can have a smooth learning experience when they use video conferencing tools (i.e., Meet or Zoom), video editing tools such as KineMaster, the 3D simulation Tinkercad, and other available tools.

Chromebooks for K12 Students that meet the criteria above and that we recommend are the following:

best new books education

Acer 311 C723/C723T | MediaTek Kompanio 528 | 4/8GB RAM | 32/64/128GB eMMC | 2.73 lbs. | 15h

Acer 311 C723 Chromebook devices are built with spill protection and military drop protection for all sorts of incidents that could happen in the classroom. The 311 C723 also has a hassle-free replaceable keyboard, is lightweight, and lasts for 15 hours.

best new books education

ASUS CM30* | MediaTek Kompanio 520 | 4GB/8GB RAM | 64/128GB eMMC | 2.43 lbs. | 12h

*Ruggedized - Impact Shield for Education devices

The ASUS Chromebook CM30 Detachable is the perfect portable companion for study, work and play, with a versatile 2-in-1 design that allows it to transform seamlessly between laptop (with available keyboard) and tablet. With a two-way, push-pop stylus to quickly capture ideas and notes, both high-resolution 5MP front and world-facing cameras, an impressive up to 12-hour battery life, fast Wi-Fi 6 connectivity and military-strength design, ASUS Chromebook CM30 Detachable is your effective, fun, and freeing everyday partner — ready to delight at every turn.

best new books education

ASUS CZ12, CZ12 Flip* | MediaTek Kompanio 520 | 4/8GB RAM | 32/64/128GB eMMC | 2.87 lbs. | **h

*Available -June 2024, **Expected to reach 13hrs, actual results to be determined upon product availability

The ASUS CZ12 was just launched at BETT 24’ and you can view the ASUS and MediaTek announcement video here . ASUS Chromebook CZ12 features a 180 ° lay-flat design and the ASUS Chromebook CZ12 Flip which features a 360 ° -flippable design. Both devices are an excellent study companion for K-12 students, with a portable and durable design that guarantees enduring value and empowers engaged learning — anywhere. Coupled with a 12.2-inch 16:10 WUXGA display incorporating TÜV-certified technology, it enhances the visual experience while emphasizing eye protection. The series boasts an extended battery life for uninterrupted use throughout an entire day of classes, empowering students to extend their learning beyond traditional limits.

best new books education

Lenovo 100e (Gen 4) | MediaTek Kompanio 520 | 4GB/8GB RAM | 32/64GB eMMC | 2.7 lbs. | 15h+

best new books education

Lenovo 300e (Gen 4) | MediaTek Kompanio 520 | 4GB/8GB RAM | 32/64GB eMMC | 2.93 lbs. | 15h+

Lenovo’s latest classroom focused devices are the powerful and simple Lenovo 100e (Gen 4) and Lenovo 300e (Gen 4) . The Lenovo 100e has a durable keyboard with full skirt keycaps and reinforced ports and hinges. The Lenovo 300e has a 360-degree hinge allowing it to act as a laptop, tablet, tent, or stand, as well as an integrated pen, a mute button, an HD front camera and an optional 5MP world-facing camera to capture real-time field trip video and images. Both devices are sturdy with military-grade durability, spill protection, and mechanically anchored keys that stay put and cannot be pulled off. Both Chromebooks also last over 15 hours, which allows students to focus on learning and relieves teachers from the stress of monitoring the battery life of each of their students’ devices. These devices are powered by the new MediaTek Kompanio 520 processors, which provide almost double the performance of the previous generation of MediaTek Kompanio 500 processors. Also, the new MediaTek Kompanio 520 processors provide higher security against malware.

Chromebooks for Teachers

For teacher devices, we recommend choosing Chromebooks powered by processors with higher performance capabilities to allow for faster multitasking as well as the power to drive larger screen devices (14”).

Here are the exciting teacher devices that we recommend:

best new books education

Acer 514 | MediaTek Kompanio 828 | 4GB/8GB RAM | 64GB eMMC | 2.9 lbs. | 15h

The Acer 514 Chromebook provides excellent mid-range performance featuring the MediaTek Kompanio 828 processor, while still providing incredible all-day battery life (rated at 15 hours).

best new books education

ASUS CM14 | MediaTek Kompanio 520 | 4GB RAM | 32GB eMMC | 3.2 lbs. | 15h

ASUS CM14 Flip | MediaTek Kompanio 520 | 8GB RAM | 128GB eMMC | 3.44 lbs. | 14h

The ASUS CM14 and the ASUS CM14 Flip devices are powered by the new MediaTek Kompanio 520 processors, which allow for higher performance and higher security against malware. They are built to meet next-level and industry-leading MIL-STD 810H3 US military tests so you don’t have to worry about everyday knocks and bumps.

best new books education

Lenovo Slim 3 | MediaTek Kompanio 520 | 4GB RAM | 64GB eMMC | 2.9 lbs. | 13.5h

The Lenovo IdeaPad Slim 3 features a premium 14" FHD touchscreen display. It is also a highly capable multi-tasking companion, powered by the MediaTek Kompanio 520 processor. The Lenovo Slim 3 is also a thin, lightweight, and fan-less device featuring all day battery (rated at 13.5 hours).

* Please note that the same Chromebook model can be powered by different processors. To ensure that your teachers and students are getting the specs mentioned above, confirm that the Chromebooks you pick are powered by MediaTek Kompanio processors.

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  1. The Best Higher Education Books Of 2020

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  2. The 10 Best Education Books to Read in 2019

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  3. 19 Best Books on Education

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  4. The best new books to read: Top releases, updated weekly

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  5. The Best Higher Education Books Of 2021

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  6. 5 of the Best Educational Books of 2014

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  1. important books and writers

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  1. 11 Best New Education Books To Read In 2024

    10 Best New Education Books To Read In 2024 - BookAuthority A list of 10 new education books you should read in 2024, such as Embracing AI and Educational Neuroscience.

  2. Education Books

    Farrar, Straus & Giroux A winner of the Nobel in economic science discusses how we make choices in business and personal lives and when we can and cannot trust our intuitions. Buy Read Review GRIT...

  3. 9 New Books We Recommend This Week

    In fiction, we recommend debuts from DéLana R.A. Dameron, Alexander Sammartino and Rebecca K Reilly, alongside new novels by Cormac James, Ashley Elston and Kristin Hannah. Happy reading ...

  4. New Releases in Education & Teaching

    New Releases in Education & Teaching The Redleaf Calendar-Keeper 2024: A Record-Keeping System for Family Child Care Professionals 4.8 out of 5 stars $21.95 Never Say Never: An Enemies to Lovers College Romance 3.9 out of 5 stars Workbook: Self-Heal by Design (Barbara O'Neill): Health, Dieting & More, Book 1 4.7 out of 5 stars $6.08

  5. Our Favorite Books for Educators in 2021

    Self-Compassion for Educators, by Lisa Baylis PESI Publishing, Inc., 2021, 264 pages. If you're looking for a psychological boost as you begin 2022, Lisa Baylis's Self-Compassion for Educators features stories, reflection activities, and personal practices for any adult who supports student learning.

  6. Our Favorite Books for Educators in 2023

    The Polyvagal Path to Joyful Learning: Transforming Classrooms One Nervous System at a Time, by Debra Em Wilson Norton Professional Books, 2023, 176 pages Why is everyone talking about the vagus nerve these days? This wandering bundle of fibers connects the brain and the body, sending safety-and-danger signals to us throughout the day.

  7. The Best Higher Education Books Of 2022

    The Best Higher Education Books Of 2022 More From Forbes Feb 15, 2024,02:13pm EST Facebook Is Still No.1 Social Media Site For News, But Users Are Wary Feb 15, 2024,10:34am EST In Florida,...

  8. Some Of 2023's Best Higher Education Books

    Biographies, handbooks, histories, forecasts and memoirs highlight some of the best higher education books of 2023. Here are my choices for top titles.

  9. Thought-Provoking Books for Educators in 2022

    ClearView Publishing, 2022, 123 pages. At the root of America's disunity, argues scholar Steven Rockefeller, is "the erosion and weakening of America's moral and spiritual foundation, reflecting estrangement from our better selves and one another and the larger community of life on Earth."

  10. New Releases in Education Theory

    Amazon.com New Releases: The best-selling new & future releases in Education Theory New Releases in Education Theory #1 Fluentish: Language Learning Planner & Journal Jo Franco 18 Hardcover 32 offers from $18.79 #2

  11. Best Education Books 2023: Essential Reads for Learners

    The landscape of education is constantly evolving, with new books emerging to shed light on the innovations and trends shaping the future of learning.From pioneering teaching methods to embracing technology, a selection of the best education books of 2023 promises to guide educators, students, and policymakers through this transformation.These texts dive deep into dynamic and inclusive ...

  12. Education Books

    School Murder Mysteries 105 books — 83 voters Science for Kids 474 books — 161 voters Best Bildungsroman book 346 books — 323 voters Education genre: new releases and popular books, including Legacy: A Black Physician Reckons with Racism in Medicine by Uché Blackstock, Madness: Race an...

  13. Discovery: The best new Education & Reference books

    Don't worry if there are some things you have forgotten since you last donned your uniform. Just sharpen your pencils and give yourself a refresher course from the best new indie education & reference books on Reedsy Discovery. Here you'll find anything from creative teaching resources to DIY guides. If you're looking for new ways to ...

  14. Best New Books Coming November 2023 for Kids and Teachers

    We've scoured the reviews and rounded up all the new books coming in November 2023 that seem perfect for kids and classrooms. Here's what we can't wait to check out this month. Fiction Picture Books. Easy Reader/Chapter Books. Middle Grade Fiction Books. High School Fiction Books. Nonfiction Books. Graphic Novels.

  15. The Best Books of 2023

    by Lorrie Moore (Knopf) Fiction. In the nineteenth century, Libby, the proprietress of a rooming house, writes to her dead sister about her new gentleman lodger, who, we come to learn, is a ...

  16. 9 Best New Education eBooks To Read In 2024

    A list of 9 new education ebooks you should read in 2024, such as Embracing AI, Special Education and Educational Neuroscience.

  17. What Book Should You Read Next?

    Well, here you go — a running list of some of the year's best, most interesting, most talked-about books. Check back next month to see what we've added. We chose the 10 best books of 2023.

  18. Best New Books in March 2024 for Kids, Teens, and Teachers

    Henry and the Something New by Jenn Bailey, illustrated by Mika Song. Amazon. In the third book about a young neurodivergent boy named Henry, his class prepares to visit the museum for the first time. Henry is both excited and nervous, and at first is too scared to speak up and ask his group to visit the dinosaurs.

  19. 12 Best New Teaching Books To Read In 2024

    A list of 11 new teaching books you should read in 2024, such as How Teaching Happens and Getting Started with Latin.

  20. 21 Books To Help You Learn Something New

    Recommendations>. Book Lists. 21 Books To Help You Learn Something New. The Books That Inspired "Saltburn". Insightful Therapy Books To Read This Year. Historical Fiction With Female Protagonists. Best Thrillers of All Time. Manga and Graphic Novels. Articles.

  21. 20 Best Education Books of All Time

    23rd Book: The Mis-Education of the Negro -By Carter G. Woodson A MUST READ. Carter G. Woodson "the Father of Black History" created "Negro History Week" that was later expanded to Black History Month - from Twitter Read Amazon reviews | Rate or write a review View on Amazon Get It Free With Audible Trial 2 The Knowledge Gap

  22. 25 Best Fiction Books of 2023 (So Far)

    City Under One Roof Book. 2. City Under One Roof by Iris Yamashita. Shop Now. Release date: Jan. 10, 2023. This might be Iris Yamashita's debut novel, but the author is no stranger to tightly ...

  23. Buncombe County Board of Education bans NYT bestselling book

    During its Feb. 8 meeting, the Buncombe County School Board unanimously voted to ban "Tricks" by Ellen Hopkins from schools in the district. The 2009 New York Times bestselling novel about ...

  24. The 10 Best Books of 2023

    Fire Weather, by John Vaillant. In 2016, raging wildfires consumed Fort McMurray in the Canadian province of Alberta. In the all-too-timely "Fire Weather," Vaillant details how the blaze ...

  25. Kennewick School Board weighs in on controversial WA education bills

    Kennewick, WA. The Kennewick School Board passed a resolution Tuesday morning strongly opposing two bills in the Washington Legislature related to books and curricula on historically marginalized ...

  26. Bestselling Dallas-area author on what the church needs to learn about

    LISTEN. New York Times bestselling author and Dallas-area resident Jennie Allen, whose latest book was published this week, has been teaching the Bible since she was 17. "I met Jesus, and I ...

  27. MediaTek

    Here are the exciting teacher devices that we recommend: Acer 514 | MediaTek Kompanio 828 | 4GB/8GB RAM | 64GB eMMC | 2.9 lbs. | 15h. The Acer 514 Chromebook provides excellent mid-range performance featuring the MediaTek Kompanio 828 processor, while still providing incredible all-day battery life (rated at 15 hours).